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The son of dysfunctional and destitute parents secures employment as a member of the morning breakfast staff in Dublin’s Shelbourne Hotel. The job affords the boy a respite from his father’s profound apathy and his mother’s obsession with religion. His father Paddy, an ex-British army soldier, considers his marriage to Molly to be a greater threat to his existence than his life and death struggles in the trenches during the Great War. Molly considers her life with the unemployed Paddy and ten children a crucifixion that will ensure her a place in Heaven among her favourite martyrs. In the Shelbourne, the boy encounters Margaret Burke Sheridan, a retired opera diva who in her prime sang at La Scala and Covent Garden. She was Puccini’s favourite Madame Butterfly and a protégé of Marconi, the inventor of the radio. In her present sad and lonely retirement Maggie is considered just a thorn in the side of the hotel staff. But one morning, when the new breakfast boy attempts to serve her breakfast (under the bed), Maggie has an attitude change. She senses she has one last aria to sing in the opera of her life. One that will change the boy’s life forever.
In this book Victoria Murphy takes a trip through Ireland marking the centenary of the 1798 rebellion And The massive changes that had swept though Ireland in the century after.
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Doctor O'Reilly experiences both love and loss during World War II in this new novel in Patrick Taylor's beloved Irish Country series Long before Dr. Fingal Flahertie O'Reilly came to the colourful Irish village of Ballybucklebo, young Surgeon-lieutenant O'Reilly answered the call of duty to serve in World War II. Fingal just wants to marry his beloved Deirdre and live happily ever after. First he must hone his skills at a British naval hospital before reporting back to the HMS Warspite, where, as a ship's doctor, he faces danger upon the high seas. With German bombers a constant threat, the future has never been more uncertain, but Fingal and Deirdre are determined to make a life together . . . no matter what may lie ahead. Decades later, the war is long over, and O'Reilly is content to mend the bodies and souls of his patients in Ballybucklebo, but there are still changes and challenges aplenty. A difficult pregnancy, as well as an old colleague badly in denial concerning his own serious medical condition, tests O'Reilly and his young partner, Barry Laverty. But even with all that occupies him in the present, can O'Reilly ever truly let go of the ghosts from his past? Shifting effortlessly between two singular eras, bestselling author Patrick Taylor continues the story of O'Reilly's wartime experiences, while vividly bringing the daily joys and struggles of Ballybucklebo to life once more.
In his introduction to a collection of criticism on the Anglo-Irish author Elizabeth Bowen, Harold Bloom wrote, “What then has Bowen given us except nuance, bittersweet and intelligent? Much, much more.” Born in 1899, Bowen became part of the famous Bloomsbury scene, and her novels have a much-deserved place in the modernist canon. In recent years, however, her work has not been as widely read or written about, and as Bloom points out, her evocative and sometimes enigmatic prose requires careful parsing. Yet in addition to providing a fertile ground for criticism, Bowen’s novels are both wonderfully entertaining, with rich humor, deep insight, and a tragic sense of human relationships. Bowen’s first novel, The Hotel, is a wonderful introduction to her disarming, perceptive style. Following a group of British tourists vacationing on the Italian Riviera during the 1920s, The Hotel explores the social and emotional relationships that develop among the well-heeled residents of the eponymous establishment. When the young Miss Sydney falls under the sway of an older woman, Mrs. Kerr, a sapphic affair simmers right below the surface of Bowen’s writing, creating a rich story that often relies as much on what is left unsaid as what is written on the page. Bowen depicts an intense interpersonal drama with wit and suspense, while playing with and pushing the English language to its boundaries.
This collection of essays, first published in 1886, represent Moore's interpretation of life in Ireland in the early 1880s. Moore, the eldest son of a Catholic landlord and Home Rule MP, spares neither landlords nor tenants, priests or nationalists in his narratives. His depictions of the Irish landscape are often lyrical and memorable and he gives a vivid impression of the atmosphere of the country in the short period between the Land War and the Plan of Campaign. -- Publisher description.
In The Heat of the Day, Elizabeth Bowen brilliantly recreates the tense and dangerous atmosphere of London during the bombing raids of World War II. Many people have fled the city, and those who stayed behind find themselves thrown together in an odd intimacy born of crisis. Stella Rodney is one of those who chose to stay. But for her, the sense of impending catastrophe becomes acutely personal when she discovers that her lover, Robert, is suspected of selling secrets to the enemy, and that the man who is following him wants Stella herself as the price of his silence. Caught between these two men, not sure whom to believe, Stella finds her world crumbling as she learns how little we can truly know of those around us.
A West End theater in London is shaken up by the crimes of Jack the Ripper in this novel by the New York Times–bestselling author of The Star of the Sea. Henry Irving is Victorian London’s most celebrated actor and theater impresario. He has introduced groundbreaking ideas to the theater, bringing to the stage performances that are spectacular, shocking, and always entertaining. When Irving decides to open his own London theater with the goal of making it the greatest playhouse on earth, he hires a young Dublin clerk harboring literary ambitions by the name of Bram Stoker to manage it. As Irving’s theater grows in reputation and financial solvency, he lures to his company of mummers the century’s most beloved actress, the dazzlingly talented leading lady Ellen Terry, who nightly casts a spell not only on her audiences but also on Stoker and Irving both. Bram Stoker’s extraordinary experiences at the Lyceum Theatre, his early morning walks on the streets of a London terrorized by a serial killer, his long, tempestuous relationship with Irving, and the closeness he finds with Ellen Terry, inspire him to write Dracula, the most iconic and best-selling supernatural tale ever published. A magnificent portrait both of lamp-lit London and of lives and loves enacted on the stage, Shadowplay’s rich prose, incomparable storytelling, and vivid characters will linger in readers’ hearts and minds for many years. “A vibrantly imaginative narrative of passion, intrigue and literary ambition set in the garish heyday of a theater. . . . Artfully splicing truth with fantasy, O’Connor has a glorious time turning a ramshackle and haunted London playhouse into a primary source for Stoker’s Gothic imaginings.” —Miranda Seymour, The New York Times Book Review “A gorgeously written historical novel about Stoker’s inner life. . . . I wasn’t prepared to be awed by his prose, which is so good you can taste it. . . . O’Connor dazzles.” —Michael Dirda, The Washington Post “And Mr. O’Connor’s main characters—Stoker, Irving and the beloved actress Ellen Terry—are so forcefully brought to life that when, close to tears, you reach this drama’s final page, you will return to the beginning just to remain in their company.” —Anna Mundow, The Wall Street Journal “This novel blows the dust off its Victorian trappings and brings them to scintillating life.” —Publishers Weekly, PW Picks, Starred Review FINALIST 2019 COSTA BOOK OF THE YEAR FINALIST 2020 DALKEY LITERARY AWARD 2020 WALTER SCOTT PRIZE