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Through both examination of the crop circles and channeled investigation, Crop Circles Revealed explores a new understanding, to help the people of the world and our mother planet survive the new millenium. Scientific formulas of light and sound and the wisdom found in the mythologies of the ages are brought together in this up-to-the-minute 2001 edition.
Egyptologist Gerald Massey challenged readers in A Book of the Beginnings to consider the argument that Egypt was the birthplace of civilization and that the widespread monotheistic vision of man and the metaphysical was, in fact, based on ancient Egyptian mythos. In The Natural Genesis, Massey delivers a sequel, delving deeper into his compelling polemic. Volume II provides detailed discourse on the Egyptian origin of the delicate components of the monotheistic creed. With his agile prose, Massey leads an adventurous examination of the epistemology of astronomy, time, and Christology-and what it all means for human culture. British author GERALD MASSEY (1828-1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including A Book of the Beginnings and Ancient Egypt: The Light of the World.
Saturn and Melancholy remains an iconic text in art history, intellectual history, and the study of culture, despite being long out of print in English. Rooted in the tradition established by Aby Warburg and the Warburg Library, this book has deeply influenced understandings of the interrelations between the humanities disciplines since its first publication in English in 1964. This new edition makes the original English text available for the first time in decades. Saturn and Melancholy offers an unparalleled inquiry into the origin and development of the philosophical and medical theories on which the ancient conception of the temperaments was based and discusses their connections to astrological and religious ideas. It also traces representations of melancholy in literature and the arts up to the sixteenth century, culminating in a landmark analysis of Dürer's most famous engraving, Melencolia I. This edition features Raymond Klibansky's additional introduction and bibliographical amendments for the German edition, as well as translations of source material and 155 original illustrations. An essay on the complex publication history of this pathbreaking project - which almost did not see the light of day - covers more than eighty years, including its more recent heritage. Making new a classic book that has been out of print for over four decades, this expanded edition presents fresh insights about Saturn and Melancholy and its legacy as a precursor to modern interdisciplinary studies.
These essays by the famous analytical psychologist and student of creativity Erich Neumann belong in the context of the depth psychology of culture and reveal a prescient concern about the one-sidedness of patriarchal Western civilization. Neumann recommended a "cultural therapy" that he thought would redress a "fundamental ignorance" about feminine and masculine psychology, and he looked for societal healing to a "matriarchal consciousness" that forms the bridge between the feminine and the creative. Brought together here for the first time, the essays in the book discuss the psychological stages of woman's development, the moon and matriarchal consciousness, Mozart's Magic Flute, the meaning of the earth archetype for modern times, and the fear of the feminine. In Mozart's fantastic world, Neumann saw a true Auseinandersetzung--the conflict and coming-to-terms with each other of the matriarchal and the patriarchal worlds. Developing such a synthesis of the feminine and the masculine in the psychic reality of the individual and of the collective was, he argued, one of the fundamental, future-oriented tasks of both the society and the individual.
Containing an attempt to recover and reconstitute the lost origins of the myths and mysteries, types and symbols, religion and language, with Egypt for the mouthpiece and Africa as the birthplace.
In Western religious traditions, God is conventionally conceived as a humanlike creator, lawgiver, and king, a being both accessible and actively present in history. Yet there is a concurrent and strong tradition of a God who actively hides. The two traditions have led to a tension between a God who is simultaneously accessible to humanity and yet inaccessible, a God who is both immanent and transcendent, present and absent. Western Gnostic, esoteric, and mystical thinking capitalizes on the hidden and hiding God. He becomes the hallmark of the mystics, Gnostics, sages, and artists who attempt to make accessible to humans the God who is secreted away. 'Histories of the Hidden God' explores this tradition from antiquity to today. The essays focus on three essential themes: the concealment of the hidden God; the human quest for the hidden God, and revelations of the hidden God.
Is life some chance occurrence on one large rock spinning around an insignificant sun on the edge of the universe? Or is there a larger picture to life, a greater unseen purpose? From cosmic evolution to human diversity, life is like a jigsaw of many pieces evolving to find their potential and place in the final picture. Richard Bryant-Jefferies takes you on a fascinating journey from cosmic creation through the threat of competitive separateness to human responsibility, identifying key qualities-pieces of the jigsaw of life-to be set in place in the world to enable the purpose of creation to be fulfilled and revealed. " through a series of gentle reflections from a wide variety of perspectives the reader is drawn to consider what it means to be a human being." -Steve Nation, from his Foreword " meaningful for practitioners in, or people committed to, the Person-Centered Approach and who are interested in a spiritual dimension important reading for those people who are searching for their own answers in trying to make sense of these type of questions and have no prior knowledge or interest in the Person-Centered Approach." -Irene Fairhurst, from her Foreword