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Why so few African American and Latino/a students study computer science: updated edition of a book that reveals the dynamics of inequality in American schools. The number of African Americans and Latino/as receiving undergraduate and advanced degrees in computer science is disproportionately low. And relatively few African American and Latino/a high school students receive the kind of institutional encouragement, educational opportunities, and preparation needed for them to choose computer science as a field of study and profession. In Stuck in the Shallow End, Jane Margolis and coauthors look at the daily experiences of students and teachers in three Los Angeles public high schools: an overcrowded urban high school, a math and science magnet school, and a well-funded school in an affluent neighborhood. They find an insidious “virtual segregation” that maintains inequality. The race gap in computer science, Margolis discovers, is one example of the way students of color are denied a wide range of occupational and educational futures. Stuck in the Shallow End is a story of how inequality is reproduced in America—and how students and teachers, given the necessary tools, can change the system. Since the 2008 publication of Stuck in the Shallow End, the book has found an eager audience among teachers, school administrators, and academics. This updated edition offers a new preface detailing the progress in making computer science accessible to all, a new postscript, and discussion questions (coauthored by Jane Margolis and Joanna Goode).
SWIMMING IN THE SHALLOW END is narrative poetry at its best, a verse memoir that examines the archetypal American conflict between the desire to stay and the passion to go. Take any community; every street, in and out, is crowded with the dreams and frustrations of characters who seek their identities on the road or in their favorite diners. In an exchange of stories between the narrator who returns like the prodigal son and his wayfaring friend, the worlds of the Bronx and Paris and Hanoi are not far from Muncie, Indiana. Like William Carlos Williams' Rutherford, New Jersey, and B.H. Fairchild's Liberal, Kansas, Philip Raisor's Middletown is a neighborhood pool that never seems long or deep enough, but grows in memory and the imagination. "Raisor's poems spring vividly from the country, with 'enough farm philosophy / to clog a pig, ' and move out into the wider world with wisdom, humor, and a stubborn resistance to despair. They look through the world's pain and confusion toward meaning and hope, which all our best poems do." --Peter Meinke "Philip Raisor's finely crafted collection is about the hometown that still haunts us long after we have left it. This skillfully unified narrative brings to mind James Joyce's Dubliners and the need to leave home for a wider perspective. Swimming in the Shallow End is an impressive, memorable book."--Peter Makuck "These brilliant poems are full of disquieting images: broken statues, downtown decay, faded prints of the Klan, small town America. It's the land of myth, broken dreams, and family memories. In Philip Raisor's shallow end there are dark, unsettling places, but enough light to provide pleasure and great insight into a difficult world." --Norman Denzin "Academics and journalists have written thousands of pages about Muncie, Indiana, the city Robert and Helen Lynd made famous as 'Middletown, ' but there is nothing like Swimming in the Shallow End. Raisor's poetry evokes the experience of living in and coming from this quintessentially American Community--its joys and sorrows, its characters, its feel--in a way no social survey could."--James J. Connolly
It was one of the most perfect days, only just warm enough, an ever so slight breeze I could see in the hairs on my arm and in the flutter of the flags across each end of the pool but couldn't feel. It must have been the exact temperature of my blood.' On a cloudless afternoon, a man dives into a crowded swimming pool and disappears. Is it murder, a staged disappearance or alien abduction? 'The Shallow End' - a steady freestyle commentary on sex, celebrity and suntanning. The Shallow End was shortlisted in the 2009 Commonwealth Writers Prize.
Electra's family is falling apart. Her dad's moving out, her mum's given in to her daytime TV addiction, and her little brother (aka The Little Runt) has just been caught shoplifting. Even the guinea-pig's gone mental. And all Electra can think about is whether green eyeliner compliments or clashes with blue eyes. Where can a girl turn in her hour of need? To her best friends, of course. Together, they think up a plan: persuading the class geek to stalk her dad seemed like a good idea at the time ...
Electra's family is falling apart. Her dad's moving out, her mum's given in to her daytime TV addiction, and her little brother (aka The Little Runt) has just been caught shoplifting. Even the guinea-pig's gone mental. And all Electra can think about is whether green eyeliner compliments or clashes with blue eyes. Where can a girl turn in her hour of need? To her best friends, of course. Together, they think up a plan: persuading the class geek to stalk her dad seemed like a good idea at the time ...
