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To provide greater availability for a work of such importance, the original publishers secured from Gershwin a solo piano version wherein the orchestral parts are fused together with the solo piano part (PS0047). Due to concerns that the composer's arrangement presented too many technical demands to pianists not possessing the requisite technique, a modified arrangement was delicately solicited from pianists of the time. (Gershwin's untimely death precluded any modification from the composer himself.) Many attempts at technical modifications were rejected on ethical grounds until Herman Wasserman--who taught Gershwin to play the piano--submitted a manuscript which became this edition. Several prominent pianists who reviewed the score all attested to the amazing reduction in technical demands while retaining the clarity, sonority, and brilliance of the original. This edition is designed for Early Advanced pianists, although some sections, including the well-known Moderato middle section, are accessible to those performing at less-advanced levels.
A terrific collection of songs by George Gershwin that the composer has arranged as piano solos. Ideal for the intermediate pianist and a great insight into the mind of one America's greatest composers. Titles: The Man I Love * I'll Build a Stairway to Paradise * Do It Again * Fascinating Rhythm * Oh, Lady Be Good * Somebody Loves Me * Sweet and Low Down * Clap Yo' Hands * Do Do Do * My One and Only * 'S Wonderful * Strike Up the Band * I Got Rhythm * Who Cares? * That Certain Feeling * Liza
From the iconic 'Rhapsody in Blue' to his 'Three Preludes' for piano, the works of George Gershwin enjoyed immense popularity during his day and continue to be celebrated for their unique style. For intermediate to advanced players, George Gershwin: Sheet Music for Piano has over 40 pieces by the American composer to choose from. With fingerings clearly marked and designed for easy reading, these books are the ideal resource of any piano or keyboard player.
Sheet music Format: EBOOK " .PDF" Transcription violon & piano: Thierry Huillet For any purpose, the complete title “Rhapsody in Blue, transcription for violin and piano by Thierry Huillet” is compulsory.
(Piano/Vocal/Guitar Songbook). Crooners, wailers, shouters, balladeers some of our greatest pop vocalists have poured their hearts and souls into the musical gems of the Great American Songbook. They sang in nightclubs and concert halls, on television and in films, and left us a legacy of recordings still in play today. Their interpretations entertained us, moved us to tears, and wove lyrics and music into the fabric of our lives, making us see ourselves in these quintessentially American songs. This folio features 100 of these classics by Louis Armstrong (Hello Dolly * What a Wonderful World), Tony Bennett (I Left My Heart in San Francisco), Rosemary Clooney (Count Your Blessings Instead of Sheep), Nat "King" Cole (Route 66), Bing Crosby (True Love), Doris Day (Bewitched), Ella Fitzgerald (How High the Moon), Judy Garland (Rock-a-Bye Your Baby with a Dixie Melody), Dean Martin (Everybody Loves Somebody), Frank Sinatra (Young at Heart), Barbra Streisand (People), Mel Torme (Heart and Soul), and many, many more.
This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.
Illustrations and the song "Summertime" from the "Porgy and Bess" musical depict a family's routine summer day.
Challenging and musically rewarding advanced duo piano arrangements of four of Gershwin's most popular songs: But Not for Me * It Ain't Necessarily So * Someone to Watch over Me * 'S Wonderful/Funny Face. This addition to the two-piano repertoire was an official requirement of the 2008 Murray Dranoff International Piano Competition. "But Not for Me," "It Ain't Necessarily So," and "'S Wonderful / Funny Face" are Federation Festivals 2016-2020 selections.