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Ground Pork is the first collection of poetry to be released by Thomas Porky McDonald. Containing the first five poem books written by McDonald, whose work is often defined by his depictions of the world of baseball, Ground Pork gives an insight into the poet's earliest verses. Conceived from 1989 through early 1994, the innocence of his first two works, Second...to Verse...Baseball Poems, and some other stuff and Eternal Postcards, does leave the reader with an anticipation of the more centered and powerful verses to come. Signature pieces "The Park That Isn't There " and "Queensbridge", (from Second to Verse) and "Once" and "Skipper's Song", (from Eternal Postcards) display a depth that only grows in books three through five. Some Came Lost, which was written just before a time of great turmoil for McDonald, reflects back to the 20s of a man crossing into his 30s, and emotionally bridges the initial offerings with books four and five. "Just a Walk on Flatbush Avenue" and "Someday Demolition Men" in particular, release a part of the soul of this self-styled "Ramble Poet". Fugitive in your Face (poetry in Exile) and Out Here in...Crazyland the fourth and fifth books in this collection, were driven out from March through September of 1994, while the writer faced suspension and expulsion from work. This time also included an arrest, with charges later dropped, stemming from a classic case of bureaucracy gone amok, and a positive drug screening following re-instatement into the workplace. Hence, the pieces "Lonesome Majesty" and "After Crash Landing" in Fugitive In Your Face, and "Crazyland" and "Loons" in Out Here in... Crazyland. In addition, the uncertainty of the time produced moments of memorable verse, such as "Tall Girls Blessed With Greasepaint" (Fugitive), "Rest Alive" and "Where the Angels Bow to the Grass" (Crazyland). Ground Pork leaves off in late 1994, from which the most prolific time of the poet's life would soon commence. As such, it is a lasting insight into the very soul of a man whose goal appears to be bringing back the art of baseball poetry.
Shadow of the Succubus / The Eternal Thirst: Two Novels of Horror both are tales of dark seduction, which at times deal with the dual nature of man, who can be so at odds with his own darkness and yet so easily led into the dark. Both are in the Gothic vein, but are set in a modern atmosphere.
The mere mention of vampires used to be enough to make people think of a nocturnal predator. But over the centuries the vampire has changed from monstrous villain to sexual object, for both men and women alike. Allure of the Vampire examines our intimate attraction to these beings in a detailed manner. Now, join occult author Corvis Nocturnum as he reveals the fascinating evolution of this icon as it has lured and enticed us in folklore, film and books from the days of ancient civilization to the living breathing inhabitants of our modern subculture, the vampire community.
Following the defeat of the Dark Sorceress Alana, Azrael and Mecah attempt to move on with their lives. The two, work together to bring peace and prosperity to the realm, as their love for one another continues to intensify. Meanwhile, Azrael is plagued with nightmares of a pending doom; one which reaches from beyond the grave. When the Palace is attacked, Azrael and his friends are faced with a new, more terrifying threat. A threat that is hundreds of years old and powered by dark magic. Will this new nightmare, succeed in tearing Azrael and Mecah apart? Will Azrael be able to control the darkness that continues to grow within him?
The Lesser Key of Solomon, also known as Lemegeton Clavicula Salomonis or simply Lemegeton, is an anonymous grimoire on demonology. It was compiled in the mid-17th century, mostly from materials a couple of centuries older. It is divided into five books—the Ars Goetia, Ars Theurgia-Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. This edition was translated by Samuel Liddell MacGregor Mathers and published by Aleister Crowley under the title The Book of the Goetia of Solomon the King. Crowley added some additional invocations previously unrelated to the original work, as well as essays describing the rituals as psychological exploration instead of demon summoning.
Gritty and unflinching, yet also tender, fantastical, and funny, a trans woman’s tale about finding a community on the margins. In Sarmiento Park, the green heart of Córdoba, a group of trans sex workers make their nightly rounds. When a cry comes from the dark, their leader, the 178-year-old Auntie Encarna, wades into the brambles to investigate and discovers a baby half dead from the cold. She quickly rallies the pack to save him, and they adopt the child into their fascinating surrogate family as they have so many other outcasts, including Camila. Sheltered in Auntie Encarna’s fabled pink house, they find a partial escape from the everyday threats of disease and violence, at the hands of clients, cops, and boyfriends. Telling their stories—of a mute young woman who transforms into a bird, of a Headless Man who fled his country’s wars—as well as her own journey from a toxic home in a small, poor town, Camila traces the life of this vibrant community throughout the 90s. Imbuing reality with the magic of a dark fairy tale, Bad Girls offers an intimate, nuanced portrait of trans coming-of-age that captures a universal sense of the strangeness of our bodies. It grips and entertains us while also challenging ideas about love, sexuality, gender, and identity.
The first volume in the classic paranormal thriller series, Thirst, from bestselling author Christopher Pike. At five thousand years old, the vampire Alisa thought she was smart enough to stay out of trouble. But when her creator returns to hunt her, she must protect herself by befriending Ray, the boy who may be her only chance at finding her maker. When she begins to fall in love with Ray, all of a sudden there is more at stake than her own life.
The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
The extraordinary new novel from the winner of the 2004 Lannan Literary Fellowship, 2005 PEN USA Literary Award for Fiction, and the 2006 Whiting Writers Award. "A new work of obsession, tragedy, and the unpredictable trajectories of the heart."(Cristina Garcia, author of Dreaming in Cuban) A powerful testament about the far-reaching effects of political brutality and lost love, Draining the Sea sifts through the incongruities of history and memory, unfurling inside the mind of a man who spends his days driving the streets of Los Angeles, racked by visions of the Guatemalan Civil War and, in particular, of Marta--a beautiful young prostitute who died violently in the midst of it. Unfortunately, her death is a tragedy in which he himself may have played a role.