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What does prayer smell like? One year of Bible study. One summer of Bible teaching. One book: "The Sensational Scent of Prayer." Each step brought the familiar sights and sounds closer. The annual trek to the tabernacle was one dreaded by Hannah. The trip only meant more of the teasing and taunting; when would it ever end? As the smell of the constant, burning incense of tabernacle lamps became stronger and stronger, Hannah's broken spirit poured out words of desperation. Anguish flooded her body, disabling her voice. The tabernacle's perfumes waft higher into the air and Hannah's prayers trailed just behind them, soaring to the heavens, rousing the attention of her heavenly Father... The One Who loves: The Sensational Scent of Prayer.
In an elite all-boys’ boarding school run by a Hindu monastic order in late-twentieth century India, things aren’t what they look like on the surface… Anirvan, a young student, is fascinated by the music and silence of spiritual life. He dreams of becoming a monk. But as he seeks his dream, he finds himself drawn to a fellow student, and they come together to form an intimate and unspeakable relationship. The boys sweat at cricket and football, crack science and mathematics in pursuit of golden careers, and meditate to the aroma of incense and flowers. It’s a world of ruthless discipline shaped by monks in flowing saffron. A sceptical teacher mentors Anirvan and reveals his suspicion of this vigilant atmosphere. Does the beating of the boys reveal urges that cannot be named? What is the meaning of monastic celibacy? What, indeed, holds the brotherhood together? Against himself, Anirvan gets sucked into a whirl of events outside the walls of the monastery, in the midst of prostitutes, scheming politicians and the impoverished Muslims of the villages surrounding the school. When the love of his life returns to him, the boys’ desire for each other push them towards a wild course of action. But will that give them a life together in a world that does not recognize their kind of love?
The most extensive collection of Christian prayers available is now in paperback. Tracing two thousand years of Christian spirituality, it contains prayers from every era, every continent and every tradition. This extraordinary anthology provides a compelling and comprehensive portrait of the ways in which men and women have expressed their longing for God through the centuries. Arranged chronologically, 2000 Years of Prayer covers every significant era of Christian experience: prayers from the early church in East and West, the Coptic Church, Celtic traditions, medieval and monastic spirituality, Italian spiritual writers, Teutonic mysticism, the Protestant Reformation, English Roman Catholics, the Puritans, Pietist, Pentecostal and Charismatic movements, and much more. A brief introduction to each chapter outlines the defining spiritual characteristics of the age and traces the development of our understanding of prayer. Biographies of authors whose prayers are included, as well as an index of authors, themes, and subjects.
This book explores the role of bodily, sensory experience in early Christianity (first – seventh centuries AD) by focusing on the importance of smell in ancient Mediterranean culture. Following its legalization in the fourth century Roman Empire, Christianity cultivated a dramatically flourishing devotional piety, in which the bodily senses were utilized as crucial instruments of human-divine interaction. Rich olfactory practices developed as part of this shift, with lavish uses of incense, holy oils, and other sacred scents. At the same time, Christians showed profound interest in what smells could mean. How could the experience of smell be construed in revelatory terms? What specifically could it convey? How and what could be known through smell? Scenting Salvation argues that ancient Christians used olfactory experience for purposes of a distinctive religious epistemology: formulating knowledge of the divine in order to yield, in turn, a particular human identity. Using a wide array of Pagan, Jewish, and Christian sources, Susan Ashbrook Harvey examines the ancient understanding of smell through religious rituals, liturgical practices, mystagogical commentaries, literary imagery, homiletic conventions; scientific, medical, and cosmological models; ascetic disciplines, theological discourse, and eschatological expectations. In the process, she argues for a richer appreciation of ancient notions of embodiment, and of the roles the body might serve in religion.
What is it to experience union with God? In this highly original and accessible book, one of our leading philosophers of religion seeks to answer this question by analyzing the several states of mystic union as they are described and explained in the classical primary literature of the Christian mystical tradition.
Grounded in anthropological comparison and the concept of materiality, this book offers an in-depth ethnographic study of the similarities and differences among various forms of religious practices in a Pentecostal Church (Christ Embassy) and an Islamic group (NASFAT) in the Nigerian capital of Abuja. Scholarship in this area tends to focus on inter-religious contestations and conflicts; however, this book proposes that another dynamic is unfolding between Christians and Muslims that is characterised by conviviality, interfaith joint action programmes, mutual influences and even the exchange of religious forms. The comparative approach reveals that, notwithstanding the seemingly opposed worldviews and divergences between Muslims and Christians, they all face similar challenges and apply similar techniques for meeting the challenges posed by the precarious Nigerian urban environment. It is through practices – especially those conducted in (semi-) public settings – that people from different religious persuasions define, encroach on and feel the weight of each other's presence.
Whether you are just starting out in your prayer life or want to deepen and refresh it, this practical handbook will be a constant source of ideas and inspiration. Many of us are aware of our spiritual nature, and we have a real desire and need to talk to God. Prayer, however, seems a difficult thing to do. While talking to our friends comes easily, we often think that talking to God does not. In How to Pray, John Pritchard takes us on a journey into prayer. He begins by showing us how to see the divine in everyday life and how to slow down enough to hear God.
In contrast to the other senses, smell has long been thought of as too elusive, too fleeting for traditional historical study. Holly Dugan disagrees, arguing that there are rich accounts documenting how men and women produced, consumed, and represented perfumes and their ephemeral effects. She delves deeply into the cultural archive of olfaction to explore what a sense of smell reveals about everyday life in early modern England. In this book, Dugan focuses on six important scents -- incense, rose, sassafras, rosemary, ambergris, and jasmine. She links these smells to the unique spaces they inhabited -- churches, courts, contact zones, plague-ridden households, luxury markets, and pleasure gardens -- and the objects used to dispense them. This original approach provides a rare opportunity to study how early modern men and women negotiated the environment in their everyday lives and the importance of smell to their daily actions. Dugan defines perfume broadly to include spices, flowers, herbs, animal parts, trees, resins, and other ingredients used to produce artificial scents, smokes, fumes, airs, balms, powders, and liquids. In researching these Renaissance aromas, Dugan uncovers the extraordinary ways, now largely lost, that people at the time spoke and wrote about smell: objects "ambered, civited, expired, fetored, halited, resented, and smeeked" or were described as "breathful, embathed, endulced, gracious, halited, incensial, odorant, pulvil, redolent, and suffite." A unique contribution to early modern studies, The Ephemeral History of Perfume is an unparalleled study of olfaction in the Renaissance, a period in which new scents and important cultural theories about smell were developed. Dugan's inspired analysis of a wide range of underexplored sources makes available to scholars a remarkable wealth of information on the topic.