Download Free The Shelbourne And Its People Book in PDF and EPUB Free Download. You can read online The Shelbourne And Its People and write the review.

A family of his own covers Edwin O'Connor's comfortable upbringing in Rhode Island, his formation at Notre Dame, his obscure years in radio and the Coast Guard during World War II, his adoption of Boston, his long association with his publishers at "Atlantic Monthly" and Little, Brown and Company, his toil in journalism and television reviewing, his several sojourns in Ireland, and his extraordinary dedication to his craft while living close to poverty. For the years after "The Last Hurrah," Duffy examines O'Connor's handling of newfound wealth and celebrity, his growing loneliness, the surprise and fulfillment of a late marriage, his failure on Broadway, and his return to fiction. Throughout his writing O'Connor's major subject was the family, especially the gains, losses, and conflicts within assimilated Irish America. Duffy examines the complex ways by which O'Connor's own experience of family and friendship formed essential patterns in his works.
The son of dysfunctional and destitute parents secures employment as a member of the morning breakfast staff in Dublin’s Shelbourne Hotel. The job affords the boy a respite from his father’s profound apathy and his mother’s obsession with religion. His father Paddy, an ex-British army soldier, considers his marriage to Molly to be a greater threat to his existence than his life and death struggles in the trenches during the Great War. Molly considers her life with the unemployed Paddy and ten children a crucifixion that will ensure her a place in Heaven among her favourite martyrs. In the Shelbourne, the boy encounters Margaret Burke Sheridan, a retired opera diva who in her prime sang at La Scala and Covent Garden. She was Puccini’s favourite Madame Butterfly and a protégé of Marconi, the inventor of the radio. In her present sad and lonely retirement Maggie is considered just a thorn in the side of the hotel staff. But one morning, when the new breakfast boy attempts to serve her breakfast (under the bed), Maggie has an attitude change. She senses she has one last aria to sing in the opera of her life. One that will change the boy’s life forever.
Doctor O'Reilly experiences both love and loss during World War II in this new novel in Patrick Taylor's beloved Irish Country series Long before Dr. Fingal Flahertie O'Reilly came to the colourful Irish village of Ballybucklebo, young Surgeon-lieutenant O'Reilly answered the call of duty to serve in World War II. Fingal just wants to marry his beloved Deirdre and live happily ever after. First he must hone his skills at a British naval hospital before reporting back to the HMS Warspite, where, as a ship's doctor, he faces danger upon the high seas. With German bombers a constant threat, the future has never been more uncertain, but Fingal and Deirdre are determined to make a life together . . . no matter what may lie ahead. Decades later, the war is long over, and O'Reilly is content to mend the bodies and souls of his patients in Ballybucklebo, but there are still changes and challenges aplenty. A difficult pregnancy, as well as an old colleague badly in denial concerning his own serious medical condition, tests O'Reilly and his young partner, Barry Laverty. But even with all that occupies him in the present, can O'Reilly ever truly let go of the ghosts from his past? Shifting effortlessly between two singular eras, bestselling author Patrick Taylor continues the story of O'Reilly's wartime experiences, while vividly bringing the daily joys and struggles of Ballybucklebo to life once more.
In rural Tennessee, two young people struggle to make a life in a town rife with poverty, guns, and alcohol. "Holding On To Nothing is a resonant song of the South, all whiskey, bluegrass, Dolly Parton, tobacco fields, and women who know better but still fall for the lowdown men whom they know will disappoint them."--Lauren Groff, National Book Award finalist author of Fates and Furies and Florida Lucy Kilgore has her bags packed for her escape from her rural Tennessee upbringing, but a drunken mistake forever tethers her to the town and one of its least-admired residents, Jeptha Taylor, who becomes the father of her child. Together, these two young people work to form a family, though neither has any idea how to accomplish that, and the odds are against them in a place with little to offer other than bluegrass music, tobacco fields, and a Walmart full of beer and firearms for the hunting season. Their path is harrowing, but Lucy and Jeptha are characters to love, and readers will root for their success in a novel so riveting that no one will want to turn out the light until they know whether this family will survive.
