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What lies beneath . . . At first, Jean Suttman thought she had died and gone to heaven when she was granted the opportunity to study in Rome. But the body that’s lying in the ancient subterranean Temple of Mithra—the murdered corpse of a repulsive and disliked fellow student—is far from her idea of heavenly. Now she’s truly frightened, and not just because small “accidents” seem to be occurring around her with disturbing regularity. It’s the ever-increasing certainty that someone, for some unknown reason, is ruthlessly determined to do her harm. Jean’s innocent underground excursion into a sacred pagan place has trapped her in something dark and terrifying, and even the knowledge that practical, perceptive fellow American Jacqueline Kirby is on the case won’t ease her fears. Because there’s only so far Jean Suttman can run . . . and no escape for her except death.
The Graveyard Queen is on the hunt for a killer as supernatural forces invade her mind in this contemporary gothic thriller. I am a living ghost, a wanderer in search of my purpose and place. I’m a cemetery restorer by trade, but my calling has evolved from that of ghost seer to death walker to detective of lost souls. I solve the riddles of the dead so the dead will leave me alone. I’ve come to Seven Gates Cemetery nursing a broken heart, but peace is hard to come by . . . for the ghosts here and for me. When the body of a young woman is discovered in a caged grave, I know that I’ve been summoned for a reason. Only I can unmask her killer. I want to trust the detective assigned to the case, for he is a ghost seer like me. But how can I put my faith in anyone when supernatural forces are manipulating my every thought? When reality is ever-changing? And when the one person I thought I could trust above all others has turned into a diabolical stranger?
Malice that cannot speak its name, cold-blooded but secret hostility, impotent desire, hidden rancor and spite--all cluster at the center of envy. Envy clouds thought, writes Joseph Epstein, clobbers generosity, precludes any hope of serenity, and ends in shriveling the heart. Of the seven deadly sins, he concludes, only envy is no fun at all.Writing in a conversational, erudite, self-deprecating style that wears its learning lightly, Epstein takes us on a stimulating tour of the many faces of envy. He considers what great thinkers--such as John Rawls, Schopenhauer, and Nietzsche--have written about envy; distinguishes between envy, yearning, jealousy, resentment, and schadenfreude ("a hardy perennial in the weedy garden of sour emotions"); and catalogs the many things that are enviable, including wealth, beauty, power, talent, knowledge and wisdom, extraordinary good luck, and youth (or as the title of Epstein's chapter on youth has it, "The Young, God Damn Them"). He looks at resentment in academia, where envy is mixed with snobbery, stirred by impotence, and played out against a background of cosmic injustice; and he offers a brilliant reading of Othello as a play more driven by Iago's envy than Othello's jealousy. He reveals that envy has a strong touch of malice behind it--the envious want to destroy the happiness of others. He suggests that envy of the astonishing success of Jews in Germany and Austria may have lurked behind the virulent anti-Semitism of the Nazis.As he proved in his best-selling Snobbery, Joseph Epstein has an unmatched ability to highlight our failings in a way that is thoughtful, provocative, and entertaining. If envy is no fun, Epstein's Envy is truly a joy to read.
Calder Moor is a wild and deadly place: many have been trapped in the myriad limestone caves, lost in collapsed copper mines, injured on perilous gritstone ridges. But this time, when two bodies are discovered in the shadow of the ancient circle of stones known as Nine Sisters Henge, it is clearly not a case for Mountain Rescue. The corpses are those of a young man and woman. Each met death in a different fashion. Each died violently. To Detective Inspector Thomas Lynley, brought in to investigate by special request, this grisly crime promises to be one of the toughest assignments of his career. For the unfortunate Nicola Maiden was the daughter of a former officer in an elite undercover unit, a man Lynley once regarded as a mentor. Now, as Lynley struggles to find out if Nicola's killer was an enemy of her father's or one she earned herself, a disgraced Barbara Havers, determined to redeem herself in the eyes of her longtime partner, crisscrosses London seeking information on the second murder victim. Yet the more dark secrets Lynley and Havers uncover, the more they learn that neither the victims nor the suspects are who they appear to be. And once again they come up against the icy realization that human relationships are often murderous...and that the blood that binds can also kill.