When I so desperately sought the approval of other people, it led me to live a life of chaos. I was literally like an infant being tossed around in a violent thunderstorm-or probably more like a hurricane. This way of living sent me down a path of destruction, thrown every which way in an attempt to "arrive" at Destination: "They Love Me" and trying to "be" whatever was required at that moment to be accepted. Holy moly, am I the only one? Giving the world an à la carte version of yourself will not lead to life. Instead, it will leave you with an unquenchable thirst for more, with your head on a perpetual swivel.I invite you on this journey with me beyond the shallow and into the deep__beyond the topics that are easy or socially accepted and into the deeper realm that begs to remain silent yet longs to be set free. Truly free. Journal your way to a life worth living.
Still waters run deep. English teacher, mother, wife, and convicted child predator Jane Thompson has made parole and she has a plan. She begins her life in the shadows while she bides her time. One month later, the bludgeoned body of the student she was found guilty of corrupting four years earlier is found on the shores of Lake Ontario. Officers Stonechild and Gundersund head up the investigation and Jane Thompson quickly becomes the prime suspect. But knowing guilt and proving it are two entirely different things. Wading through deeply buried secrets to the truth will take Stonechild and the team on a twisted journey into the heart of evil. The question is: who will come out the other side?
"Alcohol Was Not Involved" FBI Special Agents Roger Dance and Paul Casey track a cold-blooded serial killer that is terrorizing the Notre Dame community of South Bend and leaving a blood soaked trail all the way to New Orleans. Beautiful women are being murdered and dumped like trash along the highways. The mysterious killer's body count keeps rising and Roger's time has run out. This gripping crime thriller trilogy bubbles with a web of evil plots until it reaches a full boil of criminals and law enforcement pegged against each other in a final showdown. A paranormal element in the story introduces 'almost' angels assigned to help Roger obtain justice. This novel is a roller coaster of horror and humor that speeds forward until the end of the trilogy. Book tags: New mystery, suspense, thriller, crimes, police, New Orleans Book One: Alcohol Was Not Involved Book Two: Extreme Heat Warning Book Three: Silent Crickets
Much like a "No Diving" sign found at a pool, David Campbell seeks to warn Christians about the dangers of diving into shallow interpretations of the Bible and points readers to the deep end. In this book, Campbell wades through mistakes believers make when reading the Bible, and gives them tools for how to fix them. No Diving will give Christians the lessons they need to go deeper in their relationship with God.
Finalist for the 2011 Pulitzer Prize in General Nonfiction: “Nicholas Carr has written a Silent Spring for the literary mind.”—Michael Agger, Slate “Is Google making us stupid?” When Nicholas Carr posed that question, in a celebrated Atlantic Monthly cover story, he tapped into a well of anxiety about how the Internet is changing us. He also crystallized one of the most important debates of our time: As we enjoy the Net’s bounties, are we sacrificing our ability to read and think deeply? Now, Carr expands his argument into the most compelling exploration of the Internet’s intellectual and cultural consequences yet published. As he describes how human thought has been shaped through the centuries by “tools of the mind”—from the alphabet to maps, to the printing press, the clock, and the computer—Carr interweaves a fascinating account of recent discoveries in neuroscience by such pioneers as Michael Merzenich and Eric Kandel. Our brains, the historical and scientific evidence reveals, change in response to our experiences. The technologies we use to find, store, and share information can literally reroute our neural pathways. Building on the insights of thinkers from Plato to McLuhan, Carr makes a convincing case that every information technology carries an intellectual ethic—a set of assumptions about the nature of knowledge and intelligence. He explains how the printed book served to focus our attention, promoting deep and creative thought. In stark contrast, the Internet encourages the rapid, distracted sampling of small bits of information from many sources. Its ethic is that of the industrialist, an ethic of speed and efficiency, of optimized production and consumption—and now the Net is remaking us in its own image. We are becoming ever more adept at scanning and skimming, but what we are losing is our capacity for concentration, contemplation, and reflection. Part intellectual history, part popular science, and part cultural criticism, The Shallows sparkles with memorable vignettes—Friedrich Nietzsche wrestling with a typewriter, Sigmund Freud dissecting the brains of sea creatures, Nathaniel Hawthorne contemplating the thunderous approach of a steam locomotive—even as it plumbs profound questions about the state of our modern psyche. This is a book that will forever alter the way we think about media and our minds.