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What was it like to be Charles Dickens? His letters are the nearest we can get to a Dickens autobiography: vivid close-up snapshots of a life lived at maximum intensity. This is the first selection to be made from the magisterial twelve-volume British Academy Pilgrim Edition of his letters. From over fourteen thousand, four hundred and fifty have been cherry-picked to give readers the best essence of 'the Sparkler of Albion'. Dickens was a man with ten times the energy of ordinary mortals. There seem to have been twice the number of hours in his day, and he threw himself into letter-writing as he did into everything else. This eagerly awaited selection takes us straight to the heart of his life, to show us Dickens at first hand. Here he is writing out of the heat of the moment: as a novelist, journalist, and magazine editor; as a social campaigner and traveller in Europe and America, and as friend, lover, husband, and father. Reading and writing letters punctuated the rhythms of Dickens's day. 'I walk about brimful of letters', he told a friend. He claimed to write 'at the least, a dozen a day'. Sometimes it was a chore but more often a pleasure: an outlet for high spirits, sparkling wit, and caustic commentary - always as seen through his highly individual and acutely observing eye. Whether you dip in or read straight through, this selection of his letters creates afresh the brilliance of being Dickens, and the sheer pleasure of being in his company.
The nearest we can get to a Dickens autobiography, these letters give us unique insights into his life, and are essential reading for Dickens fans everywhere. Whether you dip in or read straight through, this selection of his letters creates afresh the brilliance of being Dickens, and the sheer pleasure of being in his company.
The nineteenth-century novel has always been regarded as a literary form pre-eminently occupied with the written word, but Ivan Kreilkamp shows it was deeply marked by and engaged with vocal performances and the preservation and representation of speech. He offers a detailed account of the many ways Victorian literature and culture represented the human voice, from political speeches, governesses' tales, shorthand manuals, and staged authorial performances in the early- and mid-century, to mechanically reproducible voice at the end of the century. Through readings of Charlotte Brontë, Browning, Carlyle, Conrad, Dickens, Disraeli and Gaskell, Kreilkamp re-evaluates critical assumptions about the cultural meanings of storytelling, and shows that the figure of the oral storyteller, rather than disappearing among readers' preference for printed texts, persisted as a character and a function within the novel. This 2005 study will change the way readers consider the Victorian novel and its many ways of telling stories.
A lively and accessible introduction for general readers, students, teachers, and academics.
This is the largest selection of Stoic philosopher and tragedian Seneca's letters currently available. In them Seneca advises his friend Lucilius on how to do without what is superfluous, whether on the subject of happiness, riches, reputation, or the emotions. We learn too about Seneca's personal and political life in the time of Nero.
To many of his contemporaries, Charles Dickens was the greatest writer of his age; a one-man fiction industry who produced fourteen massive novels, and numerous sketches, essays and stories, many of which appeared in the two magazines which he founded and edited. Today the work of one of the first and most successful mass-circulation authors continues to enthrall readers around the world. This wide-ranging book examines the writings of Dickens, not only in his time but also in ours. It looks at the author as a Victorian 'man of letters', and explores his cultural and critical impact both on the definition of the novel in the nineteenth century and the subsequent development of the form in the twentieth. Lyn Pykett focuses on Dickens as journalist, literary entrepreneur, the conductor of magazines, the shaper of the serial novel, the manipulator of the multiple plot, and the creator of eccentric characters. She also assesses the modernity of the writer's alienated protagonists and their social environments, as well as reassessing his representations of the vivid, bleak and at times menacing spectacle of the metropolis, from the late modern/postmodern perspective of the twenty first century. Each chapter of this text analyses the work of a particular decade in Dickens's career, providing a lively contextual study which places his writings in relation to the worlds that made him, and the literary worlds which he made. It is essential reading for all those with an interest in one of the most popular, and enduring, British novelists of all time.
Palgrave Advances in Charles Dickens Studies is a comprehensive and authoritative guide to the study of one of the most important Victorian novelists. Its editors, Robert L. Patten and John Bowen, are leading authorities on Dickens and the international team of contributors they have assembled contains some of the most exciting critics of nineteenth-century fiction writing today. The book covers the whole range of Dickens's writing and criticism about it, including biographical, theoretical and historical approaches. It is based on up-to-the-minute research and written in a lively and engaging way, and will be essential reading for all students and scholars of this canonical writer.