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A reprint of the intersectional black feminist classic by the late poet and performer Akilah Oliver.In her original author's note to the 1999 edition, Akilah Oliver writes,"What I am trying to do in these poems is investigate the non-linear synapses between desire, memory, blackness (as both a personal identity and a non-essentialist historical notion), sexuality and language." the she said dialogues: flesh memory proves to be not only still timely twenty years later, but essential reading for understanding intersectional politics and poetics in our current moment.
Now a major motion picture, starring Carey Mulligan and Zoe Kazan "An instant classic of investigative journalism...‘All the President’s Men’ for the Me Too era." — Carlos Lozada, The Washington Post From Pulitzer Prize-winning journalists Jodi Kantor and Megan Twohey, the untold story of their investigation of Harvey Weinstein and its consequences for the #MeToo movement For years, reporters had tried to get to the truth about Harvey Weinstein’s treatment of women. Rumors of wrongdoing had long circulated, and in 2017, when Jodi Kantor and Megan Twohey began their investigation for the New York Times, his name was still synonymous with power. But during months of confidential interviews with actresses, former Weinstein employees, and other sources, many disturbing and long-buried allegations were unearthed, and a web of onerous secret payouts and nondisclosure agreements was revealed. When Kantor and Twohey were finally able to convince sources to go on the record, a dramatic final showdown between Weinstein and the New York Times was set in motion. In the tradition of great investigative journalism, She Said tells a thrilling story about the power of truth and reveals the inspiring and affecting journeys of the women who spoke up—for the sake of other women, for future generations, and for themselves.
A heads-up, hands-on exploration of the male member that is both amusing and informative. Men speak of their feelings about sexuality, gender experience of being male with honesty and insight.
Normally, there would be nothing sinister about a death by drowning and a motorcycle fatality -- had these tragic occurrences not been predicted before the fact in a pair of macabre "Dialogues" submitted to a Yorkshire short story competition. Yet the local police department is slow to act -- until the arrival of a third Dialogue ... and another corpse. A darkness is settling over a terrorized community, brought on by a genius fiend who hides clues to his horrific acts in complex riddles and brilliant wordplay. Now two seasoned CID investigators, Peter Pascoe and "Fat Andy" Dalziel, are racing against a clock whose every tick signals more blood and outrage, caught in the twisted game of a diabolical killer who is turning their jurisdiction into a slaughterhouse.
Comparative Criticism is an annual journal of comparative literature and cultural studies that has gained an international reputation since its inception in 1979. It contains major articles on literary theory and criticism; on a wide range of comparative topics; and on interdisciplinary debates. It includes translations of literary, scholarly and critical works; substantial reviews of important books in the field; and bibliographies on specialist themes for the year, on individual writers, and on comparative literary studies in Britain and Ireland.
"Main themes: Radical changes in appearance and life interrupts dying on schedule. This is the first meeting we recorded and the last in the Comprehensive Cancer Center clinic. The primary theme is readiness for the next step toward death and frustration at its delay. Nell's physical status is declining rapidly; it is hard for her to get in and out of a car and to walk. Her body is visibly deteriorating, plodding toward death. This is the first time she speaks in depth about the dramatic, frightening changes she sees in her body"--
The story of three generations in twentieth-century China that blends the intimacy of memoir and the panoramic sweep of eyewitness history—a bestselling classic in thirty languages with more than ten million copies sold around the world, now with a new introduction from the author. An engrossing record of Mao’s impact on China, an unusual window on the female experience in the modern world, and an inspiring tale of courage and love, Jung Chang describes the extraordinary lives and experiences of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist; and her parents’ experience as members of the Communist elite and their ordeal during the Cultural Revolution. Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.
Dialogues with Shklovsky: The Duvakin Interviews 1967–1968 reflects the spirit of times—when the most dramatic events of the twentieth century were happening in Russia and the USSR. The first English translation of the 1967–1968 interviews with the founder of the Formalist School of literary theory, Viktor Shklovsky, this volume offers a slice of Russian micro-history that relies on the living voice of that history. Through the transcription of a six-hour phono-document, the readers will hear the voice of a real participant in events that for the longest time in the USSR were forbidden to be discussed or written about.
"Don't expect sense from these poems, in which grief, politics, literary theory, and sexuality interweave. But do expect language surprise and beautiful metaphors. . . . When [Akilah] Oliver presents her experiences in metaphor-rich language, the reader feels what she feels: incredible loss, infinite pain."--Library Journal "An extraordinary gift for everyone."--Alice Notley Written for her son, Oluchi McDonald (1982-2003), Akilah Oliver's poems incorporate prose, theory, and lyric performance into a powerful testimony of loss and longing. In their journey through the borderlands of sorrow, they grapple with violence, find expression in chants, and, like the graffiti she analyzes, become a place of public and artistic memorial. "If memory is the act of bearing witness," she writes, "then the dream is a friend driving us somewhere." Akilah Oliver is the author of the she said dialogues, recipient of the PEN/Beyond Margins Award. Born and raised in Los Angeles, she currently lives in Brooklyn and curates the Monday Night Reading Series at the Poetry Project.