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This book examines Théodore Géricault’s images of black men, women and children who suffered slavery’s trans-Atlantic passage in the late eighteenth and early nineteenth centuries, including his 1819 painting The Raft of the Medusa. The book focuses on Géricault’s depiction of black people, his approach towards slavery, and the voices that advanced or denigrated them. By turning to documents, essays and critiques, both before and after Waterloo (1815), and, most importantly, Géricault’s own oeuvre, this study explores the fetters of slavery that Gericault challenged—alongside a growing number of abolitionists—overtly or covertly. This book will be of interest to scholars in art history, race and ethnic studies and students of modernism.
Disaster strikes. A ship goes down, a plane crashes, a party of travellers is cut off. But when the panic and confusion subside and the dead are counted, the survivors must find a way to keep surviving. And in desperation, unconstrained by law or conventional authority, the tactics they resort to can be both horrifying and ultimately self-destructive. Learmonth and Tabakoff outline the physical and neurological changes that typically affect the victims of disaster. Then, using true stories from history as case studies, they investigate the scenario famously imagined by William Golding in Lord of the Flies and borne out by the extraordinary Robbers Cave experiments of the 1950s. As this fascinating book unfolds the awful truth becomes clear. In extremis, humans are capable of a swift descent into murderous savagery that is both hard to believe - and impossible to forget. Eleanor Learmonth has worked as a teacher and freelance journalist in Japan and Australia. She has a reputation as a magnet for natural disasters. Jenny Tabakoff has been a senior journalist in Australia and Britain for The Times, the Sydney Morning Herald and AAP. She is the co-author of Australian Style. Eleanor and Jenny live in Sydney with their husbands and children. They met at the school gate. 'Succinct yet considered, accessible yet authoritative, Learmonth and Tabakoff strike a happy balance between scholarliness and readability throughout...cogent presentation of some truly harrowing subject matter, which less responsible hands might have milked for vulgar sensationalism.' Bookseller and Publisher 'Well researched and well argued, lively and energetic, No Mercy is full of insights into leadership, loyalty, sacrifice and compassion that will challenge readers to wonder what they might do if similarly tested.' Booktopia Buzz 'Sometimes adversity brings out the best in people, at other times it does the opposite. This is about those other times...excellent reading when you’re safely at home.' Weekend Herald 'A fascinating post-mortem of how certain groups manage to survive while others flailed about in drunken, murderous chaos.' Daily Telegraph 'This fascinating book shines light on an awful truth.' Get Reading
This spellbinding account of the most famous shipwreck before the "Titanic" draws on published accounts and journals of survivors. Historian Miles brilliantly reconstructs the ill-fated voyage and the events that inspired Theodore Gericaults painting "The Raft of the Medusa."
Lord Amherst’s diplomatic mission to the Qing Court in 1816 was the second British embassy to China. The first led by Lord Macartney in 1793 had failed to achieve its goals. It was thought that Amherst had better prospects of success, but the intense diplomatic encounter that greeted his arrival ended badly. Amherst never appeared before the Jiaqing emperor and his embassy was expelled from Peking on the day it arrived. Historians have blamed Amherst for this outcome, citing his over-reliance on the advice of his Second Commissioner, Sir George Thomas Staunton, not to kowtow before the emperor. Detailed analysis of British sources reveal that Amherst was well informed on the kowtow issue and made his own decision for which he took full responsibility. Success was always unlikely because of irreconcilable differences in approach. China’s conduct of foreign relations based on the tributary system required submission to the emperor, thus relegating all foreign emissaries and the rulers they represented to vassal status, whereas British diplomatic practice was centred on negotiation and Westphalian principles of equality between nations. The Amherst embassy’s failure revised British assessments of China and led some observers to believe that force, rather than diplomacy, might be required in future to achieve British goals. The Opium War of 1840 that followed set a precedent for foreign interference in China, resulting in a century of ‘humiliation’. This resonates today in President Xi Jinping’s call for ‘National Rejuvenation’ to restore China’s historic place at the centre of a new Sino-centric global order.