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Raised by her aunt and uncle amidst the rolling hills of the Tuscan countryside, young orphan Virginia Tacci has always harbored a deep love for horses--though she knows she may never have the chance to ride. As a shepherdess in sixteenth-century Italy, Virginia's possibilities are doubly limited by her peasant class and her gender. Yet while she tends her flock, Virginia is captivated by the daring equestrian feats of the high-spirited Isabella De' Medici, who rides with the strength and courage of any man, much to the horror of her brother, the tyrannical Gran Duca Francesco De' Medici. Inspired, the young shepherdess keeps one dream close to her heart: to race in Siena's Palio. Twenty-six years after Florence captured Siena, Virginia's defiance will rally the broken spirit of the Senese people and threaten the pernicious reign of the Gran Duca. Bringing alive the rich history of one of Tuscany's most famed cities, this lush, captivating saga draws an illuminating portrait of one girl with an unbreakable spirit.
After their military defeat by the Florentines in the mid-sixteenth century, the citizens of Siena turned from politics to celebratory, social occasions to express their civic identity and show their capacity for collective action. In the first major work of its kind, Colleen Reardon opens a window on the ways in which the Sienese absorbed the new genre of opera into their own festive apparatus and challenges the prevailing view that operatic productions in the city were merely an extension of Medici power to the provinces. It was, rather, members of the expatriate Chigi family who exploited the festive impulse of their countrymen, coordinating operatic performances with their triumphant visits home by activating ties of friendship and family as well as connections to Sienese institutions, most notably the Assicurate, possibly the first all-female academy in Italy. If the Chigi proved successful at inserting opera into larger patterns of sociability that conveyed the very essence of what it meant to be Sienese (senesità), their successor, the flamboyant playwright and librettist Girolamo Gigli, struggled in his attempts to transform operatic performances into professional enterprises. Fluidly written and richly embellished with anecdotes from historical chronicles, A Sociable Moment offers insight into the Sienese experience with opera during the genre's rapid expansion throughout the Italian peninsula during the late seventeenth and early eighteenth centuries.
In a sweeping story straight out of Russian history, Tsar Alexander I and a courageous girl named Nadezhda Durova join forces against Napoleon. It's 1803, and an adolescent Nadya is determined not to follow in her overbearing Ukrainian mother's footsteps. She's a horsewoman, not a housewife. When Tsar Paul is assassinated in St. Petersburg and a reluctant and naive Alexander is crowned emperor, Nadya runs away from home and joins the Russian cavalry in the war against Napoleon. Disguised as a boy and riding her spirited stallion, Alcides, Nadya rises in the ranks, even as her father begs the tsar to find his daughter and send her home. Both Nadya and Alexander defy expectations--she as a heroic fighter and he as a spiritual seeker--while the battles of Austerlitz, Friedland, Borodino, and Smolensk rage on. In a captivating tale that brings Durova's memoirs to life, from bloody battlefields to glittering palaces, two rebels dare to break free of their expected roles and discover themselves in the process.
This book presents a modification of the dialectical method of Jean-Paul Sartre as a tool for critical discourse on aesthetic experience. Three practical demonstrations are offered of the modified progressive-regressive method: (1) on the original location and function of a medieval altarpiece, (2) on a theme in the literature of the Marquis de Sade, and (3) on a theory of consciousness in a novel by Samuel Beckett. The study concludes with guidelines on how the method may enhance critical discourse in teaching.
Within the glittering Hapsburg court in Prague lurks a darkness that no one dares mention... In 1606, the city of Prague shines as a golden mecca of art and culture carefully cultivated by Emperor Rudolf II. But the emperor hides an ugly secret: His bastard son, Don Julius, is afflicted with a madness that pushes the young prince to unspeakable depravity. Desperate to stem his son's growing number of scandals, the emperor exiles Don Julius to a remote corner of Bohemia, where the young man is placed in the care of a bloodletter named Pichler. The bloodletter's task: cure Don Julius of his madness by purging the vicious humors coursing through his veins. When Pichler brings his daughter Marketa to assist him, she becomes the object of Don Julius's frenzied--and dangerous--obsession. To him, she embodies the women pictured in the Coded Book of Wonder, a priceless manuscript from the imperial library that was his only link to sanity. As the prince descends further into the darkness of his mind, his acts become ever more desperate, as Marketa, both frightened and fascinated, can't stay away. Inspired by a real-life murder that threatened to topple the powerful Hapsburg dynasty, The Bloodletter's Daughter is a dark and richly detailed saga of passion and revenge.
The Drowning Guard explores the riddle of Esma -- who is at once a murderer and a champion and liberator of women -- and the man who loves her in spite of her horrifying crimes.
Reproduction of the original: The Man of Genius by Cesare Lombroso
This fun travel reference guide helps travelers incorporate local Italian food & folklore festivals into their trip planning and enjoy local, authentic experiences. Whether you have traveled to Italy before or looking forward to your first trip, this guide will make you positively hungry for Italy! A listing of over 450 festivals focusing on local foods and historical folklore is provided as a starting point to a local adventure. Learn some fun facts about each region of Italy, how to effectively search for festivals, tips for attending festivals and a highlighted festival for each region. A simple glossary of keywords and a cross reference index of food festivals are included.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.