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The author uses masochism as a lens to examine how power structures race, gender, and embodiment in different contexts. Musser employs masochism as a tool for probing relationships between power and subjectivity. Engaging with a range of debates about lesbian S&M, racialization, femininity, and disability, as well as key texts such as Sacher-Masoch's Venus in Furs, Pauline Réage's The Story of O, and Michel Foucault's History of Sexuality, Musser renders legible the complex ways that masochism has been taken up by queer, feminist, and critical race theories. Furthering queer theory's investment in affect and materiality, she proposes "sensation" as an analytical tool for illustrating what it feels like to be embedded in structures of domination such as patriarchy, colonialism, and racism and what it means to embody femininity, blackness, and pain.
This book The Sensual Flesh is written for the person that has an honest desire to know the relationship that exists between God and mankind. It examines the writings of the authors of the Bible to understand where and how they obtained their knowledge and to what extent their concepts are truly from God the creator. It then compares their teachings with man's concepts of organized religion as well as one's personal beliefs. This book shows the why and wherefore of man's existence.
Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters. To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago’s The Dinner Party, Kara Walker’s A Subtlety, Patty Chang’s In Love and Nao Bustamante’s Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.
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From award-winning author Lee Hayes -- an erotic exploration into the lives of African-American gay men and their desires for love and acceptance. Unapologetically raw in its approach to the sexual lives and happenings of African-American gay men, Flesh to Flesh is a gritty, pulsing view into a demographic that is often demonized and condemned. These stories provide a rare, true revelation of how gay men are faring in an age where sensuality is a major factor in everyday media and consciousness. What do gay men feel about life, love, relationships, and intimacy? For anyone who has wondered about the passion between two men, this explosive, sexually charged anthology peels back the layers to show what lies beneath modern stereotypes and homophobia. With contributors such as Lee Hayes (Passion Marks, A Deeper Blue and The Messiah), L.M. Ross (Manhood and The Long Blue Moan), and Dayne Avery (I Wrote This Song), the stories in Flesh to Flesh reveal deep emotions and a powerful commitment to life and love.
In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets—Propertius, Tibullus, and Ovid—writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change. Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse—mistresses, rivals, enslaved characters, overlooked members of households—their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.
Summary: Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies, this title contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.
In the Old Testament, God wrestles with a man (and loses). In the Talmud, God wriggles his toes to make thunder and takes human form to shave the king of Assyria. In the New Testament, God is made flesh and dwells among humans. For religious thinkers trained in Greek philosophy and its deep distaste for matter, sacred scripture can be distressing. A philosophically respectable God should be untainted by sensuality, yet the God of sacred texts is often embarrassingly sensual. Setting experts' minds at ease was neither easy nor simple, and often faith and logic were stretched to their limits. Focusing on examples from both Christian and Jewish sources, from the Bible to sources from the Late Middle Ages, Aviad Kleinberg examines the way Christian and Jewish philosophers, exegetes, and theologians attempted to reconcile God's supposed ineffability with numerous biblical and postbiblical accounts of seeing, hearing, smelling, touching, and even tasting the almighty. The conceptual entanglements ensnaring religious thinkers, and the strange, ingenious solutions they used to extricate themselves, tell us something profound about human needs and divine attributes, about faith, hope, and cognitive dissonance.
The Black Jewels Trilogy established Anne Bishop as an author whose “sublime skill...blend[s] the darkly macabre with spine-tingling emotional intensity”(SF Site). Now, the saga continues in this collection that includes four more adventures of Jaenelle and her kindred… Jaenelle is the most powerful Witch ever known, centuries of hopes and dreams made flesh at last. She has forged ties with three of the realm’s mightiest Blood warriors: Saetan, the High Lord of Hell, who trains Jaenelle in magic and adopts her as his daughter; Lucivar, the winged Eyrien warlord who becomes her protector; and the near-immortal Daemon, born to be Witch’s lover. Jaenelle has assumed her rightful place as Queen of the Darkness and restored order and peace to the realms, but at a terrible cost. Collected here are the beguiling stories about the origin of the mystical Jewels, the forbidden passion between Lucivar and a simple hearth witch, the clash between Saetan and a Priestess, and the choice Jaenelle must make, between her magic and happiness with Daemon...