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"This is the most fun I've had with a book this year. Every page is a delight and the mystery got its hooks into me from the first chapter.” – Stuart Turton, bestselling author of The 7½ Deaths of Evelyn Hardcastle The letter was short. A name, a time, a place. Marion Lane and the Midnight Murder plunges readers into the heart of London, to the secret tunnels that exist far beneath the city streets. There, a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries use their cunning and gadgets to solve crimes that have stumped Scotland Yard. Late one night in April 1958, a filing assistant at Miss Brickett’s receives a letter of warning, detailing a name, a time, and a place. She goes to investigate but finds the room empty. At the stroke of midnight, she is murdered by a killer she can’t see—her death the only sign she wasn’t alone. It becomes chillingly clear that the person responsible must also work for Miss Brickett’s, making everyone a suspect. Marion Lane, a first-year Inquirer-in-training, finds herself drawn ever deeper into the investigation. When her friend and colleague is framed for the crime, to clear his name she must sort through the hidden alliances at Miss Brickett’s and secrets dating back to WWII. Masterful, clever and deliciously suspenseful, Marion Lane and the Midnight Murder is a fresh take on the Agatha Christie-style locked-room murder mystery, with an exciting new heroine detective.
Bridgett Logan is nobody's darling - a New York private eye with a powerful but estranged father, a nose ring, and a bad attitude. She is actually doing better than ever she did before, while taking heavy drugs, but can she chase the demons away while running from someone who wants her eliminated?
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.
Though surrounded by loved ones and friends Arlette Bardot feels old, lonely, and bored with her life. Filled with nostalgia she yearns for the times of long ago when her beauty reigned, and she blossomed in her youth. Perceiving herself as burnt out and over the hill Arlette seeks rejuvenation in the wrong place. A mystical remedy to cure her discontentment teaches her a lesson about searching out of her zone for restoration in a tabooed setting. Arlette learns too late that she should have been grateful for the life she already had instead of chasing behind a fleeting illusion that alluded to her idea of elation.
On the night of December 1,1900, Iowa farmer John Hossack was attacked and killed while he slept at home beside his wife, Margaret. On April 11, 1901, after five days of testimony before an all-male jury, Margaret Hossack was found guilty of his murder and sentenced to life in prison. One year later, she was released on bail to await a retrial; jurors at this second trial could not reach a decision, and she was freed. She died August 25, 1916, leaving the mystery of her husband's death unsolved. The Hossack tragedy is a compelling one and the issues surrounding their domestic problems are still relevant today, Margaret's composure and stoicism, developed during years of spousal abuse, were seen as evidence of unfeminine behavior, while John Hossack--known to be a cruel and dangerous man--was hailed as a respectable husband and father. Midnight Assassin also introduces us to Susan Glaspell, a journalist who reported on the Hossack murder for the Des Moines Daily, who used these events as the basis for her classic short story, " A Jury of Her Peers", and the famous play Trifles. Based on almost a decade of research, Midnight Assassin is a riveting story of loneliness, fear, and suffering in the rural Midwest.
