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No mortal will tell of our tragedy... Tenebrae; a world of darkness, trapped in the past and where vampires rule over their mortal slaves. Torn from the safety of her small village, twelve-year-old Reina is a thrust into a life of slavery and eternal darkness. Spending her prime years in servitude to the demons known as vampires, Reina learns to keep her head down and remain unseen. But all that changes when she makes a fatal mistake. A century after seeing her home destroyed and family slaughtered, Reina is forced to return toTenebrae. No longer a slave and raised to the ranks of vampire, the very creature she loathes, Reina is determined to end slavery and destroy Tenebrae. But she has caught the attention of Master Vrykólakas, the man responsible for the death of her family. Suspicious of Reina's return he issues her an impossible ultimatum: become his treasured courtesan or condemn the man who is both her Creator and lover to death.
Amid the turmoil of the Ming-Qing dynastic transition in seventeenth-century China, some intellectuals sought refuge in romantic memories from what they perceived as cataclysmic events. This volume presents two memoirs by famous men of letters, Reminiscences of the Plum Shadows Convent by Mao Xiang (1611–93) and Miscellaneous Records of Plank Bridge by Yu Huai (1616–96), that recall times spent with courtesans. They evoke the courtesan world in the final decades of the Ming dynasty and the aftermath of its collapse. Mao Xiang chronicles his relationship with the courtesan Dong Bai, who became his concubine two years before the Ming dynasty fell. His mournful remembrance of their life together, written shortly after her early death, includes harrowing descriptions of their wartime sufferings as well as idyllic depictions of romantic bliss. Yu Huai offers a group portrait of Nanjing courtesans, mixing personal memories with reported anecdotes. Writing fifty years after the fall of the Ming, he expresses a deep nostalgia for courtesan culture that bears the toll of individual loss and national calamity. Together, they shed light on the sensibilities of late Ming intellectuals: their recollections of refined pleasures and ruminations on the vagaries of memory coexist with political engagement and a belief in bearing witness. With an introduction and extensive annotations, Plum Shadows and Plank Bridge is a valuable source for the literature of remembrance, the representation of women, and the social role of intellectuals during a tumultuous period in Chinese history.
My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment. Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to become a miracle of east-west trade: rich and rancid, pious and profitable, beautiful and squalid. With a mix of courage and cunning they infiltrate Venetian society. Together they make the perfect partnership: the sharp-tongued, sharp-witted dwarf, and his vibrant mistress, trained from birth to charm, entertain, and satisfy men who have the money to support her. Yet as their fortunes rise, this perfect partnership comes under threat, from the searing passion of a lover who wants more than his allotted nights to the attentions of an admiring Turk in search of human novelties for his sultan’s court. But Fiammetta and Bucino’s greatest challenge comes from a young crippled woman, a blind healer who insinuates herself into their lives and hearts with devastating consequences for them all. A story of desire and deception, sin and religion, loyalty and friendship, In the Company of the Courtesan paints a portrait of one of the world’s greatest cities at its most potent moment in history: It is a picture that remains vivid long after the final page.
Courtesans, hetaeras, tawaif-s, ji-s--these women have exchanged artistic graces, elevated conversation, and sexual favors with male patrons throughout history and around the world. In Ming dynasty China and early modern Italy, exchange was made through poetry, speech, and music; in pre-colonial India through magic, music, chemistry, and other arts. Yet like the art of courtesanry itself, those arts have often thrived outside present-day canons and modes of transmission, and have mostly vanished without trace.The Courtesan's Arts delves into this hidden legacy, while touching on its equivocal relationship to geisha. At once interdisciplinary, empirical, and theoretical, the book is the first to ask how arts have figured in the survival or demise of courtesan cultures by juxtaposing research from different fields. Among cases studied by writers on classics, ethnomusicology, anthropology, and various histories of art, music, literature, and political culture are Ming dynasty China, twentieth-century Korea, Edo and modern Japan, ancient Greece, early modern Italy, and India, past and present. Refusing a universal model, the authors nevertheless share a perception that courtesans hover in the crevices of space, time, and practice--between gifts and money, courts and cities, subtlety and flamboyance, feminine allure and masculine power, as wifely surrogates but keepers of culture. What most binds them to their arts in our post-industrialized world of global services and commodities, they find, is courtesans' fragility, as their cultures, once vital to civilizations founded in leisure and pleasure, are now largely forgotten, transforming courtesans into national icons or historical curiosities, or reducing them to prostitution.
