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DIVThe tartans of 72 Highland clans, each presented in a full-page, full-color, large-format illustration. With a new introduction to tartans by noted authority J. Charles Thompson. /div
"Together, these two books present the most scholarly study of and most reliable work of reference for the identification of the traditional tartans, as well as establish a canon for their correct weaving. D.C. Stewart's magisterial work was first published in 1950, and it built upon the work of his father, D.W. Stewart, author of Old and rare Scottish tartans. The first part of the book is an outline of the history of the use of tartans, and discusses tartan designs in general, with particular reference to their significance as distinguishing one clan from another. This is followed by a clan-by-clan description of the individual designs. There are full-color illustrations throughout, as well as the color strips which Stewart used to illustrate the individual tartans. In his Commentary, Scarlett ... brings Stewart's book up to date and provides corrections and addenda without interfering with the tone of the original volume"--Container.
'Something of a doubtful mist still hangs over these Highland traditions, nor can it be entirely dispelled by the most ingenious researches of modern criticism...' So wrote D.C.Stewart in the Preface to the first edition of The Setts of the Scottish Tartans published in 1950. His definitive work did much to remedy the situation, but subsequent further research made the need for a new book apparent. The author combines practical experience with a grasp of Highland social history in this book, which although aimed specifically at the amateur tartan-weaver, contains much of which will be of interest to students of either subject. The weaver is provided with precise hints on the special requirements of weaving tartan including threadcounts, accompanied by historical notes for 228 tartans, 142 of them illustrated in glowing colours which seem to reflect the lakes, sky, hills and valleys of Scotland. There are concise and informative articles on tartan pattern, colour, yarn, thread counts, yarn thicknesses and the actual weaving of the cloth. The basis of any tartan, as the author points out, is a simple two-colour check which may be varied by the addition of over-checks, bands and stripes in contrasting colours so arranged as to give a balanced and harmonious pattern.The author's interest in tartan brought him early into contact with the Scottish Tartans Society and with the late Donald C. Stewart with whom he collaborated over several years in a serious study of the subject, collaboration which resulted in the publication of a number of books, most recently his definitive work Tartan: The Highland Textile.His advice has been sought on the design of new tartans, notably the American Bicentennial, but his main interest is in the old ones. As one of the few specialist handweavers of tartan, he concentrated on making facsimiles and wove a reproduction of a pre-1745 plaid for the National Trust for Scotland's Centre at Culloden. In 1994 he handed his extensive archive, covering about one hundred years of serious tartan research, to the Highland Regional Archive for its preservation and for the benefit of future students.
Shows and identifies the tartans of Scotland, explains how they are woven, and recounts the myths surrounding their origins.