An Entertainment Weekly Top 10 Romance of 2018! I'm not a good man, and I've never pretended to be. I don't believe in goodness or God or any happy ending that isn't paid for in advance. In fact, I've got my own personal holy trinity: in the name of money, sex, and Macallan 18, amen. So when the gorgeous, brilliant Zenny Iverson asks me to teach her about sex, I want to say yes, I really do. Unfortunately, there are several reasons to say no--reasons that even a very bad man like myself can't ignore. 1. She's my best friend's little sister. 2. She's too young for me. Like way too young. 3. She's a nun. Or about to be anyway. But I want her. I want her even with my best friend and God in the way, I want to teach her and touch her and love her, and I know that makes me something much worse than a very bad man. It makes me a sinner. And it's those very sins that are about to save me... ***Sinner is a standalone companion to Priest about Father Bell's brother Sean. You do not have to read Priest or Midnight Mass to read Sinner***
Twenty-two years ago, I was cut from a cold, sodden womb, and cradled in the filth and poverty of Chicago's concrete arms. Statistically, I wasn't supposed to survive these streets past the age of eighteen. Fate had a different plan. I was bred for one purpose and one purpose only: to unleash death and destruction on my world. My thoughts are power. My words are weapons. Evil created me then grace tried to save me. But first... they tried to kill me. They call themselves the Se7en. They are sin and salvation, and everything we've feared from the beginning of time. And their leader is the deadliest of them all. He doesn't lose. He doesn't compromise. And most importantly, he doesn't distract himself with mortal weakness. Not until me. Kill one to save a million. That's what he told me when he took me as his prisoner. Kill one to save a million. That's what he's been trying to tell himself ever since he took me into his arms.
In a remote English manor house, modern admirersof the much-maligned King Richard III—one of Shakespeare's most extraordinary villains—are gathered for a grand weekend of dress-up and make-believe murder. But the fun ends when the masquerade turns more sinister . . . and deadly. Jacqueline Kirby, an American librarian on hand for the festivities, suddenly finds herself in the center of strange, dark doings . . . and racing to untangle a murderous puzzle before history repeats itself in exceptionally macabre ways.
Some say roll with the punches. Drift with the tide. Nothing can stop the inevitability of change. There was a time when 300 Spartans disagreed with such mindless thinking and stood in the gap. Now it's time for 3,000 to stand in the gap. Sinner is the story of Marsuvees Black, a force of raw evil who speaks with wicked persuasion that is far more destructive than swords or guns. Beware all who stand in his way. It's also the story of Billy Rediger and Darcy Lange, two unsuspecting survivors of a research project gone bad, who discover that they are perhaps the two most powerful souls in the land. Listen to them or pay a terrible price. And it's the story of Johnny Drake, the one who comes out of the desert and leads the 3,000. Follow him and die. Sinner tells the story of a free land where people who worship as they please and say what they believe are suddenly silenced in the name of tolerance. Most will roll with the punches. Most will drift with the tide. But not all. Not the 3,000.
A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they’ve been trained to avoid. Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the “seven necessary sins” that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary “sins” that women and girls require to erupt. Eltahawy knows that the patriarchy is alive and well, and she is fed the hell up: Sexually assaulted during hajj at the age of fifteen. Groped on the dance floor of a night club in Montreal at fifty. Countless other injustices in the years between. Illuminating her call to action are stories of activists and ordinary women around the world—from South Africa to China, Nigeria to India, Bosnia to Egypt—who are tapping into their inner fury and crossing the lines of race, class, faith, and gender that make it so hard for marginalized women to be heard. Rather than teaching women and girls to survive the poisonous system they have found themselves in, Eltahawy arms them to dismantle it. Brilliant, bold, and energetic, The Seven Necessary Sins for Women and Girls is a manifesto for all feminists in the fight against patriarchy.