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This series is inspired by Mayan mythology, specifically followers of the jaguar. In this third book of the series, an old story draws out Cali's nemesis, "Le Gato" in search of six relics left thousands of years ago. When joined, they reveal the origins of our humanity. Cali and friends join the search, seemingly one step behind a consortium of powerful men, Church leaders, multi-national corporations and assassins.
This volume had its beginnings in the two-day colloquium, "Rethinking Chichén Itzá, Tula and Tollan," that was held at Dumbarton Oaks. The selected essays revisit long-standing questions regarding the nature of the relationship between Chichen Itza and Tula. Rather than approaching these questions through the notions of migrations and conquests, these essays place the cities in the context of the emerging social, political, and economic relationships that took shape during the transition from the Epiclassic period in Central Mexico, the Terminal Classic period in the Maya region, and the succeeding Early Postclassic period.
Comparative study of ritual architecture of Toltec Tula (Hidalgo) and Chich en Itza of the northern Maya lowlands(Yucat an). Offers new interpretations of architectural symbolism and its relationship to forms of power and rulership that explain formal architectural similarities between these postcl
In Serpent and Storm by Marella Sands, enter the world of Sky Knife: A Mayan youth who was cursed with an unlucky name from birth. From a vision given to his mother, Sky Knife is pledged to honor whatever destiny the gods have decreed. Farmer, soldier, merchant--all these roads are closed to him. He isn't even worthy as a sacrifice to the gods. Sometimes, however, the gods have a very wicked sense of humor...and what some sages think of as the worst cosmic luck may in fact be the touch of the gods' own hands. From temple pariah to hero, Sky Knife discovers the magic within him and not only thwarts all the evil plots surrounding his king, but wins the hand of the beautiful and beloved Jade Flute in the process. Enemies vanquished and evil magic dispelled, life is good. And as Sky Knife prepares for the birth of a long-awaited child, it seems like the fates have given him all that he desires. But it appears the gods aren't quite done with Sky Knife just yet. He is to be sent to the distant city-kingdom of Teotihuacan, to bring greetings and to reopen diplomatic ties with these strange people. From missed meetings to strange guides, corrupt counselors to a bizarre court, Sky Knife feels his world shifting dangerously out of balance. And when the Teotihuacan king is killed and bad luck seems to descend upon his kingdom, it is left to Sky Knife to solve the riddle of his death. Or he will be slaughtered in the killer's stead. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The first book to examine how the ancient Maya defined gender. Contributors explain what it meant to be male and female. They show how gender was experienced and what the bases were for gender designations. They demonstrate how gender relations affected other areas of Mayan life, such as the arts, cosmology, economics, politics, religion, and social structure. And they analyze the changes in Mayan gender relations and identities that were fostered by evolving historical systems. There was no single Mayan polity nor was there a unitary cultural approach. Certain similarities in culture account for the observation of a general commonality among the ancient Maya, but there clearly were significant differences between Mayan sites, within the same site over time, and even between social sectors at the same site in any given time—this is no less true for ancient Maya gender identity and relations. Thus, the authors seek to explain why emphasis upon bilateral inheritance of power and prerogative was emphasized in artwork at some periods and some sites and not at others. Avoiding the vain attempt to provide a single explanation, they seek to offer a clearer sense of the richness of their topic.
Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Precolumbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Precolumbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices [painted books], and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture.
South and Meso-America gave rise to several major civilizations in the region that today encompasses 21 countries. The mythology that emerged from this land of extremes is rich with stories of floods and fires, horrific monsters, heroes who help create the world before their fathers are born, and a host of gods and goddesses who are alternately jealous, kind, evil, and arrogant. South and Meso-American Mythology A to Z is a clearly written reference guide to these mythical traditions. Containing 41 illustrations, four maps, a time line, a bibliography, an index, and extensive cross-references, South and Meso-American Mythology A to Z is a comprehensive and accessible reference guide for anyone interested in learning more about South and Meso-American myths, traditions, and beliefs.
Re-Creating Primordial Time offers a new perspective on the Maya codices, documenting the extensive use of creation mythology and foundational rituals in the hieroglyphic texts and iconography of these important manuscripts. Focusing on both pre-Columbian codices and early colonial creation accounts, Vail and Hernández show that in spite of significant cultural change during the Postclassic and Colonial periods, the mythological traditions reveal significant continuity, beginning as far back as the Classic period. Remarkable similarities exist within the Maya tradition, even as new mythologies were introduced through contact with the Gulf Coast region and highland central Mexico. Vail and Hernández analyze the extant Maya codices within the context of later literary sources such as the Books of Chilam Balam, the Popol Vuh, and the Códice Chimalpopoca to present numerous examples highlighting the relationship among creation mythology, rituals, and lore. Compiling and comparing Maya creation mythology with that of the Borgia codices from highland central Mexico, Re-Creating Primordial Time is a significant contribution to the field of Mesoamerican studies and will be of interest to scholars of archaeology, linguistics, epigraphy, and comparative religions alike.
Tatiana Proskouriakoff, a preeminent student of the Maya, made many breakthroughs in deciphering Maya writing, particularly in demonstrating that the glyphs record the deeds of actual human beings, not gods or priests. This discovery opened the way for a history of the Maya, a monumental task that Proskouriakoff was engaged in before her death in 1985. Her work, Maya History, has been made ready for press by the able editorship of Rosemary Joyce. Maya History reconstructs the Classic Maya period (roughly A.D. 250-900) from the glyphic record on stelae at numerous sites, including Altar de Sacrificios, Copan, Dos Pilas, Naranjo, Piedras Negras, Quirigua, Tikal, and Yaxchilan. Proskouriakoff traces the spread of governmental institutions from the central Peten, especially from Tikal, to other city-states by conquest and intermarriage. Thirteen line drawings of monuments and over three hundred original drawings of glyphs amplify the text.