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Called the most famous riddle mystery of all time, this very short story poses a dilemma. A man is sentenced to an unusual punishment for having a romance with a king's beloved daughter. Taken to the public arena, he is faced with two doors, behind one of which is a hungry tiger that will devour him. Behind the other is a beautiful lady-in-waiting, whom he will have to marry if he finds her. While the crowd waits anxiously for his decision, he sees the princess among the spectators, who points him to the door on the right with a slight movement of her hand. The lover starts to open the door and ...
A lush new epic historical fantasy series that evokes the ambition and widespread appeal of Patrick Rothfuss and the vivid storytelling of Naomi Novik
Jessica isn't your average teenager. Though nobody at her high school knows it, she's a published author. Her vampire novel Tiger, Tiger has just come out under the pen name Ash Night. Jessica often wishes she felt as comfortable with her classmates as she does among the vampires and witches of her fiction. She has always been treated as an outsider at Ramsa High. But two new students have just arrived in Ramsa, and both want Jessica's attention. She has no patience with overly friendly Caryn, but she's instantly drawn to handsome Alex, a cocky, mysterious boy who seems surprisingly familiar. If she didn't know better, she'd think Aubrey, the alluring villain from Tiger, Tiger had just sprung to life. That's impossible, of course; Aubrey is a figment of her imagination. Or is he? Nail-bitingly suspenseful, here is the deliciously eerie follow-up to In the Forests of the Night, by the remarkable fifteen-year-old novelist Amelia Atwater-Rhodes.
It’s not because Bel’s mother was murdered. It’s not because her father is a politician. Bel writes to a Death Row prisoner as an easy way out of an assignment. But now he’s written back. Drawn to Micah’s world inside a Thai prison, Bel finds herself falling for the boy with ragged hair, shackles and a terrible past. But is she setting herself up for more loss? And will loving him mean losing the people who mean the most to her at home?
I was born to the name of Rachel Weatere in the year 1684, more than three hundred years ago. The one who changed me named me Risika, and Risika I became, though I never asked what it meant. I continue to call myself Risika, even though I was transformed into what I am against my will. By day, Risika sleeps in a shaded room in Concord, Massachusetts. By night, she hunts the streets of New York City. She is used to being alone. But now someone is following Risika. Someone has left her a black rose, the same sort of rose that sealed her fate three hundred years ago. Three hundred years ago Risika had a family -- a brother and a sister who loved her. Three hundred years ago she was human. Now she is a vampire, a powerful one. And her past has come back to torment her. This atmospheric, haunting tale marks the stunning debut of a promising fourteen-year-old novelist.
"The greatest active playwright in the English-speaking world."—Time "If there is a more urgent and indispensable playwright in world theater than South Africa's Athol Fugard, I don't know who it could be."—Newsweek "Athol Fugard can say more with a single line than most playwrights convey in an entire script."—Variety Legendary theatre artist Athol Fugard returns to the stage for the first time in fifteen years in this, his latest work. The Shadow of the Hummingbird tells the story of an ailing man in his eighties and the afternoon spent with his ten year-old grandson. In a charming meditation on the beauty and transience of the world around us, Fugard continues to mine the depths of the human spirit with profound empathy and heart. The text of the play includes an introductory Prelude by Paula Fourie with extracts from Fugard’s unpublished notebooks. Athol Fugard has been working in the theater as a playwright, director, and actor for more than fifty years. In 2011, he received a Special Tony Award for Lifetime Achievement in the Theatre, and he was the inaugural Humanitas Visiting Professor of Drama at Oxford University. His plays include Blood Knot, Boesman and Lena, Statements After an Arrest Under the Immorality Act, Sizwe Banzi Is Dead, 'Master Harold' . . . and the Boys, The Road to Mecca, My Children! My Africa! and The Blue Iris.
This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.
Fast-paced adventure and full-color art in the style of Edward Hopper's Nighthawks make this third book a thrilling addition to the Fantastic Frame series! When Tiger and Luna get sucked into the fantastic frame this time, their destination is the diner depicted in Edward Hopper's famous painting Nighthawks. They explore the streets of New York in 1942 and ride the subway through the dark underground tunnels. It's another art adventure for Tiger and Luna, and as always, they must find their way back to the real world before it's too late—or remain stuck in the painting forever.