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A collection of essays, autobiographical narratives, and performance pieces.
The essays collected in this volume reflect the upsurge of interest in the research and writing of feminist history in the 1970s/80s and illustrate the developments which have taken place – in the types of questions asked, the methodologies employed, and the scope and sophistication of the analytical approaches which have been adopted. Focusing on women in nineteenth-century Britain and America, this book includes work by scholars in both countries and takes its place in a long history of Anglo-American debate. The collection adopts 'the doubled vision of feminist theory', the view that it is the simultaneous operation of relations of class and of sex/gender that perpetuate both patriarchy and capitalism. This view informs a wide variety of contributions from 'Class and Gender in Victorian England', to 'Servants, Sexual Relations and the Risks of Illegitimacy', 'Free Black Women', 'The Power of Women’s Networks', and 'Socialism, Feminism and Sexual Antagonism in the London Tailoring Trade'. Both the vigour and the urgency of scholarship infused with social aims can be clearly felt in the essays collected here.
As national policy is debated, a locally based grassroots movement is taking the initiative to assist millions of immigrants in the American workforce facing poor pay, bad working conditions, and few prospects to advance to better jobs. Fine takes a comprehensive look at the rising phenomenon of worker centers, fast-growing institutions that improve the lives of immigrant workers through service advocacy and organizing.—from publisher information.
In this brilliant and vivid study of life in New York City during the years between the creation of the republic and the Civil War, a distinguished historian explores the position of men and women in both the poor and middle classes, the conflict between women of the laboring poor and those of the genteel classes who tried to help them and the ways in which laboring women traced out unforeseen possibilities for themselves in work and in politics. Christine Stansell shows how a new concept of womanhood took shape in America as middle-class women constituted themselves the moral guardians of their families and of the nation, while poor workingwomen, cut adrift from the family ties that both sustained and oppressed them, were subverting—through their sudden entry into the working and political worlds outside the home—the strict notions of female domesticity and propriety, of “woman’s place” and “woman’s nature,” that were central to the flowering and the image of bourgeois life in America. Here we have a passionate and enlightening portrait of New York during the years in which it was becoming a center of world capitalist development, years in which it was evolving in dramatic ways, becoming the city it fundamentally is. And we have, as well, a radically illuminating depiction of a class conflict in which the dialectic of female vice and virtue was a central issue. City of Women is a prime work of scholarship, the first full-scale work by a major new voice in the fields of American and urban history.
First published in 1986, Sex, Class and Culture is a collection of Marxist feminist essays that develops an original critical theory and applies it to literature, the visual arts, and mass media. Lillian Robinson was the first American critic to suggest the essential connections among sex, class, and race as forces that shape works of art and the critical response to them. In applying her theory to particular texts, she considers topics from the Renaissance epic to the Regency romance, from Jane Austen to contemporary feminist poets, and from factory workers’ memoirs to TV images of career women and housewives. The essays are insightful because Robinson clearly knows this wide assortment of texts, cares about their significance, and writes about them with wit. They are irreverent, because she asserts the feminist critic’s permanent responsibility to ask "So What?" and they are controversial because she constantly addresses that question to our most powerful and respectable institutions – social and literary. This book will be of interest to students of literature, history, gender studies and sexuality studies.
The Murdochs, Packers, Kennedys, Angnelis, and other men like them, directly determine the fates of thousands and influence the future of the world like no other people. To learn about these often reclusive men, the authors extended the life-history technique to interrogate autobiographies, diaries and biographies.
With the help of cartoons, cell phones, and social media; kids are not ignorant to sex and sexuality. And this sticky subject may be embarrassing to talk about with your kids and maybe some of you may not be knowledgeable of the topic or just don't know how. In schools, they don't teach topics like Sexualities; leaving many growing into adulthood not knowing who they are as a sexual being which causes most people left with no choice but to keep it on the down low. This book helps you understand yourself and others better and educates you on the topics most families don't discuss. You'll appreciate learning things like the different levels of sex offenders, first date mistakes, different sexualities, and taking quizzes to see just how much you've learned from the book. Remember; knowledge is power, so don't wait to become an adult to learn the birds and the bees. Take responsibility for your learning, for only you can judge you.
"By analyzing the process of work in both the electrical and the automobile industries, the supplies of male and female labor available to each, the varying degrees of labor-intensive work, the proportion of labor costs to total costs, and the extent of male resistance to female entry into the industry before, during, and after the war, Milkman offers a historically grounded and detailed examination of the evolution, function, and reproduction of job segregation by sex." -- Journal of American History "Analytic sophistication is coupled with a powerfully rendered narrative: the reader strides briskly along, enjoying one provocative insight after another while simultaneously absorbed by the drama of the events." -- Women's Review of Books