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This scholarly study explores the moral and religious philosophy of Serbian folk poetry and makes its literary treasures available to English speakers. This thorough and well-documented study examines the theology and anthropology of the Serbian folk epic. The book opens a new field in Slavic folklore and offers scholars material previously unavailable in English. The work also sheds light on the soul of Serbian national culture. A scholar of Eastern European culture and history, Krstivoj Kotur investigates a number of fascinating topics, including conceptions of God; man’s relationship to culture and civilization; the transcendentalism of Serbian folk poets; the deep ontological, cosmic, and theurgic character of the heroes of the Serbian folk epic; and many others.
In the early nineteenth century Serb scholar Vuk Karadzic collected and published now classic transcriptions of Balkan oral poetry. This edition, by taking great care to preserve the unique meter and rhythm at the heart of Serbian oral poetry as well as the idiom of the original singers, offers the most complete and authoritative translations ever assembled in English.
This is a thorough and well documented study, examining the theology and anthropology of the Serbian Folk Epic. The book opens a new field in Slavic folklore and offers scholars material heretofore not readily available in English. The work sheds light also on the Serbian soul and culture. Conceptions of God, restlessness of the Folk Poet for the transcendental, the deep Ontological, Cosmic, and Theurgic character of the heroes of the Serbian Folk Epic, man s destiny, man of culture or man of civilization, are just a few of the topics that the author has concerned himself with in this book. Dr. Krstivoj Kotur was born in Yugoslavia and has been a resident of the United States since 1949. He is a graduate of the University of Belgrade, Yugoslavia, and the University of Sofia, Bulgaria, and subsequently received the degree of Doctor of Divinity from the University of Vienna, Austria. Dr. Kotur has authored many articles in various cultural and religious journals. He has also instructed in the Russian language at the Harrisbug Area Center for Higher Education as a member of the Lebanon Valley College faculty in Annville, Pennsylvania, and has taught German at the senior high school level. Dr. Kotur currently occupies the pastorate of St. Peter the Apostle Serbian Orthodox Church in Fresno, California.
European history has rarely met changes as rapid, dense and radical as those that have taken place in the regions of the former Austro-Hungarian Empire over the past hundred years. This cultural area has experienced political conflicts, the setting and dissolution of borders, and the construction of similarities, differences, and ever-new identities. Being tied to text, vocal music genres reflect such changes especially strongly. Operas and operettas, oratorios and cantatas, choir music, folksongs, and pop and rock hits have all helped to establish identities in many ways, connecting people on national, ethnical, local or social levels. The contributions to this volume represent the proceedings of the Annual Congress of the Austrian Society for Musicology (Österreichische Gesellschaft für Musikwissenschaft – ÖGMw) in 2014. They open multiple perspectives on the identity-relevant implications of every kind of vocal music from the last days of the Habsburg Empire to the present day. As such, the book places the extensively discussed concept of Nationalism in music in the wider context of identity building.
Presents a translation of a cycle of heroic ballads considered the finest work of Serbian folk poetry. Commemorating the Serbian Empire's defeat at the hands of the Turks in the late 14th century, these poems and fragments have been known for centuries in Eastern Europe. First published in 1987, this translation is now reprinted because of its intrinsic merits and because the recent crisis in Kosovo compels the world to understand the nature of the ancient conflicts and passions that fuel it. This reprint includes a new afterword explaining the importance of this poetry in the context of NATO's first military action against a sovereign nation. The translators are professors of English and mathematics at the University of Notre Dame. Annotation copyrighted by Book News, Inc., Portland, OR
In the early nineteenth century, Vuk Karadzic, a Serb scholar and linguist, collected and eventually published transcriptions of the traditional oral poetry of the South Slavs. It was a monumental and unprecedented undertaking. Karadzic gathered and heard performances of the rich songs of Balkan peasants, outlaws, and professional singers and their rebel heroes. His four volumes constitute the classic anthology of Balkan oral poetry, treasured for nearly two centuries by readers of all literatures, and influential to such literary giants as Goethe, Merimee, Pushkin, Mickiewicz, and Sir Walter Scott.This edition of the songs offers the most complete and authoritative translations ever assembled in English. Holton and Mihailovich, leading scholars of Slavic literature, have preserved here the unique meter and rhythm at the heart of Serbian oral poetry, as well as the idiom of the original singers. Extensive notes and comments aid the reader in understanding the poems, the history they record and the oral tradition that lies beneath them, the singers and their audience.The songs contain seven cycles, identified here in sections titled: Songs Before History, Before Kosovo, the Battle of Kosovo, Marko Karadzic, Under the Turks, Songs of the Outlaws, and Songs of the Serbian Insurrection. The editors have selected the best known and most representative songs from each of the cycles. A complete biography is also provided.
Describes the characteristics of folk cultures and discusses the procedures used by social scientists to study folklife.
'. . . not a large book, but that makes all the more admirable the way the more admirable the way the author succeeds in doing justice to so many of the most important subjects in folkloristics. This book is a key work, and should be made compulsory reading in every university in which folkloristics is studied.'-Jon Hnefill Aoalsteinsson, Asian Folklore Studies