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In the second part of his childhood recollections, the writer recalls the summer of 1965. It was a time of the Vietnam War, the Beatles and their Ticket to Ride and the start of package holidays. It was also the time the writer took a holiday cruise with his family. His memories revolve around just four photographs - all that's left of the family mementoes. Was it a golden time for travel? Was it a holiday of a lifetime? Was it really as exciting as it sounded? And could an eleven-year-old stay out of trouble? Amidst the deck quoits, excursions and fancy dress competitions, he starts to question his own motives; is he retracing his steps for pleasure or is it guilt for having disposed of the family archives? In an attempt to retrace his steps, he boards a modern-day luxury cruiser and makes some intriguing discoveries.
The fourteenth novel in the classic Aubrey-Maturin series finds Aubrey and Maturin shipwrecked, harassed by pirates and then in the brutal penal colonies of New South Wales.
Timely and profound philosophical meditations on how great figures in history, literature, music, and art searched for solace while facing tragedies and crises, from the internationally renowned historian of ideas and Booker Prize finalist Michael Ignatieff When we lose someone we love, when we suffer loss or defeat, when catastrophe strikes—war, famine, pandemic—we go in search of consolation. Once the province of priests and philosophers, the language of consolation has largely vanished from our modern vocabulary, and the places where it was offered, houses of religion, are often empty. Rejecting the solace of ancient religious texts, humanity since the sixteenth century has increasingly placed its faith in science, ideology, and the therapeutic. How do we console each other and ourselves in an age of unbelief? In a series of lapidary meditations on writers, artists, musicians, and their works—from the books of Job and Psalms to Albert Camus, Anna Akhmatova, and Primo Levi—esteemed writer and historian Michael Ignatieff shows how men and women in extremity have looked to each other across time to recover hope and resilience. Recreating the moments when great figures found the courage to confront their fate and the determination to continue unafraid, On Consolation takes those stories into the present, movingly contending that we can revive these traditions of consolation to meet the anguish and uncertainties of our precarious twenty-first century.
With the help of her daughters, widow Marianne Hollis sets out to make her husbands last dream a reality by uncovering a treasure trove of missing glass negatives that represent the earliest pictures ever taken of Toronto, in a novel that moves back and forth between the present and the past, into the life of the photographer who took the pictures more than a century and a half earlier.
Using as her starting point the story of Orpheus and Eurydice, Melissa F. Zeiger examines modern transformations of poetic elegy, particularly as they reflect historical changes in the politics of gender and sexuality. Although her focus is primarily on nineteenth- and twentieth-century poetry, the scope of her investigation is grand: from John Milton's "Lycidas" to very recently written AIDS and breast cancer elegies. Milton epitomized the traditional use of the Orpheus myth as an illustration of the female threat to masculine poetic prowess, focused on the beleaguered Orpheus. Zeiger documents the gradual inclusion of Eurydice, from the elegies of Algernon Charles Swinburne through the work of Thomas Hardy and John Berryman, re-examining the role of Eurydice, and the feminine more generally, in poetic production. Zeiger then considers women poets who challenge the assumptions of elegies written by men, sometimes identifying themselves with Eurydice. Among these poets are H.D., Edna St. Vincent Millay, Anne Sexton, and Elizabeth Bishop. Zeiger concludes with a discussion of elegies for victims of current plagues, explaining how poets mourning those lost to AIDS and breast cancer rewrite elegy in ways less repressive, sacrificial, or punitive than those of the Orphean tradition. Among the poets discussed are Essex Hemphill, Thom Gunn, Mark Doty, Audre Lorde, Adrienne Rich, and Marilyn Hacker.
A half-Chinese orphan whose mother sacrificed everything to give him a better chance is raffled off as a prize at Seattle's 1909 World's Fair, only to land in the ownership of the madam of a notorious brothel where he finds friendship and opportunities, in a story based on true events.
Throughout Antiquity and the Middle Ages, literature was read with the ear as much as with the eye: silent reading was the exception; audible reading, the norm. This highly original book shows that Boethius's Consolation of Philosophy - one of the most widely-read texts in Western history - aims to affect the listener through the designs of its rhythmic sound. Stephen Blackwood argues that the Consolation's metres are arranged in patterns that have a therapeutic and liturgical purpose: as a bodily mediation of the text's consolation, these rhythmic patterns enable the listener to discern the eternal in the motion of time. The Consolation of Boethius as Poetic Liturgy vividly explores how in this acoustic encounter with the text philosophy becomes a lived reality, and reading a kind of prayer.