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Explores the famous murder of Andrew and Abby Borden through the eyes of their daughter, Lizzie, who was tried and acquitted of the crime, but who had significant cause for anger and resentment against her overly-frugal and strict father and step-mother.
In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review). When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and her murder trial into a spectacle unparalleled in American history. Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars and laypeople—had an opinion about Lizzie Borden’s guilt or innocence. Was she a cold-blooded murderess or an unjustly persecuted lady? Did she or didn’t she? An essential piece of American mythology, the popular fascination with the Borden murders has endured for more than one hundred years. Told and retold in every conceivable genre, the murders have secured a place in the American pantheon of mythic horror. In contrast, “Cara Robertson presents the story with the thoroughness one expects from an attorney…Fans of crime novels will love it” (Kirkus Reviews). Based on transcripts of the Borden legal proceedings, contemporary newspaper accounts, unpublished local accounts, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is “a fast-paced, page-turning read” (Booklist, starred review) that offers a window into America in the Gilded Age. This “remarkable” (Bustle) book “should be at the top of your reading list” (PopSugar).
The Bram Stoker Award-winning author brings a legendary murder mystery to life in this “fascinating, mesmerizing [and] darkly atmospheric” thriller (Diana Gabaldon). In The Murderer’s Maid, acclaimed author Erika Mailman offering a fresh perspective on the Lizzie Borden murders through the stories of two women more than a century apart. In the 1890s, Irish immigrant Bridget Sullivan works as a maid in the Borden household. Trapped by her servitude, she fears for her own safety as she watches the family’s volatile tensions build toward an explosion of violence. In 2016, a Mexican-American woman works a menial job under an assumed name, all to stay one step ahead of the men who want to kill her. The danger Felicita faces is rooted in her family’s deadly past. But she has no idea how far back it truly goes...to a notorious 19th century crime. Winner of the IPPY Gold Medal Award and National Indie Excellence Award
“One of America’s most notorious murder cases inspires this feverish debut” novel that goes inside the mind of Lizzie Borden (The Guardian). On the morning of August 4, 1892, Lizzie Borden calls out to her maid: Someone’s killed Father. The brutal ax-murder of Andrew and Abby Borden in their home in Fall River, Massachusetts, leaves little evidence and many unanswered questions. In this riveting debut novel, Sarah Schmidt reimagines the day of the infamous murders as an intimate story of a family devoid of love. While neighbors struggle to understand why anyone would want to harm the respected Bordens, those close to the family have a different tale to tell―of a father with an explosive temper, a spiteful stepmother, and two spinster sisters desperate for their independence. As the police search for clues, Lizzie’s memories of that morning flash in scattered fragments. Had she been in the barn or the pear arbor to escape the stifling heat of the house? When did she last speak to her stepmother? Were they really gone and would everything be better now? Shifting among the perspectives of the unreliable Lizzie, her older sister Emma, the housemaid Bridget, and the enigmatic stranger Benjamin, the events of that fateful day are slowly revealed through a high-wire feat of storytelling.
Florence Kinrade, dutiful daughter of a wealthy, upper-crust Canadian family in 1909, lives a secret double life as a vaudeville showgirl in Richmond, Virginia. Then sister Ethel shows up dead, with Florence being, apparently, the only one at the scene at the time. Next up, a coroner's inquest, a mental diagnosis, more vaudeville show business, and a good hard investigative look by investigative journalist, Frank Jones.
Every family has its secrets... One hot August morning in 1892, Lizzie Borden picked up an axe and murdered her father and stepmother. Newspapers claim she did it for the oldest of reasons: family conflicts, jealousy and greed. But what if her parents were already dead? What if Lizzie slaughtered them because they'd become... zombies? Thrust into a horrific world where the walking dead are part of a shocking conspiracy to infect not only Fall River, Massachusetts, but also the world beyond, Lizzie battles to protect her sister, Emma, and her hometown from nightmarish ghouls and the evil forces controlling them. *New second edition with new cover.
The full title of this near-contemporaneous account of the infamous Borden ax murders, written by journalist Edwin H. Porter, is The Fall River tragedy : a history of the Borden murders : A plain statement of the material facts pertaining to the most famous crime of the century, including the story of the arrest and preliminary trial of Miss Lizzie A. Borden and a full report of the Superior Court trial, with a hitherto unpublished account of the renowned Trickey-McHenry affair: Compiled from official sources and profusely illustrated with original engravings.