An account of WWII rescues that “pays tribute to the audacity and heroism of the men and women of the French Resistance and Allied military personnel” (Warship World). The Shelburne was one of the later escape lines that operated within Nazi-occupied Europe. It was established at the end of 1943 by two agents who worked for MI-9, the London-based military intelligence agency responsible for providing assistance to Allied servicemen stranded behind enemy lines. Working with the French Resistance, these agents arranged for groups of Allied airmen to be taken from “safe houses” in Paris to Brittany, where a Royal Navy motor gunboat picked them up from a secluded beach and delivered them back to England. Eight audacious evacuation operations were conducted between January and August, 1944, without the Shelburne Line ever being infiltrated by the Gestapo. Aspects of the Shelburne story have been told previously in memoirs by several of the participants, including the late MP Airey Neave, who was an MI-9 operative. However, Hemingway-Douglass expands the story to include recollections of some of the local Breton people who were involved with the Line. The second half of the book comprises personal stories of airmen and other individuals who were affiliated with the Shelburne Line or were otherwise caught up in the war in France. A lifelong Francophile, Hemingway-Douglass took eight years to research and write the book. She describes it as a labor of love that pays tribute to the heroism and courage of “ordinary” people, while reinforcing the fact that war touches everybody. “Fascinating . . . A must read for military and espionage enthusiasts.” —The Bulletin (Military Historical Society)
A West End theater in London is shaken up by the crimes of Jack the Ripper in this novel by the New York Times–bestselling author of The Star of the Sea. Henry Irving is Victorian London’s most celebrated actor and theater impresario. He has introduced groundbreaking ideas to the theater, bringing to the stage performances that are spectacular, shocking, and always entertaining. When Irving decides to open his own London theater with the goal of making it the greatest playhouse on earth, he hires a young Dublin clerk harboring literary ambitions by the name of Bram Stoker to manage it. As Irving’s theater grows in reputation and financial solvency, he lures to his company of mummers the century’s most beloved actress, the dazzlingly talented leading lady Ellen Terry, who nightly casts a spell not only on her audiences but also on Stoker and Irving both. Bram Stoker’s extraordinary experiences at the Lyceum Theatre, his early morning walks on the streets of a London terrorized by a serial killer, his long, tempestuous relationship with Irving, and the closeness he finds with Ellen Terry, inspire him to write Dracula, the most iconic and best-selling supernatural tale ever published. A magnificent portrait both of lamp-lit London and of lives and loves enacted on the stage, Shadowplay’s rich prose, incomparable storytelling, and vivid characters will linger in readers’ hearts and minds for many years. “A vibrantly imaginative narrative of passion, intrigue and literary ambition set in the garish heyday of a theater. . . . Artfully splicing truth with fantasy, O’Connor has a glorious time turning a ramshackle and haunted London playhouse into a primary source for Stoker’s Gothic imaginings.” —Miranda Seymour, The New York Times Book Review “A gorgeously written historical novel about Stoker’s inner life. . . . I wasn’t prepared to be awed by his prose, which is so good you can taste it. . . . O’Connor dazzles.” —Michael Dirda, The Washington Post “And Mr. O’Connor’s main characters—Stoker, Irving and the beloved actress Ellen Terry—are so forcefully brought to life that when, close to tears, you reach this drama’s final page, you will return to the beginning just to remain in their company.” —Anna Mundow, The Wall Street Journal “This novel blows the dust off its Victorian trappings and brings them to scintillating life.” —Publishers Weekly, PW Picks, Starred Review FINALIST 2019 COSTA BOOK OF THE YEAR FINALIST 2020 DALKEY LITERARY AWARD 2020 WALTER SCOTT PRIZE
Ireland in its own words: a dazzling compendium Over the past hundred years, Ireland has undergone profound political, social and cultural changes. But one thing that has not changed is the Irish genius for observation and storytelling, invective and self-scrutiny. Ireland: The Autobiography draws upon this genius to create a portrait of a century of Irish life through the words of the people who lived it. Broadcaster and historian John Bowman has mined archives, diaries and memoirs to create a remarkably varied and delightfully readable mosaic of voices and perspectives. Ireland: The Autobiography is a brilliantly selected, wide-ranging and engrossing take on the last century of Irish life. It gives us a portrait of Ireland unlike anything we've read before. 'Absorbing and illuminating . . . John Bowman has selected a range of accounts of Irish life that do justice to what happened, what it felt like, and the personal and societal experiences alongside the "official" version' Diarmaid Ferriter, Irish Times 'A treasure' Irish Examiner 'A whistle-stop tour of the seismic, seminal and explosive events which shaped the nation as we know it' Irish Independent 'Entertaining and informative' Sunday Business Post 'A remarkably varied and delightfully readable mosaic of voices and perspectives' Women's Way 'A thoughtful and eclectic collection' Irish Mail on Sunday
In his introduction to a collection of criticism on the Anglo-Irish author Elizabeth Bowen, Harold Bloom wrote, “What then has Bowen given us except nuance, bittersweet and intelligent? Much, much more.” Born in 1899, Bowen became part of the famous Bloomsbury scene, and her novels have a much-deserved place in the modernist canon. In recent years, however, her work has not been as widely read or written about, and as Bloom points out, her evocative and sometimes enigmatic prose requires careful parsing. Yet in addition to providing a fertile ground for criticism, Bowen’s novels are both wonderfully entertaining, with rich humor, deep insight, and a tragic sense of human relationships. Bowen’s first novel, The Hotel, is a wonderful introduction to her disarming, perceptive style. Following a group of British tourists vacationing on the Italian Riviera during the 1920s, The Hotel explores the social and emotional relationships that develop among the well-heeled residents of the eponymous establishment. When the young Miss Sydney falls under the sway of an older woman, Mrs. Kerr, a sapphic affair simmers right below the surface of Bowen’s writing, creating a rich story that often relies as much on what is left unsaid as what is written on the page. Bowen depicts an intense interpersonal drama with wit and suspense, while playing with and pushing the English language to its boundaries.
This alternative guidebook for one of the world’s most popular tourist destinations explores all five boroughs to reveal a people’s New York City. The sites and stories of A People’s Guide to New York City shift our perception of what defines New York, placing the passion, determination, defeats, and victories of its people at the core. Delving into the histories of New York's five boroughs, you will encounter enslaved Africans in revolt, women marching for equality, workers on strike, musicians and performers claiming streets for their art, and neighbors organizing against landfills and industrial toxins and in support of affordable housing and public schools. The streetscapes that emerge from these groups' struggles bear the traces, and this book shows you where to look to find them. New York City is a preeminent global city, serving as the headquarters for hundreds of multinational firms and a world-renowned cultural hub for fashion, art, and music. It is among the most multicultural cities in the world and also one of the most segregated cities in the United States. The people that make this global city function—immigrants, people of color, and the working classes—reside largely in the so-called outer boroughs, outside the corporations, neon, and skyscrapers of Manhattan. A People’s Guide to New York City expands the scope and scale of traditional guidebooks, providing an equitable exploration of the diverse communities throughout the city. Through the stories of over 150 sites across the Bronx, Manhattan, Queens, Brooklyn and Staten Island as well as thematic tours and contemporary and archival photographs, a people’s New York emerges, one in which collective struggles for justice and freedom have shaped the very landscape of the city.