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The book is a treatise that explains the methodological, technical, mechanical, and stylistic foundations for achieving a high-flying, competent performance on the classical guitar. Among the many aspects that are addressed, 12 philosophical foundations are developed from which the entire treatise flows like a cascade, then 22 principles of performance are explained that are applicable to both hands. There are 69 that are specific to the right hand and another 69 to the left. There are various chapters in which important aspects are discussed, such as nail filing, the philosophy that should prevail in the search for the most finished sound, and all the parameters that must be taken into account to achieve a perfect filing are analyzed, such as: type of nail, birth of this, shape of the tip, resistance, coefficient of friction, average growth, hardness, etc. I wrote another section to give the best suggestions on how to study, and how to distribute a work day by properly distributing the volume and the pieces with static training, to avoid injuries, and to achieve a greater benefit, in the same way I explain all the errors that we must avoid. I developed another chapter where I explain overtraining, something that has been well studied and diagnosed in sports, but that in instrumental exercise nothing had been written about. In this section I explain what it consists of, the physical and psychological consequences that it brings to the instrumentalist, how to detect this harmful process of degradation of the faculties of the instrumentalist musician, and how to get out of this anomaly. I teach fingering and explain the basic principles of how to carry out this process that is generally not taught in academies or conservatories. I develop a chapter in which I analyze how the Renaissance is played, from its articulation, phrasing, type of touch, and ornamentation, then I do the same with the Baroque period, the Classical, the Romantic, Impressionism, the first half of the 20th century, and the second half. And there is still much more, which leads me to express that this work marks a milestone in the instrumental literature written to date, not only about the guitar, but because of everything it deals with and covers, it will be a reference and consultation work not only for guitarists, but for anyone who intends to effectively master the art of playing their instrumental discipline.
(Music Sales America). The pieces and etudes you need to develop your first classical guitar repertoire. This book and CD package contains delightful repertory of pieces in both standard notation and tab for the beginning or intermediate player. The selections are drawn from all periods of classical guitar literature and have been newly arranged and edited by Jerry Willard. The CD includes full-length performances. Learn pieces by Sor, Carulli, Dowland, Mozart, Tarrega, and many more.
Computational Mechanics of the Classical Guitar describes a new dynamic paradigm in instrument acoustics based on time-dependent transient analysis and simulation of complete musical instruments. It describes the current state of theoretical and experimental research into the guitar for engineers, instrument makers and musicians. This includes a summary of the basic equations for the mechanics of vibrating bodies and a presentation of the FDM (finite difference method) model with which the true vibrational behaviour of the instrument as an entire system can be understood for the first time. This monograph presents various new theoretical and experimental results and insights into guitar playing such as the coupling between the strings and the top plate or a description of the finger noise made when the fingers slide over the strings before plucking.
Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminatesthe guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitaristsincluding: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose AntonioRodriguez, Paco Serrano, and many more
Not a "method" in the traditional sense, this book explains what happens in the finest classical guitar playing and what in turn the student can do to mold his or her playing to that ideal.
One of the most extensive studies of the tremolo technique.
(Guitar Method). This premier method for the beginning classical guitarist, by one of the world's pre-eminent virtuosos and the recognized heir to the legacy of Andres Segovia, is now completely revised and updated! Guitarists will learn basic classical technique by playing over 50 beautiful classical pieces, 26 exercises and 14 duets, and through numerous photos and illustrations. The method covers: rudiments of classical technique, note reading and music theory, selection and care of guitars, strategies for effective practicing, and much more!
The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book
Great classical guitar technique helps you create beautiful music. The problem is, most technical exercises are boring and unmusical, and done consider things like guitar tone or musicality. The Classical Guitar Technique Book is different. Diego Prato elivers a comprehensive range of classical guitar technique exercises and etudes that have im...
First published in 1980, Traditions of the Classical Guitar has been described as the first book to examine in detail the many traditions of one of today's most popular instruments. With its central focus on Andres Segovia's pioneering work in establishing the guitar as an international concert instrument, it goes on to examine in detail its subsequent developments with reference to great artists such as Bream, Williams, Diaz and Yepes.Traditions of the Classical Guitar continues to be a classic of twentieth-century guitar scholarship, offering a challenging assessment to perceptions of the guitar's progress throughout the ages. It is also a timely reminder of the glorious years of Segovia's concert career between 1909 and 1987; Segovia himself said of the work: "e;Graham Wade has shown his love for the guitar from the first page to the last; true love and understanding"e;.