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Throughout his life, the internationally known novelist, short story writer, and journalist, Ignazio Silone (1900-1978) struggled indomitably for social justice. In this book, Maria Nicolai Paynter discusses the many controversial issues surrounding Silone and his writing, analysing in detail his intellectual and political convictions and assesses the artistic achievement and stylistic development in his works. Paynter argues that a profound authenticity is at the core of Silone's writing and that his tragic vision emanates from a concepte of heroism based not on pride and self-serving defiance but rather on moral courage and integrity. Northrop Frye's archetypal criticism and his concept of ironic myth provide the theoretical framework through which Paynter guides the reader to an understanding of Silone's particular brand of realism and his unique message. Ignazio Silone: Beyond the Tragic Visionis a new, expanded version in English of an earlier Italian-language book which won the Premio Internazionale Letterario Ignazio Silone. It is the first comprehensive book in English on Silone's life, his writings, and their critical reception.
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
The Company of Critics provides a fascinating survey of the terrain of social criticism in the last century. Organizing the book as a series of eleven intellectual biographies, Michael Walzer tells not just the dramatic story of the cultural and political radical but also the more personal story of the meaning of criticism to the critic. By looking at the life and work of Julien Benda, Randolph Bourne, Martin Buber, Antonio Gramsci, Ignazio Silone, George Orwell, Albert Camus, Simone de Beauvoir, Herbert Marcuse, Michel Foucault, and Breyten Breytenbach, Walzer explains the role of the public intellectual in the context of what he identifies as "the triumphs and catastrophes of our time: the two world wars, the struggles of the working class, national liberation, feminism, totalitarian politics."The new edition, featuring a new preface, contains Walzer's thoughts on his own role as a public intellectual and, most important, the challenges that lie ahead for the engaged social critic. With its unique emphasis on life as a proving ground for thought, The Company of Critics is a necessary addition to the literature of social and political engagement both within and outside of the academy.
Translation is stigmatized as a form of writing, discouraged by copyright law, deprecated by the academy, exploited by publishers and corporations, governments and religious organizations. Lawrence Venuti exposes what he refers to as the 'scandals of translation' by looking at the relationship between translation and those bodies - corporations, governments, religious organizations, publishers - who need the work of the translator yet marginalize it when it threatens their cultural values. Venuti illustrates his arguments with a wealth of translations from The Bible, the works of Homer, Plato and Wittgenstein, Japanese and West African novels, advertisements and business journalism.
On Friendship and Freedom contains the first published collection of correspondence between Silone and his longtime friend the philanthropist and art collector Marcel Fleischmann