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Poetry. African & African American Studies. The third and final volume of Fred Moten's poetic trilogy (including THE FEEL TRIO and The Little Edges), THE SERVICE PORCH is an expansive meditation on black life, love, violence, and the adventure of making art. National Book Award-Finalist, Moten returns here to reinvent some of his earliest poetic visions and strikes up a conversation with many of the most brilliant African American visual artists through a series of epistolary and ekphrastic poems. By turns mournful, tender, ferocious, and heart-breakingly honest, THE SERVICE PORCH is an open letter, a play list, and a hive of prayer and joy.
In sunbaked Terlingua, Texas (pop., a few hundred), residents joke that there is a musician under every rock. Located ten miles from Mexico in one of the remotest corners of the United States, the town had a recording studio before it had a school, a well-stocked grocery store, or even a water utility. Open jam sessions are a daily ritual, and some songwriters make a living from their craft despite being thousands of miles from New York or Nashville. Why does such a tiny and isolated place ring with singing and guitars? Based on more than two years of on-the-ground research, On the Porch tells the story of this small but remarkable community. Chase Peeler invites us into the music, introducing us to a cast of characters as unique as the town itself. He reveals how novices and experts perform together—a rarity in contemporary America. He recounts the devastation brought on by a border closure and describes how music is once again uniting people across the Rio Grande. He considers the impact of gentrification in an off-the-grid paradise, and how this threatens to transform a precarious musical ecosystem. On the Porch is a celebration of human musicality, of the role that music plays and can play in our lives, both in Terlingua and beyond.
Regardless of their sometimes ambiguous concepts of God, the Roman Stoic philosophers did acknowledge Him, but on the basis of reason alone, because they had not met Christ. Nonetheless, they did deduce from God's existence our need to live lives of virtue, honor, tranquility, and self-control--and they developed effective techniques to help us achieve this. Musonius Rufus the teacher, Epictetus the slave, Seneca the adviser to emperors, and Marcus Aurelius, the emperor himself, produced a practical technology we can use to integrate Christian ethics into our own daily practice. As Kevin Vost so wonderfully illustrates in his new book, The Porch and the Cross, the Stoics can help us learn--and remember--what is up to us, and what is up to God alone.
The fascinating story of two courageous opponents in Hitler’s Germany who both bravely resisted the Nazis—for World War II history buffs and fans of little-known histories. “A story that needs to be heard.” —Library Journal During the twelve years of Hitler’s Third Reich, very few Germans took the risk of actively opposing his tyranny and terror, and fewer still did so to protect the sanctity of law and faith. In No Ordinary Men, Elisabeth Sifton and Fritz Stern focus on two remarkable, courageous men who did—the pastor and theologian Dietrich Bonhoeffer and his close friend and brother-in-law Hans von Dohnanyi—and offer new insights into the fearsome difficulties that resistance entailed. (Not forgotten is Christine Bonhoeffer Dohnanyi, Hans’s wife and Dietrich’s sister, who was indispensable to them both.) From the start Bonhoeffer opposed the Nazi efforts to bend Germany’s Protestant churches to Hitler’s will, while Dohnanyi, a lawyer in the Justice Ministry and then in the Wehrmacht’s counterintelligence section, helped victims, kept records of Nazi crimes to be used as evidence once the regime fell, and was an important figure in the various conspiracies to assassinate Hitler. The strength of their shared commitment to these undertakings—and to the people they were helping—endured even after their arrest in April 1943 and until, after great suffering, they were executed on Hitler’s express orders in April 1945, just weeks before the Third Reich collapsed. Bonhoeffer’s posthumously published Letters and Papers from Prison and other writings found a wide international audience, but Dohnanyi’s work is scarcely known, though it was crucial to the resistance and he was the one who drew Bonhoeffer into the anti-Hitler plots. Sifton and Stern offer dramatic new details and interpretations in their account of the extraordinary efforts in which the two jointly engaged. No Ordinary Men honors both Bonhoeffer’s human decency and his theological legacy, as well as Dohnanyi’s preservation of the highest standard of civic virtue in an utterly corrupted state.
