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In addition to Fisher's commentaries, this book includes an introduction to Fisher's life and writings by the translator, Anne Barbeau Gardiner.
In Miserere Mei, Clare Costley King'oo examines the critical importance of the Penitential Psalms in England between the end of the fourteenth and the beginning of the seventeenth century. During this period, the Penitential Psalms inspired an enormous amount of creative and intellectual work: in addition to being copied and illustrated in Books of Hours and other prayer books, they were expounded in commentaries, imitated in vernacular translations and paraphrases, rendered into lyric poetry, and even modified for singing. Miserere Mei explores these numerous transformations in materiality and genre. Combining the resources of close literary analysis with those of the history of the book, it reveals not only that the Penitential Psalms lay at the heart of Reformation-age debates over the nature of repentance, but also, and more significantly, that they constituted a site of theological, political, artistic, and poetic engagement across the many polarities that are often said to separate late medieval from early modern culture. Miserere Mei features twenty-five illustrations and provides new analyses of works based on the Penitential Psalms by several key writers of the time, including Richard Maidstone, Thomas Brampton, John Fisher, Martin Luther, Sir Thomas Wyatt, George Gascoigne, Sir John Harington, and Richard Verstegan. It will be of value to anyone interested in the interpretation, adaptation, and appropriation of biblical literature; the development of religious plurality in the West; the emergence of modernity; and the periodization of Western culture. Students and scholars in the fields of literature, religion, history, art history, and the history of material texts will find Miserere Mei particularly instructive and compelling.
The most comprehensive collection of essays on Renaissance poetry on the market Covering the period 1520–1680, A Companion to Renaissance Poetry offers 46 essays which present an in-depth account of the context, production, and interpretation of early modern British poetry. It provides students with a deep appreciation for, and sensitivity toward, the ways in which poets of the period understood and fashioned a distinctly vernacular voice, while engaging them with some of the debates and departures that are currently animating the discipline. A Companion to Renaissance Poetry analyzes the historical, cultural, political, and religious background of the time, addressing issues such as education, translation, the Reformation, theorizations of poetry, and more. The book immerses readers in non-dramatic poetry from Wyatt to Milton, focusing on the key poetic genres—epic, lyric, complaint, elegy, epistle, pastoral, satire, and religious poetry. It also offers an inclusive account of the poetic production of the period by canonical and less canonical writers, female and male. Finally, it offers examples of current developments in the interpretation of Renaissance poetry, including economic, ecological, scientific, materialist, and formalist approaches. • Covers a wide selection of authors and texts • Features contributions from notable authors, scholars, and critics across the globe • Offers a substantial section on recent and developing approaches to reading Renaissance poetry A Companion to Renaissance Poetry is an ideal resource for all students and scholars of the literature and culture of the Renaissance period.
The composition of this work can be allotted to the period of the 540s and 550s. Cassiodorus deploys the psalms not only for the purposes of instruction in theology and hermeneutics, but also to inculcate a general education in eloquence. +
The Psalms as Christian Lament, a companion volume to The Psalms as Christian Worship, uniquely blends verse-by-verse commentary with a history of Psalms interpretation in the church from the time of the apostles to the present. Bruce Waltke, James Houston, and Erika Moore examine ten lament psalms, including six of the seven traditional penitential psalms, covering Psalms 5, 6, 7, 32, 38, 39, 44, 102, 130, and 143. The authors -- experts in the subject area -- skillfully establish the meaning of the Hebrew text through careful exegesis and trace the church's historical interpretation and use of these psalms, highlighting their deep spiritual significance to Christians through the ages. Though C. S. Lewis called the "imprecatory" psalms "contemptible," Waltke, Houston, and Moore show that they too are profitable for sound doctrine and so for spiritual health, demonstrating that lament is an important aspect of the Christian life.
"Isaac Everett's Emergent Psalter is clearly a work of love. Springing from the life of a young, emergent congregation, it embodies the best of old and new, and it is a sign of maturity in our important movement." —Tony Jones, author of The New Christians: Dispatches from the Emergent Frontier Many alternative and emerging church communities have begun exploring ancient music and liturgical traditions despite a lack of high-quality, published liturgical music, which does not require (or even desire) an organ and a four- part choir. The Emergent Psalter serves to provide that resource. The psalter itself consists of musically notated antiphon melodies with chord symbols followed by the printed psalm text which is read aloud. Featuring music written for two emerging communities (Transmission in New York and Church of the Apostles in Seattle), this book is an excellent resource for anyone producing alternative worship service or thinking of starting one.
This revised, expanded edition of the Common Worship President’s Edition contains everything to celebrate Holy Communion Order One throughout the church year. It combines relevant material from the original President’s Edition with Eucharistic material from Times and Seasons, Festivals and Pastoral Services, and the Additional Collects.