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Race To Camelot Having had his emotions robbed by the Demon Lord, Merlin and the rest of The Seven Deadly Sins confine Meliodas in an effort to control his Demon power and return him to his old self. With their fearless leader out of commission, Diane, King, and Gowther head to Camelot to free the people from The Ten Commandments’ control. Meanwhile, the Demon Lord orders The Ten Commandments to recapture Meliodas, bringing Meliodas face-to-face with his old master: Chandler, the Pacifier Demon!
When they were accused of trying to overthrow the monarchy, the feared warriors the Seven Deadly Sins were sent into exile. Princess Elizabeth discovers the truth – the Sins were framed by the king’s guard, the Holy Knights – too late to prevent them from assassinating her father and seizing the throne! Now the princess is on the run, seeking the Sins to help her reclaim the kingdom. But the first Sin she meets, Meliodas, is a little innkeeper with a talking pig. He doesn’t even have a real sword! Have the legends of the Sins’ strength been exaggerated…?
Alpha girl Harper is used to getting what she wants, and that means Adam, Beth's all-American boytoy. Blond, boring Beth, who Kane, the charming playah, secretly wants too. Miranda thinks Kane is out of her league, but she wants him all the same. And then there's the new girl. Kaia. Who only wants trouble -- and he's definitely on his way. Want to know more? Commit
With intellectual insight and deadpan humor, Kleinberg deftly guides the reader through Jewish, Christian, and Greco-Roman thoughts on sin. "Seven Deadly Sins" takes a compassionate, original, and witty look at the stuff that makes us human.
Gluttony -- Lust -- Greed -- Anger -- Sloth -- Envy and sadness -- Vainglory and pride.
The Index of Middle English Proseis an international collaborative project which will ultimately locate, identify and record all extant Middle English prose texts composed between c.1200 and c.1500, in both manuscript and printed form in medieval and post-medieval versions. The first step towards this goal has been this series of Handlists, each recording the holdings of a major library or group of libraries. Compiled by scholars, Handlistsinclude detailed descriptions of each prose item with identifications, categorisations and full bibliographical data. Every Handlistwill also contain a series of indexes including listings of opening and closing lines, authors, titles, subject matter and rubrics. For students of the middle ages Handlistsprovide essential bibliographical tools and shed light on a wide range of subjects.
A lively and reliable narrative account of the horror genre, featuring new and revised material throughout The Horror Film: An Introduction surveys the history, development, and social impact of the genre. Covering American horror cinema from its earliest period to the present, this reader-friendly volume explores the many ways horror movies have been received by filmmakers, critics, and general audiences throughout the decades. Concise, easily accessible chapters describe historical instances of the genre's social reception based on primary research, analyze landmark films such as Frankenstein, Invasion of the Body Snatchers, and The Texas Chain Saw Massacre, and more. Incorporating recent scholarship on the genre, the second edition of The Horror Film contains new discussion and context for Hollywood horror films in the 1980s and 1990s, as well as notable developments in the genre such as “torture porn,” found-footage horror, remakes and reboots of past horror films, zombies, and the “elevated horror” debate. This edition explores the rise of new filmmakers such as Ari Aster, Robert Eggers, and Jordan Peele, surveys horror films made by women and African American filmmakers, and investigates contemporary issues in the production and consumption of horror films. Combining historical narrative with close readings of significant works, The Horror Film: Covers major works in the genre such as Cat People, Halloween, and Bram Stoker's Dracula Examines important antecedents including gothic literature and the Grand Guignol Theater Offers thorough analyses of the style, context, and themes of specific horror milestones Provides examples of close analysis that can be applied to a wide range of other horror films Discusses important representative titles across the genre's evolution, including more recent films such as 2017's Get Out The Horror Film: An Introduction, Second Edition, is an ideal textbook for undergraduate surveys of the horror genre and other courses in American film history, and an invaluable resource for scholars, lecturers, and general readers with an interest in the subject.