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Great musical ideas need great chops to back them up. Build your finger strength, flexibility and independence with these exercise books from one of America's leading guitar schools. Jazz Chops covers the finger independence needed for smooth, rapid changes between complex jazz chords in the context of important progressions, such as ii-V-I. Develop your chops practicing exercises in the style of music you enjoy!
Don Mock, master guitarist and educator, reveals his favorite chord voicings and comping concepts and demonstrates them in the context of soulful jazz and blues chord progressions that are easily applied to any situation. Includes: the "best" and most useful chord voicings, chord extensions and alterations, chord substitution and secondary dominants, powerful "half-step connections," and several complete 12-bar blues progressions. Includes tab booklet.
Great musical ideas need a solid foundation of strong chops to back them up. Fill the gaps in your technique with this unique approach to blues guitar. Build your finger strength, flexibility, and independence with exercises and examples written especially for blues players. This book includes exercises to help you master bending, shuffle rhythm patterns, turnarounds, blues trills, and more. Develop your chops while practicing exercises in the style of the music you enjoy. The Serious Guitarist: Blues Chops provides the tools you need to become a better guitar player, but more importantly, it will help you become a better musician. The included companion MP3 CD features demonstrations of the examples in the book.
General Reference
"This book is for guitarists who are new to jazz, but not beginners on guitar."--page 3.
When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you can't play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldn't matter, since you couldn't play them anyway. This book presents serious chops-building technical studies for single note lines and chords. Plus, the examples feature a lot of harmonic content. The material is written in standard notation.
The same notes can sound square or swinging, depending on how the music is phrased. This revolutionary book shows how many people misunderstand jazz phrasing and shows how to replace stiff phrasing with fluid lines that have the right jazz feeling. In this book, master pianist Hal Galper also shows how get that feeling of forward motion and also how to use melody guide tones correctly, how to line up the strong beat in a bar with the strongest chord notes, and much more!
In this comprehensive book jazz guitarist Michael Anthony addresses the need to build flexibility and technical proficiency in a way consistent with the melodicmotifs of contemporary music. Though the warm-ups are numbered, there is no order that must be followed. The guitarist may approach them according to his orher interest and inspiration. They include: arpeggios, scale patterns, melodic minor forms, chord-melody groups, stretching and contrary motion, double-stops, octavedisplacement, walking bass with comping, two line phrases, 'out of the box'geometric shapes, overlapping rhythms, long arpeggios and diminished scale patterns. The finish line exemplifies arpeggios outlining I-VI-II-V7 progressions in major and minor. In the words of Michael Anthony, I find that isolation of the rightand left hand is useful, but ultimately it is the timing and coordination of the two that is necessary. The benefits of these warm-ups are threefold: 1. Technical improvement. 2. Fingerboard knowledge. 3. Ear training. Written in notation andtablature
(Berklee Guide). Increase your command of the guitar. Joe Stump reveals licks, techniques, and exerises to build your guitar technique. Learn licks and techniques comon in rock/metal sytles, and commit them to finger memory. The audio tracks include drum tracks for exercise practice, and backing tracks for Joe's technical etudes/solo transcriptions, which are notated in both tablature and traditional notation.