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An illustrated and comprehensive account of the Sheela-na-gigs (carvings of female images) of Britain and Ireland.
A study of the mysterious stone carvings of naked females exposing their genitals on medieval churches all over the British Isles.
This book represents a move towards a detailed, accurate and archaeologically sensitive record of the sheela-na-gigs in Britain and Ireland, and establishes their study firmly within the orbit of mainstream research. Throughout, context is a central concern.
"Sheela-na-gigs are carvings of naked females posed in a manner which displays and emphasises the genitalia. In recent decades, interest in the figures has grown and they have often been a source of controversy. Once thought of in negative terms only, they have more recently come to be regarded in a positive light. There is little tradition or folklore recorded in Ireland which provides any useful insight into their origin or function. Here Eamonn P. Kelly of the National Museum of Ireland examines the examples throughout the countryside and others held for display, and makes comparisons with similar figures occuring in Britain and the rest of Europe." --
Sexually explicit sculptures may be found on a number of medieval churches in France and Spain. This fascinating study examines the origins and purposes of these sculptures, viewing them not as magical fertility symbols, nor even as idols of ancient pre-Christian religions, but as serious works that dealt with the sexual customs and salvation of medieval folk, and thus gave support to the Church's moral teachings.
"Anthropology, archaeology, mythology, history and psychology are combined to produce this first study of the subject for many years."--Jacket.
Jack Roberts' research calls 'bollocks' on the staid academic view of Sheela-na-gigs and brings readers back to the time when they were created and revered. His is an artistic and highly-researched history of Ireland's mysterious symbol of female divinity, the Sheela-na-gig.
Britain's pagan past, with its mysterious monuments, atmospheric sites, enigmatic artifacts, bloodthirsty legends, and cryptic inscriptions, is both enthralling and perplexing to a resident of the twenty-first century. In this ambitious and thoroughly up-to-date book, Ronald Hutton reveals the long development, rapid suppression, and enduring cultural significance of paganism, from the Paleolithic Era to the coming of Christianity. He draws on an array of recently discovered evidence and shows how new findings have radically transformed understandings of belief and ritual in Britain before the arrival of organized religion. Setting forth a chronological narrative, Hutton along the way makes side visits to explore specific locations of ancient pagan activity. He includes the well-known sacred sites—Stonehenge, Avebury, Seahenge, Maiden Castle, Anglesey—as well as more obscure locations across the mainland and coastal islands. In tireless pursuit of the elusive “why” of pagan behavior, Hutton astonishes with the breadth of his understanding of Britain’s deep past and inspires with the originality of his insights.
"Different beliefs, practices and rituals behind the notion of their magical powers and virtues are revealed. The situations in which people resorted to them are also examined: selecting chieftains, establishing the truth, curing sickness, and promoting fertility. In conclusion, the role of sacred stones in the religious and spiritual life of modern Ireland is described. This is a reminder of our spiritual past as some of these stones and monuments enter their fifth millennium."--Jacket.