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From the beginning of his literary career, Machen espoused a mystical belief that the humdrum ordinary world hid a more mysterious and strange world beyond. His gothic and decadent works of the 1890s concluded that the lifting of this veil could lead to madness, sex, or death, and usually a combination of all three. Machen's later works became somewhat less obviously full of gothic trappings, but for him investigations into mysteries invariably resulted in life-changing transformation and sacrifice. Machen loved the medieval world view because he felt it combined deep spirituality alongside a rambunctious earthiness.
A little girl takes a shortcut on her way home and is never to be seen again. Luckily Machen’s favourite supernatural investigator Dyson is tasked with unravelling the mystery. While examining the girl's route Dyson encounters peculiar stone arrangements which resemble little pyramids. He is left baffled and perplexed - who could have planted these stones in such an exquisite manner and whatever for? 'The Shining Pyramid' is a fine detective story infused with eerie supernatural aspects. A must-read for fans of David Lynch's world-famous 'Twin Peaks' TV series. Jorge Luis Borges cited Machen as a great writer and an inspiration for the magical realism movement in literature. Notorious occultist Aleister Crowley also greatly admired Machen for effortlessly crossing over the threshold that separates reality and the magical realm. Arthur Machen (1863-1947) was a Welsh writer of supernatural, fantasy, and horror novels. Before his literary career skyrocketed he also worked as a journalist and an actor. His major belief was that the ordinary and external world surreptitiously conceals something far more mysterious and bizarre. In turn, we are deeply interested in trying to lift the veil enshrouding the threshold separating the two. His most acclaimed works include the classic horror novella 'The Great God Pan' and the semi-autobiographical 'The Hill of Dreams'.
Arthur Machen's occult investigator, Dyson, features in three short stories and the longer narrative, The Three Impostors. Dyson is not a professional detective, but has a keen interest in mysterious events. He investigates strange deaths and disappearances, and encounters weird beings and secret orders. Machen creates a world layered with shadows and wrapped in illusions, requiring all of Dyson's skill to ferret out reality, however strange it turns out to be. But will he find the truth in time?
The Three Impostors; or, The Transmutations is an episodic horror novel by British writer Arthur Machen, first published in 1895 in The Bodley Head's Keynote Series. It was revived in paperback by Ballantine Books as the forty-eighth volume of the Ballantine Adult Fantasy series in June 1972. The novel comprises several weird tales and culminates in a final denouement of deadly horror, connected with a secret society devoted to debauched pagan rites. The three impostors of the title are members of this society who weave a web of deception in the streets of London-relating the aforementioned weird tales in the process-as they search for a missing Roman coin commemorating an infamous orgy by the Emperor Tiberius and close in on their prey: "the young man with spectacles". (wikipedia.org)
The story of the mysterious, ancient priesthood with a mission to preserve their secret knowledge to help humanity - but also to control the development of the world.
'It's a preposterous plan. Still, if you do get up it, I think it'll be the hardest thing that's been done in the Himalayas.' So spoke Chris Bonington when Peter Boardman and Joe Tasker presented him with their plan to tackle the unclimbed West Wall of Changabang - the Shining Mountain - in 1976. Bonington's was one of the more positive responses; most felt the climb impossibly hard, especially for a two-man, lightweight expedition. This was, after all, perhaps the most fearsome and technically challenging granite wall in the Garhwal Himalaya and an ascent - particularly one in a lightweight style - would be more significant than anything done on Everest at the time. The idea had been Joe Tasker's. He had photographed the sheer, shining, white granite sweep of Changabang's West Wall on a previous expedition and asked Pete to return with him the following year. Tasker contributes a second voice throughout Boardman's story, which starts with acclimatisation, sleeping in a Salford frozen food store, and progresses through three nights of hell, marooned in hammocks during a storm, to moments of exultation at the variety and intricacy of the superb, if punishingly difficult, climbing. It is a story of how climbing a mountain can become an all-consuming goal, of the tensions inevitable in forty days of isolation on a two-man expedition; as well as a record of the moment of joy upon reaching the summit ridge against all odds. First published in 1978, The Shining Mountain is Peter Boardman's first book. It is a very personal and honest story that is also amusing, lucidly descriptive, very exciting, and never anything but immensely readable. It was awarded the John Llewelyn Rhys Prize for literature in 1979, winning wide acclaim. His second book, Sacred Summits, was published shortly after his death in 1982. Peter Boardman and Joe Tasker died on Everest in 1982, whilst attempting a new and unclimbed line. Both men were superb mountaineers and talented writers. Their literary legacy lives on through the Boardman Tasker Prize for Mountain Literature, established by family and friends in 1983 and presented annually to the author or co-authors of an original work which has made an outstanding contribution to mountain literature. For more information about the Boardman Tasker Prize, visit: www.boardmantasker.com
Book Excerpt: ...onument that the famed tomb of Perneb was found--more than four hundred miles north of the Theban rock valley where Tut-Ankh-Amen sleeps. Again I was forced to silence through sheer awe. The prospect of such antiquity, and the secrets each hoary monument seemed to hold and brood over, filled me with a reverence and sense of immensity nothing else ever gave me.Fatigued by our climb, and disgusted with the importunate Bedouins whose actions seemed to defy every rule of taste, we omitted the arduous detail of entering the cramped interior passages of any of the pyramids, though we saw several of the hardiest tourists preparing for the suffocating crawl through Cheops' mightiest memorial. As we dismissed and overpaid our local bodyguard and drove back to Cairo with Abdul Reis under the afternoon sun, we half regretted the omission we had made. Such fascinating things were whispered about lower pyramid passages not in the guide books; passages whose entrances had been hastily blocked up and concealed by ce...
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