Uncovered: a list of noblemen's names—each one guilty of treason To save his family legacy, Rafe Densmore must seize a courtesan's infamous register. No one can ever know how his father betrayed his country! One person stands in Rafe's way—the beautiful Cornelia, Comtesse de Vane. In the card rooms of Paris, Rafe and Cornelia made an unbeatable…intimate team. Until, convinced of Rafe's desertion, desperate Cornelia married an elderly comte. Now, returning to London an impoverished widow, she'll do anything to possess the register. Even if that means becoming Rafe's partner once again…. "Lee's novel hits the sweet spot." —RT Book Reviews on Engagement of Convenience
If Lady Amelia Caversham is to marry before another Season passes, she'd better find help-namely, that of the infamous courtesan-turned matchmaker Sophia Dalby. But even Amelia is shocked when Lady Dalby informs her that they will hold interview for the position. And most shocking of all? Only Dukes need apply.
Trained in the magical art of shadow-weaving, sixteen-year-old Suzume, who is able to re-create herself in any form, is destined to use her skills to steal the heart of a prince in a revenge pot.
In this School for Brides romance, a respectable lady must play the part of a seasoned lover in a turnabout game of seduction and irresistible intrigue… The School for Brides stands on its principles: turn comely courtesans into proper wives. But when Lady Noelle Seymour attempts to save a bride-in-training from arrest by sneaking into a stranger’s bedroom to return a stolen necklace, she locks eyes with Gavin Blackwell and gets herself into a whole heap of trouble. Since the truth of her nocturnal visit could land both women in jail, Noelle offers a desperate excuse: She’s there as his new courtesan. Gavin has a lot to learn about London society, but a female housebreaker offering her seductive services is beyond the unexpected. When she vanishes, Gavin tracks her down and demands she make good on her proposition. However, there’s more at stake than Noelle’s virtue. That unfortunate night in Gavin’s room has made her an unwitting pawn in the treacherous game of a woman scorned, and now only Gavin can protect her—in every way he desires...
BRIDGERTON meets MOULIN ROUGE in this sexy, heartwarming and unputdownable opposites-attract Regency! 'A gorgeous, captivating Regency romance' SOPHIE IRWIN 'A smart story, compelling writing and a big smile on any reader's face when they finish' JODI ELLEN MALPAS A mistress cannot marry for love... As one of the famous Preece sisters, Kitty is the most sought-after courtesan in London. But with the vicious Duke of Gillingham scaring away any man who looks her way, securing a new arrangement with a wealthy gentleman will be no easy feat. Kitty's only hope to find someone suitable is through her loyal and cherished friend, the Reverend Sidney Wakefield. Sidney has devoted his life to the church, but it was never by choice. He is a writer and Kitty his muse. As he is roped into Kitty's plotting, he begins to realise that protecting her from the malevolent Duke comes at a price - and it might mean losing Kitty to someone else entirely. As Kitty and Sidney try to find a way out, it becomes clear that years of friendship have developed into something deeper. Except that they are from different worlds and Kitty's heart has never been hers to give away... YOUR FAVOURITE AUTHORS LOVE A COURTESAN'S WORTH 'Irresistibly sexy ... I adored every scintillating page' Jessica Bull 'A dark and seductively dangerous Regency world - think Bridgerton meets Moulin Rouge - where everything, especially love, has a high price' Emma Orchard