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An extraordinary duo of Asgardian Heroines battle across the Ten Realms, in this epic fantasy adventure set in Marvel’s Legends of Asgard In the midst of a bloody conflict, Lady Sif, the valiant Asgardian warrior, watches her close friend die in glorious battle – but her soul is not taken to the eternal halls of Valhalla. Furious and petrified that the afterlife for her and all Asgardians is in peril, she enlists the aid of Brunnhilde the Valkyrie, the fearsome warrior entrusted with conveying worthy souls to the heroes’ afterlife. Together they scour Asgard for answers. Rumors abound of towns being attacked by a horde of soldiers who cannot be killed. Someone is building an immortal army and stealing Asgardian souls… A worthy challenge for two of Asgard’s mightiest champions!
THE STORY: Based on the classic Buddhist text, the play deals with the transmigration of the soul and the choices to be made as the spirit hovers in suspended animation. Brilliantly theatrical in concept and execution, the piece blends music, mime,
"An extraordinary duo of Asgardian Heroines battle across the Ten Realms, in this epic fantasy adventure set in Marvel's Legends of Asgard. Valkyrie, the fearsome Asgardian warrior entrusted with conveying worthy souls to the heroes' afterlife, stalks a battlefield finding only empty husks. Yet the souls are not already in Valhalla, or the lesser afterworlds - they have vanished. She enlists the aid of the valiant Lady Sif, and together they scour Asgard for answers. Rumors abound of towns being attacked by a horde of soldiers who cannot be killed. Someone is building an immortal army and stealing Asgardian souls... A worthy challenge for two of Asgard's mightiest champions!"--Provided by publisher.
#1 New York Times and USA TODAY bestselling author Charlaine Harris returns to her alternate history of the United States where magic is an acknowledged but despised power in this fourth installment of the Gunnie Rose series. Felicia, Lizbeth Rose's younger half-sister and student at the Grigori school within the capital of the New Holy Russian Empire in San Diego, is caught between secrets and powerful family struggles. As a distant relative to the Tsar, she provides an essential service to him by providing blood transfusions for his anemia, and she is thus given rare access and dismissed as if cattle. At the Grigori school she is seen as a charity case, a poor orphan with no prospects and no sign of magical prowess--the latter which Felicia keeps purposefully hidden. And yet, when a kidnapping attempt is made upon Felicia her past and her future crash together in violent ways. Continuing immediately after The Russian Cage, this fantastical fourth book takes a side step, exploring the Holy Russian Empire while also showcasing the dynamic depths of magic within Harris's alternate North America in curious mysteries. Felicia, it turns out, is far more than the Russian-Mexican waif Lizbeth rescued, and the journey of discovery she is on is filled with magical assassins and desperation, but above it all is her courage to never give in to the limitations imposed upon her.
A scientific investigation and personal adventure story about zombis and the voudoun culture of Haiti by a Harvard scientist. In April 1982, ethnobotanist Wade Davis arrived in Haiti to investigate two documented cases of zombis—people who had reappeared in Haitian society years after they had been officially declared dead and had been buried. Drawn into a netherworld of rituals and celebrations, Davis penetrated the vodoun mystique deeply enough to place zombification in its proper context within vodoun culture. In the course of his investigation, Davis came to realize that the story of vodoun is the history of Haiti—from the African origins of its people to the successful Haitian independence movement, down to the present day, where vodoun culture is, in effect, the government of Haiti’s countryside. The Serpent and the Rainbow combines anthropological investigation with a remarkable personal adventure to illuminate and finally explain a phenomenon that has long fascinated Americans.
The national bestselling hit hailed by the New York Times as a "vibrant medieval mystery...[it] outdoes the competition." In medieval Cambridge, England, Adelia, a female forensics expert, is summoned by King Henry II to investigate a series of gruesome murders that has wrongly implicated the Jewish population, yielding even more tragic results. As Adelia's investigation takes her behind the closed doors of the country's churches, the killer prepares to strike again.
SHAMAN AND SERPENT In the tradition of Jungian analysis, a psychiatrist and an anthropologist explore the meanings and manifestations of death through ritual, religion and myth. The knowledge that he must die is the force that drives man to create. The tribal initiation of the shaman, the archetype of the serpent, exists universally in man’s experience, exemplifying the death of the Self and a rebirth into a transcendent, “unknowable” life. In The Wisdom of the Serpent: The Myths of Death, Rebirth and Resurrection, first published in 1963, the authors trace the images and patterns of psychic liberation through personal encounter, the cycles of nature, spiritual teaching religious texts, myths of resurrection, poems and epics. They translate these elements of common human experience into a them for modern man: the reinterpretation of the individual freed from the mortal boundaries of the Self. First published in 1963, this classic work in analytical psychology includes notes on the illustrations, appendix and references.
After the four worlds Alfred has at last found his people on Chelstra, the realm of sea. But his travels have taught him to be cautious... and Alfred soon realizes his caution is justified, even among his own kind. The one person Alfred can trust is, strangely, Haplo the Patryn. But Haplo's lord has decreed all Sartan to be the enemy, and Haplo dares not go against his lord. Now the companions have arrived in a land where humans, elves, and dwarves have learned to live in peace. Unaware of an even greater threat to all the realms, it is Sartan and Patryn who will disrupt this alliance of the lesser races in their struggle to gain control of all four worlds. Only Alfred and Haplo realize that they have a much older -- and more powerful -- enemy than each other...
Named to ten BEST OF THE YEAR lists and selected as a William C. Morris Award Winner,The Serpent King is the critically acclaimed, much-beloved story of three teens who find themselves--and each other--while on the cusp of graduating from high school with hopes of leaving their small-town behind. Perfect for fans of John Green's Turtles All the Way Down. "Move over, John Green; Zentner is coming for you." —The New York Public Library “Will fill the infinite space that was left in your chest after you finished The Perks of Being a Wallflower.” —BookRiot.com Dill isn't the most popular kid at his rural Tennessee high school. After his father fell from grace in a public scandal that reverberated throughout their small town, Dill became a target. Fortunately, his two fellow misfits and best friends, Travis and Lydia, have his back. But as they begin their senior year, Dill feels the coils of his future tightening around him. His only escapes are music and his secret feelings for Lydia--neither of which he is brave enough to share. Graduation feels more like an ending to Dill than a beginning. But even before then, he must cope with another ending--one that will rock his life to the core. Debut novelist Jeff Zentner provides an unblinking and at times comic view of the hard realities of growing up in the Bible belt, and an intimate look at the struggles to find one’s true self in the wreckage of the past. “A story about friendship, family and forgiveness, it’s as funny and witty as it is utterly heartbreaking.” —PasteMagazine.com “A brutally honest portrayal of teen life . . . [and] a love letter to the South from a man who really understands it.” —Mashable.com “I adored all three of these characters and the way they talked to and loved one another.”—New York Times