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This early work by Arthur Machen was originally published in 1895 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Shining Pyramid' is a short story of a mysterious arrangement of stones found on a doorstep which lead to the discovery of underground dwellers best left untouched. Arthur Machen was born in Caerleon, Monmouthshire, Wales in 1863. At the age of eleven, he boarded at Hereford Cathedral School, where he received a comprehensive classical education. His first major success came in 1894, with the novella 'The Great God Pan'. Although widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, it has since garnered a reputation as a classic of horror; indeed, author Stephen King has called it “maybe the best [horror story] in the English language.” His legacy remains formidable; his work has influenced countless other artists, and is seen as setting the stage for – amongst other things – the Cthulhu horrors of H. P. Lovecraft. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
These early works by various authors were originally published between the late 16th century and early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume I.' contains a collection of short stories that include 'The Mark of the Beast' by Rudyard Kipling, 'The Eyes of the Panther' by Ambrose Bierce, 'In the Avu Observatory' by H. G. Wells, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
This early work by Arthur Conan Doyle was originally published in 1897 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Fiend of the Cooperage' is a short story about a man who travels to a tropical island but finds that life there is not quite as monotonous as he expected. Arthur Conan Doyle was born in Edinburgh, Scotland, in 1859. It was between 1876 and 1881, while studying medicine at the University of Edinburgh, that he began writing short stories, and his first piece was published in 'Chambers's Edinburgh Journal' before he was 20. In 1887, Conan Doyle's first significant work, iA Study in Scarlet', appeared in 'Beeton's Christmas Annual'. It featured the first appearance of detective Sherlock Holmes, the protagonist who was to eventually make Conan Doyle's reputation. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
This early work by Edward Page Mitchell was originally published in 1878 and we are now republishing it as part of our Cryptofiction Classics series. 'The Devilish Rat' is a short story about flesh stripping rodents. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
This early work by Charles John Cutcliffe Hyne was originally published in 1904 and we are now republishing it as part of our Cryptofiction Classics series. 'The Lizard' is a short story in about a cave-hunter who finds more than he bargained for. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
This early work by Algernon Blackwood was originally published in 1908 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Camp of the Dog' is a short story of a group's visit to the outback that is disturbed by the presence of a werewolf. Algernon Henry Blackwood was born in Shooter's Hill, South East England, in 1869. In his youth he trained as a doctor at Wellington College in Berkshire, and went on to pursue a number of careers, in areas as varied as milk farming, modelling, journalism and violin teaching. In his thirties, Blackwood returned to England from New York, where he had spent a number of years, and began to write stories of the supernatural. Blackwood was extremely prolific, producing over the course of his life some ten original collections of short stories, fourteen novels, several children's books, and a number of plays. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, were-wolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
In the face of an Atlantic hurricane, a boatload of mis-matched crew and passengers find themselves aboard a life-boat and must pit their strength against the rigours of the open sea. Tension mounts both inside and outside the rescue vessel - the desirable Synolda is forced into the arms of a man who knows her past and uses that knowledge. A man with hatred in his eyes – a hatred that can only be satisfied with blood. There is mutiny and murder before the unrelenting Sargasso weed entombs them all. But suddenly land is sighted – land unmarked on the chart, concealing further, unimaginable horrors.