Come with us for a moment out onto the porch. Just like that, we’ve entered another world without leaving home. In this liminal space, an endless array of absorbing philosophical questions arises: What does it mean to be in a place? How does one place teach us about the world and ourselves? What do we—and the things we’ve built—mean in this world? In a time when reflections on the nature of society and individual endurance are so paramount, Charlie Hailey’s latest book is both a mental tonic and a welcome provocation. Solidly grounded in ideas, ecology, and architecture, The Porch takes us on a journey along the edges of nature where the outside comes in, hosts meet guests, and imagination runs wild. Hailey writes from a modest porch on the Homosassa River in Florida. He sleeps there, studies the tides, listens for osprey and manatee, welcomes shipwrecked visitors, watches shadows on its screens, reckons with climate change, and reflects on his own acclimation to his environment. The profound connections he unearths anchor an armchair exploration of past porches and those of the future, moving from ancient Greece to contemporary Sweden, from the White House roof to the Anthropocene home. In his ruminations, he links up with other porch dwellers including environmentalist Rachel Carson, poet Wendell Berry, writers Eudora Welty and Zora Neale Hurston, philosopher John Dewey, architect Louis Kahn, and photographer Paul Strand. As close as architecture can bring us to nature, the porch is where we can learn to contemplate anew our evolving place in a changing world—a space we need now more than ever. Timeless and timely, Hailey’s book is a dreamy yet deeply passionate meditation on the joy and gravity of sitting on the porch.
Evoking soft summer evenings in the South, a collection of photographs and quotes from such famous writers as William Faulkner and Eudora Welty celebrates the porch as a vital extension of the American character. By the author of Kate Vaiden.
Embark on a journey of self-discovery, growth, and healing in The Porch Series: Self-Discovery, Growth, & Healing in the Shadow of Sex Addiction. This four-part memoir takes readers on an intimate exploration of Cat Clark's marriage to a sex addict and her courageous path to overcoming PTSD. With unflinching honesty, compassion, and occasional humor, she shares her personal journey from being a partner in a difficult relationship to finding her own voice and reclaiming her life. Through her recovery program and healing process, Cat offers valuable insights and practical tools for navigating the complexities of addiction, betrayal trauma, and setting healthy boundaries. The Porch Series is a candid and inspiring account that will resonate with anyone facing similar challenges. Cat's story reminds us that we are not alone in our struggles and that with determination, support, and self-empowerment, it is possible to heal and embrace a fulfilling life. This memoir serves as a guiding light for those seeking hope, understanding, and the strength to triumph over the shadows of sex addiction.
Shows techniques, materials, step-by-step directions, safety advice, and hundreds of color illustrations for building decks, porches, and patios.
Full-color illustrations accompany decorating tips for porches.
In 1939, just before graduating from high school in the small town of Ridgeway in northeast Iowa, Everett Kuntz spent his entire savings of $12.50 on a 35mm Argus AF camera. He made a camera case from a worn-out boot, scraps from a tin can, and a clasp from his mother's purse. For the next several years, especially during the summers when he worked on his parents' dairy farm, he clicked the shutter of his trusty Argus all around the quiet town. Everett bought movie reel film in bulk from a mail-order house, rolled his own film, and developed it in a closet at home, but he never had the money to print his photographs. More than two thousand negatives stayed in a box while he married, raised a family, and worked as an electrical engineer in the Twin Cities. When he became ill with cancer in the fall of 2002--sixty years after he had developed the last of his bulk film--Everett opened his time capsule and printed the images from his youth. He died in 2003, having brought his childhood town back to life just as he was leaving it. A sense of peace radiates from these images. Whether skinny-dipping in the Turkey River, wheelbarrow-racing, threshing oats, milking cows, visiting with relatives after church, or hanging out at the drugstore or the movies, Ridgeway's hardworking citizens are modest and trusting and luminous in their graceful harmony and their unguarded affection for each other. Visiting the town in 2006 as he was writing the text to accompany these photographs, Jim Heynen crafted vignettes that perfectly complement these rediscovered images by blending fact and fiction to give context and voice to Ridgeway's citizens.