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The Great Depression, of Dust Bowl and Grapes of Wrath infamy, was not solely a middle-America tragedy. Families living in the South suffered similar economic and social misfortunes. This the heart-rending tale of an honest, hard-working man supporting a wife and three young children who worked as a sharecropper on the 800-acre tobacco farm of one of the most despised men in Lenoir County, North Carolina, and how the sharecropper’s sixteen year-year-old daughter lived with a terrible secret. Woven into this tragic tale is a plot by persons unknown to murder the landowner and steal his fortune. It’s a real page-turner.
This book is a story about growing up on a farm very poor and sometimes going to bed hungry. It is also about how to work hard and try to make something of yourself without resorting to a life of crime. I believe you will find it entertaining and yet a serious account of what to do and what not to do. You will find incidents throughout that may help you to understand that growing up poor can make you a stronger person and give you an understanding of what life was like fifty years ago. It gives a view of where we were and where we are now. It entertains and inspires at the same time.
For those whose roots grow deep in cotton soil, a legacy calls you back. The dirt whispers a name, echoing from a time when all that existed in the world happened right outside your door. Many a boy and girl have moved on from the small farm towns that nurtured them. Others, like old Mis Hartmann, have lived over ninety years in the same county. Her years are distinguished by the size of the crop, the cost of cotton seed, and the number of levy breaks along the Mississippi. Marina Hartmann, has been seasoned like the hardwood forests of Big Lake.
A great deal of controversy has surrounded both the tenure and resignation of former Surgeon General Jocelyn Elders. Now, for the first time, Dr. Elders shares both the travails and triumphs of her life in an autobiography which is not only a political memoir chock full of insider information, but also a chronicle of the triumphant rise of a great-granddaughter of slaves and impoverished child of sharecroppers to the highest medical position in the Unites States. of photos.
In his extravagantly intimate autobiographical novel, Lander Duncan reconstructs the heart shattering images and remembrances of the dark, violent, and incoherent first two decades of his life. PROMISES Seduced by CJ, a sleek-framed Tuskegee cadet, the mixed-race diabolically beautiful Abigail, who is the fifteen-year-old daughter of the dean of faculty, sets this novel in motion when she becomes pregnant. With a reluctant agreement from her father, Abigail marries CJ and defiantly departs for his family farm in the Arkansas Delta. CJ reports for active duty to a segregated Ft. Huachuca in Arizona. As a powerful chronicle of a time, the novel's sobering historical backdrop is dramatically revealed through Abigail's culture collisions and misadventures intersecting with the harsh, alienating, and unpredictable Delta life and the racial indignities and clashes that CJ confronts while commanding a combat anti-demolition company in Europe. SECRETS After returning home a war hero, humiliation and bitterness eat away at CJ who must take a demeaning job as a railroad Red Cap to support his family. CJ's offer of a steadying hand to a white woman who stumbles as she gets off a train turns into an incident that produces a night of horror. The lives and fate of the Duncan family are forever changed. Exiled to a small, racially divided Pennsylvania town, Abigail, emotionally damaged by the ordeal, compels Lander and his brothers to promise never to reveal anything about their frightening past. Abigail's habit of hiding things—even losses, disappointments, humiliations, and racial identity—becomes a great burden that keeps her sons' lives in upheaval. CONFESSIONS Abandoned by his mother and estranged for more than a decade from his family, Lander is summoned home for the last few days of Abigail's life. Past informs present, and present recasts past; the brothers exchange stories that trace the vast emotional terrain of havoc their mother so thoughtlessly wrecked, the sense of confusion that shifted beneath their feet, the doors of self-perception that slammed in their face. They want desperately to love Abigail in all her flawed, outrageous humanity and find an opportunity to forgive the felonies she committed against them. A memorable cast emerges in poignant and too few moments of triumph. Sifting through Abigail's possessions, an undated letter is discovered that produces a damning and destructive secret.
This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs—precisely through their uncanniness—to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book’s historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.
A disturbing letter from Cheney’s great-aunts brings her to their New Orleans plantation—but what she discovers is more dangerous than she imagined! Performing rituals and “warnings”—leading to mysterious illnesses and crop failure—a cult is trying to scare Cheney’s relatives off the land. Can she unearth the group’s sudden interest in the plantation before it’s too late?
Who killed Laura Foster? This question has been asked ever since 1866, when she was killed. On May 1st. 1868, a man known as Tom Dooley was hanged for the murder in Statesville in North Carolina. Since the hanging many legends have been told about the case, and many of these tell that Tom Dooley was actually innocent, and that his jealous, married lover, committed the crime. Books have been written about the case, songs have been sung, plays have been performed and even a movie was made, but the question will probably never be answered as, 150 years have passed since the hanging and a couple more since the killing. This novella is just my suggestion of what may have happened in late May 1866 in western Wilkes County, North Carolina. Even if the novella is for large parts based on known and documentable facts, the solution to the riddle is pure fiction.
People think they know about “The South”. Decades of smiling faces with charming drawls in movies and television have given a false sense of reality. The truth is often surprising if not outright shocking. This series of books seeks to explain the history of the South by digging into the source of common phrases and legends. Some definite liberties are taken from time to time as new urban legends are created within these pages. A must have for anyone who has never been down South, one can gain a glimpse behind the curtain forged by centuries of secrecy. A must have for anyone who lives in the South, one can understand traditions handed down by generations with the origin obscured, sometimes by deterioration and sometimes by intention. In this Volume we reveal the reality behind fables with tragic consequences involving Indian tribes, slavery, and the lesser-known cola wars during the Prohibition era. All presented for what has not been seen and perhaps what should never be seen.