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Every once in while, a work comes along that breaks through convention and fuses worlds and cultures. The Serpent and the Jaguar is one such work: it transcends the conventional interpretations of the Mayan Tzolk’in calendar and fuses the worlds of traditional Mayan cosmovision, scholarly research, and modern-day needs and concerns. The result is a book that enables virtually anyone anywhere in the world living in industrialized society to apply the Tzolk’in to their lives on a daily basis. For the first time, The Serpent and the Jaguar brings you the Tzolk’in and all of its 260 days interpreted in the context of modern life and modern challenges. The book is the cornerstone in a suite of related tools that include mobile applications, webinars and a strong social media platform designed to help you redefine your relationship with sacred, cyclical time in the face of our demanding, stressful schedules that force us to operate on linear time. Included in the book are: • The full set of the 260 Energies of the Day of the Tzolk’in calendar. • Detailed descriptions of the 20 trecenas and their ruling day signs. • Detailed descriptions of the 13 numbers. • Introductory sections on the Mayan Calendar, the day signs, trecenas, and the numbers. • A guide to living with sacred time • Mayan Calendar tables to calculate dates manually or offline. • Original day sign illustrations by New Zealand painter and artist Maree Gifkins (along with the traditional Maya day sign and number glyphs).
"Eyes Of The Jaguar" is a record of one woman's first steps on this path, a life-journey into the sacred
Love the book. . . Am still dreaming of jaguars! If I were going to have a life-work, Id want it to be this one. You did good, my friend. Kerry Blair, author of COUNTING BLESSINGS, ANGELS BENDING NEAR THE EARTH, CLOSING IN and many other great books. MARK OF THE JAGUAR is a landmark novel, a Book of Mormon adventure AFTER 421 A.D. and before Columbus! The only Book of Mormon fiction regarding the time after the end of the Book of Mormon and before the arrival of Columbus. Based on real archaeological finds in Mesoamerica, the land of the Maya, this tale follows a young man as he is trained as a shaman, healer, scribe and stonecutter, as he accepts the challenge given by his old mentor from his death bed. Yax Kan will do what is needed to find the truth about Kukulkan, the white and bearded god represented by the feathered serpent. Who is he? Is he worthy of worship - even to the point of human sacrifice? Come join Yax Kan in some life-changing experiences that will thrill and delight!
This series is inspired by Mayan mythology, specifically followers of the jaguar. In this third book of the series, an old story draws out Cali's nemesis, "Le Gato" in search of six relics left thousands of years ago. When joined, they reveal the origins of our humanity. Cali and friends join the search, seemingly one step behind a consortium of powerful men, Church leaders, multi-national corporations and assassins.
An important new way of viewing the prehistoric art of the Americas, The Jaguar Within demonstrates that understanding a work of art’s connection with shamanic trance can lead to an appreciation of it as an extremely creative solution to the inherent challenge of giving material form to nonmaterial realities and states of being. Shamanism—the practice of entering a trance state to experience visions of a reality beyond the ordinary and to gain esoteric knowledge—has been an important part of life for indigenous societies throughout the Americas from prehistoric times until the present. Much has been written about shamanism in both scholarly and popular literature, but few authors have linked it to another significant visual realm—art. In this pioneering study, Rebecca R. Stone considers how deep familiarity with, and profound respect for, the extra-ordinary visionary experiences of shamanism profoundly affected the artistic output of indigenous cultures in Central and South America before the European invasions of the sixteenth century. Using ethnographic accounts of shamanic trance experiences, Stone defines a core set of trance vision characteristics, including enhanced senses; ego dissolution; bodily distortions; flying, spinning, and undulating sensations; synaesthesia; and physical transformation from the human self into animal and other states of being. Stone then traces these visionary characteristics in ancient artworks from Costa Rica and Peru. She makes a convincing case that these works, especially those of the Moche, depict shamans in a trance state or else convey the perceptual experience of visions by creating deliberately chaotic and distorted conglomerations of partial, inverted, and incoherent images.
A survey of North American native art, and an hypothesis of its history.
The Mayan people and their Sacred Calendar continue to be a subject of fascination. "Jaguar Wisdom" presents an accessible introduction to the spiritual teachings and practices of the ancient and contemporary Mayan people. Since the Sacred Calendar remains the foundation of the Mayan spiritual tradition, "Jaguar Wisdom" introduces its complete magical system including correspondences, ritual astrology, and divination. Illustrations, glossary, bibliography, & index.
A scientific investigation and personal adventure story about zombis and the voudoun culture of Haiti by a Harvard scientist. In April 1982, ethnobotanist Wade Davis arrived in Haiti to investigate two documented cases of zombis—people who had reappeared in Haitian society years after they had been officially declared dead and had been buried. Drawn into a netherworld of rituals and celebrations, Davis penetrated the vodoun mystique deeply enough to place zombification in its proper context within vodoun culture. In the course of his investigation, Davis came to realize that the story of vodoun is the history of Haiti—from the African origins of its people to the successful Haitian independence movement, down to the present day, where vodoun culture is, in effect, the government of Haiti’s countryside. The Serpent and the Rainbow combines anthropological investigation with a remarkable personal adventure to illuminate and finally explain a phenomenon that has long fascinated Americans.