Many people who have been harmed or wronged often feel that to respond with non-violence and forgiveness is to be weak. As Katy Hutchison reveals here, to forgive and seek reconciliation not only requires even more strength than a resort to force or retaliation, but also ensures deeper, more far-reaching beneficial consequences for all concerned. I am sure her remarkable story will serve as an inspiration to others by beset by grief and loss as she was. -The Dalai Lama On New Year's Eve, 1997, Bob McIntosh left his family and friends at the dinner table to check on a disturbance at a neighbor's house. He never came home. Savagely beaten by an unknown assailant, McIntosh died that night at a local hospital, leaving behind his wife and twin four-year olds. While authorities searched for McIntosh's killer, his wife, author Katy Hutchison, began the slow process of rebuilding a life for her children and herself. Refusing to be defined by her husband's murder, she moved to a different town, pursued a new career, and eventually remarried--but, with questions about her husband's death still unanswered, the healing Hutchison longed for was slow in coming. In the spring of 2002, authorities arrested a young man named Ryan Aldrigde for the murder of Bob McIntosh. On hearing the news, Hutchison startled investigators by asking to meet the man who had killed her husband. She didn't take satisfaction in seeing Aldridge in custody, nor did she want to rail against him for the harm he had inflicted on her and her family. Instead, she wanted to learn from him why he had attacked McIntosh and what she could do to help stop incidents like it from happening again. In a letter she sent to Aldridge after his arrest, Hutchison offered this remarkable sentiment: All I want for you is what you took from Bob--a happy and productive life. Walking After Midnight tells a story at turns devastating and triumphant, a unique exploration of one woman's courageous response to tragedy that challenges our expectations about grief and loss. It's an inspiring account of the power of forgiveness, compassion, and a different kind of justice. An excellent primer for handling loss with intelligence and dignity…an antidote to the endless cycles of violence that consume too many lives and too many countries. -Frederic Luskin, Ph.D., author of Forgive for Good and director of the Stanford University Forgiveness Projects A remarkable story of tragedy and transcendence. Not everyone who walks this road will make the choices Hutchison did, but all will recognize the intersections and obstacles she encounters along the way. And no one who reads this story can dismiss the authenticity and passion with which it is told. -Howard Zehr, founding theorist of restorative justice, professor of restorative justice at the Center for Justice and Peacebuilding of Eastern Mennonite University and author of Changing Lenses
"Gripping." —Alex Michaelides, New York Times bestselling author "Blisteringly brilliant." —Sarah Pinborough, New York Times bestselling author Three friends. Two bodies. A party to die for... From international bestselling author Harriet Tyce comes a chilling psychological thriller set in one of Edinburgh's poshest neighborhoods, where a lavish New Year's Eve party ends in a gruesome double murder. Sylvie understands the crime she and Tess committed decades ago was wrong, and that's why she has buried the secret deep in her past—no one needs to know about the person Sylvie once was, especially since it would mean the end of her relationship and ruin her breakout legal career. But when Tess is diagnosed with cancer, she decides the time is right to make amends for past wrongs and organizes an extravagant New Year's Eve party as a backdrop for her dramatic confessions. As midnight approaches and the countdown begins, it seems one of the guests doesn't want a resolution. They want revenge. They want someone at this party to die. With a deliciously twisty plot and a heart-stopping finale, It Ends at Midnight is perfect for fans of Lucy Foley and Gillian Flynn, serving as an unnerving yet propulsive examination of exactly what we might be willing to say—and even believe—to justify our worst mistakes.
Forgive Me Father: The Tantalizing Tales Collection: Toya's Titles of Terror, Treachery, And Suspense Shorties Volume One (Tantalizing Tales In The City) Book 1 of 3: Tantalizing Tales In The City Who is murdering the young students that attend Saint Josephine Margaret Bakhita Preparatory School? As the bodies mysteriously build up shock and scandal erupt on the grounds of a private parochial school affiliated with the neighboring church and convent that serve and inspire the community. Is the killer the obvious suspect or the one that everyone least expects committing these awful, brutal crimes? Will the true killer escape capture? Or will the innocent person pay the penalty for the sins of another? Or could it just be the one suspected at the start the true murderer there right under everybody’s nose?
What happened in Kirven, Texas, in May 1922 has been forgotten by the outside world. It was only a co-worker's whispered words, "Kirven is where they burned the [Negroes]," that set Monte Akers on a quest to find out what happened and, more important, why. After years of following clues found in old newspaper clippings, NAACP reports, and the memories of the few remaining witnesses who would talk, Akers here pieces together the story of a young white woman's brutal murder and the burning alive of three black men who were almost certainly innocent of it. This was followed by a month-long reign of terror as white men hunted down and killed blacks while local authorities concealed the real identity of the white probable murderers and allowed them to go free. Akers paints a vivid portrait of a community desolated by race hatred and its own refusal to face hard truths.
In Italy in 1491, Mangus the magician and his apprentice are summoned to the castle of Duke Claudio to determine if his daughter is indeed being haunted by a ghost.