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First published in 1503 in Lyons, Symphorien Champier's The Ship of Virtuous Ladies helped launch the French Renaissance version of the querelle des femmes, the debate over the nature and status of women. The three books included in this edition include arguments for gender equality, and a catalogue of virtuous women modeled on Boccaccio's Famous Women and Jacobus de Voragine's Golden Legend. Titled "The Book of True Love," book 4 is especially important in gender history, importing and transforming the male-centered Neoplatonic philosophy of Marsilio Ficino for pro-woman ends.
A “vivid, unsentimental, powerful” portrait of a Southern marriage by the New York Times–bestselling author of Ellen Foster (Publishers Weekly). “She hasn’t been dead four months and I’ve already eaten to the bottom of the deep freeze. I even ate the green peas. Used to I wouldn’t turn my hand over for green peas . . .” Ruby Stokes has died too young and left her husband, Blinking Jack, behind. With alternating entries from each of them, A Virtuous Woman recounts the tale of their years together in an “exquisitely realised piece of writing” (Elizabeth Buchan, The Mail on Sunday). From their very different backgrounds—Ruby a daughter of wealth, Jack a penniless tenant farmer—to their relationships with their landlord and his family, and the strength they drew from each other in the face of hardship, this story of a marriage is “full of fantastically gritty metaphors . . . A book that will change your dreams” (The Observer). “Gibbons again flawlessly reproduces the humor and idiom of rural eastern North Carolina.” —Library Journal
Originally published in 1529, the Declamation on the Preeminence and Nobility of the Female Sex argues that women are more than equal to men in all things that really matter, including the public spheres from which they had long been excluded. Rather than directly refuting prevailing wisdom, Agrippa uses women's superiority as a rhetorical device and overturns the misogynistic interpretations of the female body in Greek medicine, in the Bible, in Roman and canon law, in theology and moral philosophy, and in politics. He raised the question of why women were excluded and provided answers based not on sex but on social conditioning, education, and the prejudices of their more powerful oppressors. His declamation, disseminated through the printing press, illustrated the power of that new medium, soon to be used to generate a larger reformation of religion.
On the inside we are all virtuous women; some of us doubt this because of the high standards that have been placed before us in Proverbs. If we look deep inside ourselves, however, we will know that this power is within all of us. This workbook was developed for you to reflect on each verse and think positively about yourself and your skills.
Contemporary critiques of sexuality have their origins in the work of Michel Foucault. While Foucault's seminal arguments helped to establish the foundations of queer theory and greatly advance feminist critique, Lynne Huffer argues that our interpretation of the theorist's powerful ideas remains flawed.
In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships—both real and symbolic—are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck—imagined through the Lucretian suave mari magno commonplace—is constantly undermined, not least through a sustained focus on the corporeal. This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms, and, conversely, ships themselves become animalized and humanized. Secondly, many texts anticipate that the description of shipwreck will have an affect not only on its victims, but on those too of spectators, listeners, and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century, culminating in a shipwreck tragedy. By the late Renaissance, shipwreck is not only the end, but often forms the beginning of a story.
Michel Foucault has had an extraordinary impact on writers in the human sciences since his first book Madness and Civilization appeared in English. This title assesses the reactions to Madness and Civilization.
Popular women's Bible study author Stacy Mitch followed the first book of her Courageous series, Courageous Love, with a book on the virtues, Courageous Virtue: A Bible Study on Moral Excellence for Women. Stacy Mitch's Bible study explores how virtue can help women in their daily walks with the Lord and in everyday life. She focuses on the cardinal virtues (fortitude, temperance, justice, and prudence) and the theological virtues (faith, hope, and love). As with her last book, Courageous Virtue is filled with scriptural teaching and the words of the saints, carefully laying a path to the virtues for all readers. Stacy's insightful study questions lead readers to carefully examine their lives in light of the virtues, and the book includes a leader's guide for group Bible studies. About the Series: Intended for individual or group study, our Courageous series examines the teaching of Sacred Scripture on women and the feminine pursuit of holiness for women of all ages and walks of life. Each book includes a leader's guide and study questions to help promote and direct discussion.