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Imagine if H.P. Lovecraft were Chinese and his tales were true. Or if a national, political figure like Benjamin Franklin was also a paranormal investigator, one who wrote up his investigations with a chilling, story-telling flair that reads like a combination of Franz Kafka and Zhuangzi. In China, a figure existed in the eighteenth century who was a little bit of both these things. Special Advisor to the emperor, Head of the Department of War, Imperial Librarian, and one of the most celebrated scholars and poets of his time, his name was Ji Yun. Beginning in 1789, Ji Yun published five volumes of weird tales that combined supernatural and frequently moving autobiographical accounts with early speculative fictions. By turns darkly comic, terrifying, and transcendentally mystical, they revolutionized Chinese speculative and horror fiction AND nonfiction, and portrayed a China never before depicted: one poised between old ways and new, where repeating rifles shared the world with Tibetan black-magic, Jesuit astronomers rubbed elbows with cosmic horrors, and a vibrant sex trade of the reanimated dead was conducted in the night. Combining insights into Chinese magic and metaphysics with tales of cannibal villages, sentient fogs, and alien encounters; as well as nightmarish narratives of soul swapping, haunted cities, and fox spirits; no other work compares to Ji Yun's. Designed as both entertainment and an occult technology that awakens readers to new dimensions of reality, one cannot walk away from his stories unchanged. The Shadow Book of Ji Yun is a literary translation of Ji Yun's most masterful tales. Awards and Honors of Individual Pieces: *Finalist for the 2020 [Gabriel García Márquez] "Gabo" Award for Literature in Translation *Selected for New England Review's 2020 Haunting and Haunted Issue *Selected for Strange Horizon's "Samovar" quarterly special issue *Nominated as "Best Microfiction" by Cincinnati Review *Nominated as "Best of the Net" by Passages North *Nominated as "Best of the Net" by Cincinnati Review
"The one hundred-some stories depict the important role ghosts played in the lives of the Chinese, as well as revealing a great deal about sex, revenge, transvestism, corruption, and other topics banned by Mei's puritanical mid-Qing society". -- Reference & Research Book News.
An inside analysis of modern cultural and political upheavals in China by a fluent Beijing correspondent describes the power struggles currently taking place between the party elite and supporters of democracy, the outcome of which the author predicts will significantly affect China's rise to a world super-power. 125,000 first printing.
Chinese Ghost Stories are a selection of the most entertaining Chinese traditional tales of the strange and fantastic. Hearn had a great affinity for the traditional ghost stories of China, and these stories clearly inspired him as he penned subsequent works. Set in richly atmospheric locales, these tales speak of heroic sacrifice, chilling horror, eerie beauty and otherworldly intervention. This completely reset and pinyin-converted edition of Hearn's classic work contains a new foreword by Victoria Cass, which places the stories, their author, and his love for the strange and mysterious into perspective. If you're seeking insights into the traditional Chinese world of ghosts, goblins and demons—or just want to feel a chill run down your spine on a dark and lonely night—then this book is the perfect companion. Ghost stories include: The Soul of the Great Bell The Story of Ming Yi The Legend of Zhi Nu The Return of Yan Zhenjing The Tradition of the Tea Plant The Tale of the Porcelain God
The dead wreak revenge on the living, paintings come alive, spectral brides possess mortal men and a priest devours human flesh in these chilling Japanese ghost stories retold by a master of the supernatural. Lafcadio Hearn drew on the phantoms and ghouls of traditional Japanese folklore - including the headless 'rokuro-kubi', the monstrous goblins 'jikininki' or the faceless 'mujina' who stalk lonely neighbourhoods - and infused them with his own memories of his haunted childhood in nineteenth-century Ireland to create these terrifying tales of striking and eerie power. Today they are regarded in Japan as classics in their own right. Edited with an introduction by Paul Murray
I think that my best apology for the insignificant size of this volume is the very character of the material composing it. In preparing the legends I sought especially for "weird beauty"; and I could not forget this striking observation in Sir Walter Scott's "Essay on Imitations of the Ancient Ballad" "The supernatural, though appealing to certain powerful emotions very widely and deeply sown amongst the human race, is, nevertheless, a "spring which is peculiarly apt to lose its elasticity by being too much pressed upon."" -- Lafcadio Hearn
A Chinese Bestiary presents a fascinating pageant of mythical creatures from a unique and enduring cosmography written in ancient China. The Guideways through Mountains and Seas, compiled between the fourth and first centuries b.c.e., contains descriptions of hundreds of fantastic denizens of mountains, rivers, islands, and seas, along with minerals, flora, and medicine. The text also represents a wide range of beliefs held by the ancient Chinese. Richard Strassberg brings the Guideways to life for modern readers by weaving together translations from the work itself with information from other texts and recent archaeological finds to create a lavishly illustrated guide to the imaginative world of early China. Unlike the bestiaries of the late medieval period in Europe, the Guideways was not interpreted allegorically; the strange creatures described in it were regarded as actual entities found throughout the landscape. The work was originally used as a sacred geography, as a guidebook for travelers, and as a book of omens. Today, it is regarded as the richest repository of ancient Chinese mythology and shamanistic wisdom. The Guideways may have been illustrated from the start, but the earliest surviving illustrations are woodblock engravings from a rare 1597 edition. Seventy-six of those plates are reproduced here for the first time, and they provide a fine example of the Chinese engraver's art during the late Ming dynasty. This beautiful volume, compiled by a well-known specialist in the field, provides a fascinating window on the thoughts and beliefs of an ancient people, and will delight specialists and general readers alike.
Hatchet in North Korea: A sister and brother go on the run with explosive forbidden photographs in this gripping and timely survival adventure. North Korea is known as the most repressive country on Earth, with a dictatorial leader, a starving population, and harsh punishment for rebellion.Not the best place for a family vacation.Yet that's exactly where Mia Andrews finds herself, on a tour with her aid-worker father and fractious older brother, Simon. Mia was adopted from South Korea as a baby, and the trip raises tough questions about where she really belongs. Then her dad is arrested for spying, just as forbidden photographs of North Korean slave-labor camps fall into Mia's hands. The only way to save Dad: get the pictures out of the country. Thus Mia and Simon set off on a harrowing journey to the border, without food, money, or shelter, in a land where anyone who sees them might turn them in, and getting caught could mean prison -- or worse.An exciting adventure that offers a rare glimpse into a compelling, complicated nation, In the Shadow of the Sun is an unforgettable novel of courage and survival.
The highly anticipated sequel to International Booker and Dublin Impac Award-shortlisted The Unseen No-one can be alone on an island . . . But Ingrid is alone on Barrøy, the island that bears her name, and the war of her childhood has been replaced by a new, more terrible present: the Nazi occupation of Norway. When the bodies from a bombed vessel carrying Russian prisoners of war begin to wash up on the shore, Ingrid can’t know that one will not only be alive, but could be the answer to a lifetime of loneliness—nor can she imagine what suffering she will endure in hiding her lover from the German authorities, or the journey she will face, after being wrenched from her island as consequence for protecting him, to return home. Or especially that, surrounded by the horrors of battle, among refugees fleeing famine and scorched earth, she will receive a gift, the value of which is beyond measure. The highly anticipated follow-up to Roy Jacobsen’s International Booker and Dublin Impac Award-shortlisted The Unseen, a New York Times New and Noteworthy book, White Shadow is a vividly observed exploration of conflict, love, and human endurance.