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On Easter Sunday of April 1941, a young woman pushes through the holiday crowds, racing for her life through the streets of Manhattan. It's a chase that leads from the bustling American metropolis all the way to Berlin, the dark heart of the Nazi regime... a chase of screeching taxis and motorcycle escapes, of a fantastic battle between a German U-boat and an autogyro over Coney Island! Like marionettes dangling from invisible hands, neither Allies nor Axis agents can tell if they are the puppeteers... or the dolls whose strings get cut! Behind it all, The Shadow looms, a master of men with cold, hollow laughter and blazing .45 pistols! The acclaimed, complete Shadow 1941: Hitler's Astrologer collaboration of Batman scribe Denny O'Neil and artist Mike Kaluta, available for the first time in over two decades, completely remastered!
“A wide-ranging examination of America’s entry into World War II.” —Kirkus Reviews, starred review In 1941: Fighting the Shadow War, A Divided America in a World at War, historian Marc Wortman thrillingly explores the little-known history of America’s clandestine involvement in World War II before the attack on Pearl Harbor. Prior to that infamous day, America had long been involved in a shadow war. Winston Churchill, England’s beleaguered new prime minister, pleaded with Franklin D. Roosevelt for help. FDR concocted ingenious ways to come to his aid, without breaking the Neutrality Acts. Launching Lend-Lease, conducting espionage at home and in South America to root out Nazi sympathizers, and waging undeclared war in the Atlantic, were just some of the tactics with which FDR battled Hitler in the shadows. FDR also had to contend with growing isolationism and anti-Semitism as he tried to influence public opinion. While Americans were sympathetic to those being crushed under Axis power, they were unwilling to enter a foreign war. Wortman tells the story through the eyes of the powerful as well as ordinary citizens. Their stories weave throughout the intricate tapestry of events that unfold during the crucial year of 1941. Combining military and political history, Wortman’s “brisk narrative takes us across nations and oceans with a propulsive vigor that speeds the book along like a good thriller” (The Wall Street Journal). “A fascinating narrative of a domestic conflict presaging America’s plunge into global war.” —Booklist, starred review
Filled with revelations and replete with telling detail, this riveting book lifts the curtain on the United States' secret intelligence operations in the war against Nazi Germany.
Taking the achievements, ambiguities, and legacies of World War II as a point of departure, The Shadow of War: The Soviet Union and Russia, 1941 to the Present offers a fresh new approach to modern Soviet and Russian history. Presents one of the only histories of the Soviet Union and Russia that begins with World War II and goes beyond the Soviet collapse through to the early twenty-first century Innovative thematic arrangement and approach allows for insights that are missed in chronological histories Draws on a wide range of sources and the very latest research on post-Soviet history, a rapidly developing field Supported by further reading, bibliography, maps and illustrations.
The Shadow Killer is the extraordinary second book in the compelling new series from award-winning Icelandic author Arnaldur Indridason, following The Shadow District. "Indridason is an international literary phenom." –Harlan Coben "Puts Iceland on the map as a major destination for enthusiasts of Nordic crime fiction." –Marilyn Stasio, The New York Times Book Review "One of the most brilliant crime writers of his generation."–The London Sunday Times "No wonder Arnaldur Indridason won so many awards. He's a great storyteller, and American readers will overwhelmingly agree." –C.J. Box A man is found murdered in a small apartment in Reykjavík, shot in the head with a pistol. The police’s attention is immediately drawn to the foreign soldiers who are on every street corner in the summer of 1941. So begins officers Flóvent and Thorson’s investigation, which will lead them down a path darker than either of them expected, and force them to reckon with their own demons.
"When his mystic powers fail, The Shadow travels the globe on a bloody search for answers. He attempts to reconnect with his spiritual masters in Nepal, but is sidetracked by an opium smuggling operation. Afterwards, he travels to the frontlines of the Spanish Civil War in pursuit of arms dealers and a would-be dictator. Who is the maniacal El Rey, and how will The Shadow dispense justice when he discovers that a former flame serves as his brutal enforcer, the Black Sparrow?"--Page 4 of cover.
The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.
Written and illustrated by legendary and award-winning comic book creator Howard Chaykin, The Shadow: Blood & Judgment is collected for the first time since 1991!!! Chaykin's dynamic, visceral style added a new dimension to The Shadow of the 1980's! The laugh had vanished...the mocking, sinister laugh that signaled doom for the petty souls whose wrongdoing stained the world. It was gone, lost in the night that echoed it. Now, one by one, his friends and operatives are being ruthlessly murdered. Someone is trying to draw him out. Thirty-five years later, it is time for him to return. The laugh is here again. The Shadow is back. God help the guilty. - See more at: http://www.comixology.com/The-Shadow-Blood-Judgement/digital-comic/31302#sthash.prSncoVD.dpuf Written and illustrated by legendary and awardwinning comic book creator Howard Chaykin, The Shadow: Blood & Judgment is collected for the first time since 1991! Chaykin's dynamic, visceral style added a new dimension to The Shadow of the 1980's! The laugh had vanished...the mocking, sinister laugh that signaled doom for the petty souls whose wrongdoing stained the world. It was gone, lost in the night that echoed it. Now, one by one, his friends and operatives are being ruthlessly murdered. Someone is trying to draw him out. Thirty-five years later, it is time for him to return. The laugh is here again. The Shadow is back. God help the guilty.
A masterful account culminating in the fateful days before Hitler's invasion of the Soviet Union, "June 1941" offers penetrating insights and a new portrait of Hitler and Stalin.
Students of American history know of the law’s critical role in systematizing a racial hierarchy in the United States. Showing that this history is best appreciated in a comparative perspective, The Long, Lingering Shadow looks at the parallel legal histories of race relations in the United States, Brazil, and Spanish America. Robert J. Cottrol takes the reader on a journey from the origins of New World slavery in colonial Latin America to current debates and litigation over affirmative action in Brazil and the United States, as well as contemporary struggles against racial discrimination and Afro-Latin invisibility in the Spanish-speaking nations of the hemisphere. Ranging across such topics as slavery, emancipation, scientific racism, immigration policies, racial classifications, and legal processes, Cottrol unravels a complex odyssey. By the eve of the Civil War, the U.S. slave system was rooted in a legal and cultural foundation of racial exclusion unmatched in the Western Hemisphere. That system’s legacy was later echoed in Jim Crow, the practice of legally mandated segregation. Jim Crow in turn caused leading Latin Americans to regard their nations as models of racial equality because their laws did not mandate racial discrimination— a belief that masked very real patterns of racism throughout the Americas. And yet, Cottrol says, if the United States has had a history of more-rigid racial exclusion, since the Second World War it has also had a more thorough civil rights revolution, with significant legal victories over racial discrimination. Cottrol explores this remarkable transformation and shows how it is now inspiring civil rights activists throughout the Americas.