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Brian Cuban is living with an enemy that has haunted him for over 30 years -- his own reflection in the mirror. Through a series of very personal and poignant anecdotes, he speaks from a rarely heard male perspective about the daily horrors of suffering from body dysmorphic disorder (BDD), a disease in which the sufferer is preoccupied with a distorted sense of self image and is often afflicted with eating disorders, depression and addiction...
Presents the full ecological significance of the Orthodox Christian worldview. It explores the deepest sense and experience of the world as a sacrament. Evokes some of the most beautiful and powerful theological thinking, with imagery that suggests a richness beyond expression. 2nd printing.
Forensic sculptor Toni Sullivan's job takes her to crime scenes to put faces to victims. Shaping the clay always gives her a sense of purpose and order, but that all changes when she feels a mysterious connection to the victim found on Red Bud Isle. When Toni accepts another assignment that may officially prove an old friend is dead, memories of her nursing days in Vietnam begin to haunt her. Suddenly, her calm professionalism is gone. To find peace, she'll do whatever it takes to unmask a murderer. But where will she find the strength to handle the traumatic legacy of the past?
Acclaimed author Jennifer A. Nielsen brings her signature twists and high-stakes action to the fifth installment of the New York Times bestselling Ascendance Series! King Jaron has outwitted the Prozarians and returned to his own kingdom with one secret in his pocket that not even his friends know about. He's hoping that secret will help him finally bring stability to Carthya. But a surprise attack on his own land -- on the castle itself -- reminds Jaron that nothing is easy. The Prozarian Monarch threatens to crumble Jaron's entire kingdom. And that's not the only thing in danger: With old enemies and new rumors circling around him, even Jaron's relationship with Imogen is uncertain. This former False Prince will need his best tricks and many allies at his side to hold Carthya together.
The Shattered Gourd uses the lens of visual art to examine connections between the United States and the Yoruba region of western Nigeria. In Yoruba legend, the sacred Calabash of Being contained the Water of Life; when the gourd was shattered, its fragments were scattered over the ground, death invaded the world, and imperfection crept into human affairs. In more modern times, the shattered gourd has symbolized the warfare and enslavement that culminated in the black diasporas. The "re-membering" of the gourd is represented by the survival of people of African origin all over the Americas, and, in this volume, by their rediscovery of African art forms on the diaspora soil of the United States. Twentieth-century African American artists employing Yoruba images in their work have gone from protest art to the exploration and celebration of the self and the community. But because the social, economic, and political context of African art forms differs markedly from that of American culture, critical contradictions between form and meaning often appear in African American works that use African forms. In this book -- the first to treat Yoruba forms while transcending the conventional emphasis on them as folk art, focusing instead on the high art tradition -- Moyo Okediji uses nearly four dozen works to illustrate a broad thematic treatment combined with a detailed approach to individual African and African American artists. Incorporating works by such artists as Meta Warrick Fuller, Hale Woodruff, Aaron Douglas, Elizabeth Catlett, Ademola Olugebefola, Paul Keene, Jeff Donaldson, Howardena Pindell, Muneer Bahauddeen, Michelle Turner, Michael Harris, Winnie Owens-Hart, and John Biggers, the author invites the reader to envision what he describes as "the immense possibilities of the future, as the twenty-first century embraces the twentieth in a primal dance of the diasporas," a future that heralds the advent of the global as a distinct movement in art, beyond postmodernism.