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What happens when you have to play nice with your greatest enemy? Revenge.Drew Marshall may have let me move into his spare bedroom while my house is being renovated, but don't think for one second his kindness comes without strings. Big, ugly, fake relationship strings. That's okay, though, Dr. Andrew. I'll agree to your terms, move into your house, and act likeyour girlfriend when the big day comes; but I also plan to make your life miserable-make you pay for what you did to me. I may not be good at forgiving or forgetting, but I'm excellent at getting even.Get ready to laugh until you cry with this sizzling, hilarious, closed-door romantic comedy!
*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly* An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.* Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side. Through her experiences growing up on a farm thirty miles west of Wichita, we are given a unique and essential look into the lives of poor and working class Americans living in the heartland. During Sarah’s turbulent childhood in Kansas in the 1980s and 1990s, she enjoyed the freedom of a country childhood, but observed the painful challenges of the poverty around her; untreated medical conditions for lack of insurance or consistent care, unsafe job conditions, abusive relationships, and limited resources and information that would provide for the upward mobility that is the American Dream. By telling the story of her life and the lives of the people she loves with clarity and precision but without judgement, Smarsh challenges us to look more closely at the class divide in our country. Beautifully written, in a distinctive voice, Heartland combines personal narrative with powerful analysis and cultural commentary, challenging the myths about people thought to be less because they earn less. “Heartland is one of a growing number of important works—including Matthew Desmond’s Evicted and Amy Goldstein’s Janesville—that together merit their own section in nonfiction aisles across the country: America’s postindustrial decline...Smarsh shows how the false promise of the ‘American dream’ was used to subjugate the poor. It’s a powerful mantra” *(The New York Times Book Review).
Sarah's Life is a journey from the last decade of the 19th Century to the first half of the 20th Century. The life and times of Sarahs Murphy. It is a story of joy and sorrow - triumph and disaster, success and failure. A life lived to the fullest. A testment to the best of the human spirit. To rise about all reverses with grace and dignity Sarahs life is a life one will remember.
Mr. West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities—to their portrayal in the media—and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http://sarahblake.site.wesleyan.edu.
Stripped of her name, 18-year-old "Sonia" Shainwald went to war without basic training, without equipment, without food or any of the essentials necessary to fight the Germans. Urging her family and neighbors to leave a wretched hiding place during the liquidation of their ghetto, she and her parents and uncle spent a brutal winter in the forests and then joined a heroic Soviet partisan brigade. After the liberation, her family spent three years in a Displaced Persons camp near Frankfurt, and eventually reached America. But Sonia's life in her adopted land has been both tragic and triumphant. “Here, There Are No Sarahs” is co-authored by Holocaust scholar Fred Rosenbaum whose “Taking Risks” (with former partisan Joseph Pell) was praised by the San Francisco Chronical as “so extraordinary that it transcends the genre.” As they were completing their manuscript, Orbuch and Rosenbaum discovered that a trove of touching family correspondence written in the 1930s and 40s lay in a closet in Argentina. The letters, some in Sonia's own hand, were copied, sent to the Bay Area, and translated. Several are published in the book's appendix, along with love poetry penned in the forest in 1943.
Sarah Siddons grew up as a member of a family troupe of travelling actors, always poor and often hungry, resorting to foraging for turnips to eat. But before she was 30 she had become a superstar, her fees greater than any actor - male or female - had previously achieved. Her rise was not easy. Her London debut, aged just 20, was a disaster and could have condemned her to poverty and anonymity. But the young actress – already a mother of two - rebuilt her career, returning triumphantly to the capital after years of remorseless provincial touring. She became Britain’s greatest tragic actress, electrifying audiences with her performances. Her shows were sell-outs. Adored by theater audiences, writers, artists and the royal family alike, Sarah grasped the importance of her image. She made sure that every leading portrait painter captured her likeness, so that engravings could be sold to her adoring public. In an eighteenth-century world of vicious satire and gossip, she also battled to manage her reputation. Married young, she took constant pains to portray herself as a respectable and happily married woman, even though her marriage did not live up to this ideal. Sarah’s story is not just about rags to riches; this remarkable woman also redefined the world of theater and became the first celebrity actress.