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A hacker breaks into the pope's computer, asking him to save from demolition a 17th century church in Seville. The Vatican dispatches handsome Father Lorenzo Quart who quickly attracts the attention of an aristocratic beauty embroiled in the affair. By the author of The Flanders Panel.
“A sleek, sophisticated, madly clever chamber mystery” from the international bestselling author—the basis for the film Uncovered starring Kate Beckinsale (The New York Times Book Review). A fifteenth-century painting by a Flemish master is about to be auctioned when Julia, a young art restorer, discovers a peculiar inscription hidden in a corner: Who killed the knight? In the painting, the Duke of Flanders and his knight are locked in a game of chess, and a dark lady lurks mysteriously in the background. Julia is determined to solve the five-hundred-year-old murder, but as she begins to look for clues, several of her friends in the art world are brutally murdered in quick succession. Messages left with the bodies suggest a crucial connection between the chess game in the painting, the knight’s murder, the sordid underside of the contemporary art world, and the latest deaths. Just when all of the players in the mystery seem to be pawns themselves, events race toward a shocking conclusion. A thriller like no other, The Flanders Panel presents a tantalizing puzzle for any connoisseur of mystery, chess, art, and history. “A beguiling puzzle—a game within a game within a game—solved in perplexing but entertaining fashion.”—The Philadelphia Inquirer “For mystery fans who yearn for literate, intelligent, sophisticated whodunits, Spanish author Pérez-Reverte’s highly acclaimed story fills the bill perfectly . . . An inventive plot, gripping suspense, fascinatingly complex characters, and innovative incorporation of art, literature, and music will enthrall readers looking for something a little different.”—Booklist “This intelligent mystery . . . comes up with a satisfying twist at the end.”—Library Journal
The sixth novel in the international bestselling adventures of Captain Alatriste, set in a time when the only thing needed to summon hell on earth—or sea—was a Spaniard and his sword. Accompanied by his faithful foster son, Íñigo, Captain Alatriste accepts a job as a mercenary aboard a Spanish galleon. The ship sets sail from Naples on a journey that will take them to some of the most remote—and wretched—outposts of the empire: Morocco, Algeria, and finally to Malta for a stunning and bloody battle on the high seas that will challenge even the battle-hardened Alatriste's resolve. Now seventeen, Íñigo is almost ready to leave Alatriste, his foster father and fellow soldier. But will age and experience bring wisdom, or is he likely to repeat many of his mentor's mistakes?
“A taut, elegant mystery” set against the historical backdrop of nineteenth-century Madrid (St. Louis Post-Dispatch). It is 1868; Spain teeters on the brink of revolution. Jaime Astarloa is a master fencer of the old school, priding himself on the precision, dignity, and honor of his ancient art. His friends spend their days in cafes discussing plots at court, but Jaime’s obsession is to perfect the irresistible sword thrust. Then Adela de Otero, violet-eyed and enigmatic, appears at his door. When Jaime takes her on as a pupil he finds himself embroiled in dark political intrigue against which his old-fashioned values are no protection. “A delightful period whodunit” (USA Today), The Fencing Master “succeeds admirably as both a vivid picture of an unfamiliar culture and as high, sophisticated entertainment” (Kirkus Reviews).
Gear up for swashbuckling adventure in the second “riveting”* historical thriller in the internationally acclaimed Captain Alatriste series. The fearless Alatriste is hired to infiltrate a convent and rescue a young girl forced to serve as a powerful priest’s concubine. The girl’s father is barred from legal recourse as the priest threatens to reveal that the man’s family is “not of pure blood” and is, in fact, of Jewish descent—which will all but destroy the family name. As Alatriste struggles to save the young hostage from being burned at the stake, he soon finds himself drawn deeper and deeper into a conspiracy that leads all the way to the heart of the Spanish Inquisition.
A fearless Spanish crew embarks on a search for a lost ship, swallowed by the Indian Ocean centuries ago, in a novel by “a master of the literary thriller” (Booklist, starred review). Manuel Coy is a suspended sailor with time on his hands, a mariner without a ship. While attending a maritime auction in Barcelona, he meets Tánger Soto, a captivating beauty who works for the Naval Museum in Madrid. A woman obsessed with the Dei Gloria, a famed Jesuit ship sunk by pirates in the seventeenth century, she now hopes to find it and unearth its mysteries, rumored to be buried the bottom of the sea off the southern coast of Spain. Quickly drawn into the search, Coy accompanies Tánger Soto, and a wise old man of the sea whose sailboat will carry the crew into the middle of nowhere in search of a fortune. But more than treasure is rising to the surface—secrets are, too. And from these depths will also come danger, and an adventure no one is prepared for. From the acclaimed author of The Queen of the South, The Nautical Chart is “a swashbuckling tale of mystery” (The Washington Post Book World).
The first action-packed historical adventure in the internationally acclaimed Captain Alatriste series, featuring a Spanish soldier who lives as a swordsman-for-hire in 17th century Madrid. Needing gold to pay off his debts, Captain Alatriste and another hired blade are paid to ambush two travelers, stage a robbery, and give the travelers a fright. “No blood,” they are told. Then a mysterious stranger enters to clarify the job: he increases the pay, and tells Alatriste that, instead, he must murder the two travelers. When the attack unfolds, Alatriste realizes that these aren’t ordinary travelers, and what happens next is only the first in a riveting series of twists and turns, with implications that will reverberate throughout the courts of Europe...
From international bestselling author Arturo Pérez-Reverte comes the fourth adventure of Captain Alatriste in the “series [that] recalls the great adventure novels of Dumas and Scott”(The New York Times). Seville, 1626. After serving with honor at the bloody siege of Breda, Captain Alatriste and his protégé, Iñigo Balboa, accept a risky job involving a dozen swordsmen and mercenaries at their command, a dazzling amount of contraband gold, and a heavily guarded Spanish galleon returning from the West Indies. The job offer comes from the king himself, for at stake is nothing less than the Spanish Crown, and its dominion over the wealth of the Americas. But for Alatriste, a very personal surprise awaits him on that galleon.
The complex narrative technique of one of Spain's most renowned contemporary authors. The writings of Arturo Pérez-Reverte, one of Spain's most renowned contemporary authors, have been described as a minefield. This monograph examines the complexities behind the narrative technique employed in creating such a minefield, including an analysis of the role played by both male and female characters, the relevance of the past as a motif, and aspects of the role of storytelling in creating mystery where none should exist. Both Revertian novelsand journalistic writing are seen to be part of an over-all game which is played between their author and his readers. Film, too, forms part of the material reviewed as, though Pérez-Reverte is not a script writer, many films have been based on his novels. The text-centred analysis concludes that the themes of interest in all Revertian output revolve around two main areas: the significance of the past, whether historical, cultural, or literary, andthe role of the written word in communicating, in rescuing and in challenging versions of that past in order to combat what Pérez-Reverte terms 'dismemory'. ANNE L. WALSH lectures in Hispanic Studies at University College, Cork.