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The Dhammapada, or Path to Virtue, is one of the best known books in the entire Buddhist Canon. Originally created to bring Buddhism to the masses, it distills many decades of wisdom from Gautama Siddhartha (the original Buddha) down to its most basic essence for ease of reading and understanding. In this book, not only will you discover the path to leading a loving, peaceful and happy life, but you'll be able to enjoy it for the first time as you've never seen it before... in 100%%%% phonetic English.
Consists more than 400 sayings from Siddhartha Gautama, the founder of Buddhism. This title presents the text of F Max Muller's 1881 translation alongside illustrations from the collections of the Rubin Museum of Art. It portrays the Buddha as well as other sages in paintings, sculptures and textiles.
The renowned Rilke scholar brings the poet’s work to life for modern readers through 26 essays, each devoted to a single word found in his writings. Ulrich Baer’s The Rilke Alphabet explores the enduring power of one of the world’s greatest poets, a visionary who saw that even the smallest overlooked word could unlock life’s mysteries. With deep insight and love for Rilke’s language, Baer examines twenty-six words that are not merely unexpected in his work, but problematic—even scandalous. Through twenty-six evocative essays, Baer sheds new light on Rilke’s creative process and his deepest thoughts about life, art, politics, sexuality, love, and death. The Rilke Alphabet shows how the poet’s work can be a guide to life even in our contemporary world. Whether it is a love letter to frogs, a troubling—though brief—infatuation with Mussolini, a sustained reflection on the Buddha, or the impassioned assertion that freedom must be lived in order to be known, Rilke’s thoroughly original writings pull us deeply into life. Baer’s decades-long experience as a scholar, translator, and editor of Rilke’s writings allows him to reveal unique aspects of Rilke’s work. The Rilke Alphabet will surprise and delight Rilke fans, and deepen every reader’s sense of the power of poetry to penetrate the mysteries of our world.
This book collects five long poems that have previously appeared, with one exception, only in magazines and limited editions. One critic has called them "virtually secret." Yet they are probably the heart of Carruth's poetic achievement, both technically and thematically. Rising from the experience of emotional illness and the asylum, the poems move at intervals and over a period of nearly fifty years toward a sustained, workable view of humanity in crisis."I have tried to create a person," Carruth writes, "specifically a seeing, living, surmounting person. Modesty is important, and so are winter and the north. A man alone in the snow is still much in this world, including the social world, though his 'in-ness' is naturally a form of rebellion."The poems included are The Asylum, Journey to a Known Place, North Winter, Contra Mortem and My Father's Face.
Corman, Sun Rock Man. Poems about Matera, Italy
Selden Rodman's Tongues of Fallen Angels is a collection of conversations with twelve ranking authors, leading men of letters in the Western Hemisphere, with accompanying informal photographs. From Spanish America: Jorge Luis Borges, Gabriel Garcia Márquez, the late Pablo Neruda, and Octavio Paz. From Brazil: Vinicius de Moraes and Joan Cabral de Melo Neto. From Trinidad: the poet-playwright Derek Walcott. From the United States: Robert Frost, Allen Ginsberg. Ernest Hemingway, Stanley Kunitz, and Norman Mailer. An impressive list, and all the more so given Rodman's remarkable power to give human substance to figures whose everyday words have been generally ignored in favor of their writings and other public pronouncements. When Rodman's Conversations With Artists appeared in 1957, it aroused a storm of controversy, intentionally polemical, it became a storm center in the battles then raging in the art world. Rodman's journals also contained records of fiery bouts with novelists and poets of stature. He was urged at the time to publish them, but refrained, preferring to wait for a book of a different, more empathic intent, in putting together Tongues of Fallen Angels, Rodman--the editor of such seminal anthologies as One Hundred British Poets and One Hundred American Poems--forcefully asserts the essential social role of the creator. ''The minor poet," he declares, ''is primarily concerned with form or innovation; the major one uses these tools almost unconsciously to say something he feels he has to say--and which the world will be better for hearing."
Welcome to the quintessential American town ('Oh beautiful for specious skies / For ambient waves of pain...').
Volumes for 1898-1968 include a directory of publishers.