Gruesome deaths haunt the industrial city of Fall River, Massachusetts. Dr. Seabury Bowen-physician to the infamous Lizzie Borden-swears he's being stalked by spirits, though his beloved wife thinks it's merely his imagination. But the retired doctor insists that neither greed nor anger provoked the recent sensational axe murders in Fall River. Rather, he believes the city is poisoned by bad blood and a thirst for revenge dating back to the Indian and Colonial wars. Now, two years after the Borden murders, Dr. Bowen is determined to uncover the mysteries stirring up the city's ancient, bloodthirsty specters. Can he discover who, or what, is shattering the peace before Fall River runs red? Or will he be the next victim? Part mystery, part love story, The Haunting of Dr. Bowen reveals the eerie side of Fall River as witnessed by the first doctor on the scene of the legendary Borden murders. A supernatural tie-in to the book, Lizzie Borden, Zombie Hunter, but without the zombies. Based on real-life events and historic documents, though some parts have been fictionalized to fit the story. * Contains some light horror details. "A well-paced page-turner with a most satisfying ending. I couldn't put it down even to walk the dog!"-Robert W. Walker, author of Gone Gorilla & The Monster Pit.
"Lizzie Borden is a name that has lived in infamy." "Wasn't this the ghoulish daughter who "took an axe and gave her mother forty whacks" and then "gave her father forty-one"? Most people know the rhyme. What they don't know are the particulars of how Lizzie was hounded by prosecutors, pursued by the press, finally acquitted - yet always presumed guilty." "For answers to these and many other questions about the unsolved mystery of Lizzie Borden, author David Kent turned to Robert A. Flynn, a native of Fall River, Massachusetts. As they delved deeper into the mystery, Kent and Flynn (author of the foreword) gained complete access to voluminous material - including newly acquired papers and never-before-published photographs that are now part of this book." "With evidence gleaned from court records and murder-scene photographs, David Kent reopened the case that shook the sleepy town of Fall River, Massachusetts, in 1892. From essential details that were white-washed in the trial, a new picture of Lizzie Borden emerges, far different from the blood-stained portrait of legend. A true-crime mystery that reads like fiction, Forty Whacks is the vivid, compelling story of this woman's defense in the merciless courtroom of public opinion."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Poetry. LGBTQIA Studies. BLOOD BOX, the deliciously haunting debut short collection from poet Zefyr Lisowski, takes us inside the infamous 1892 axe murders of Abby and Andrew Borden through twenty-six wide-ranging, stylistically experimental persona poems. Lisowski re-introduces us to mythologized spinster Lizzie Borden as we've never seen her before: a girl wielding an axe, yes, but also a girl trapped--in the boxes of age, of hunger, of loneliness, of blame. Lizzie, who was acquitted of the double murder of her father and stepmother, yet continues to haunt our cultural psyche over a hundred years later. Even now, "Violence dances with us like ghosts." In these pages, the notorious crime and its cast of characters serve as a jumping-off point for a textured exploration of inherited violence, queer intimacy, and the way family can be "another geometry, another violence too." BLOOD BOX is Lizzie's story, but it's also the story of grief, of selfhood, of trans and queer becoming. Lisowski's Lizzie Borden is as sweet, sad, spooky, and haunted as a girl with an axe ever can be. "If it is possible to queer a murder, Lisowski does it here, wearing the persona mask of Lizzie Borden, the familiar familicidal subject of too many jokes and skipping rhymes. Swinging non-chronologically from branch to blood-stained branch through the convoluted and uncertain history of the Borden murders, Lisowski discovers a kind of friend in Lizzie. These poems, sometimes quiet and demure, sometimes sung confession, sometimes full of hot desire. Each poem a pear, uniquely flavored, hanging barely from a tree in the balmy wet air of a New England summer. Inventive, sexy, self-aware to an almost dangerous degree, Lisowski applies layer after layer of powder foundation, demanding: 'Look at me: I wear / my suffering on my skin. I wear my skin / on top of my other skin.'"--Chase Berggrun "Zefyr Lisowski's BLOOD BOX is as much ouroboros as box, employing a circular structure to revisit the famous Fall River murders from alternating perspectives. Bookended by Lizzie Borden's voice, the collection shimmers with uncanniness as Lisowski channels the dead. The result is an exquisitely constructed danse macabre that shifts between reportage and invention, avowal and disavowal--an assembly of voices tethered together by a grisly loss. Moving us between the ghastliness of a father who 'twisted the heads off pigeons' to the radiant beauty of a 'pear tree's bright plumage,' BLOOD BOX is disturbing, dazzling, and riveting."--Simone Muench "Zefyr Lisowski's BLOOD BOX fearlessly excavates the secret and multiple lives (longings and regrets) of Lizzie Borden and her family. Mysterious and evocative, terrifying and tender, this is a powerful voice singing praise and elegy within the same breath, pressing against the world's constraints to dream flight."--Ching-In Chen "Dealing in secrets, Zefyr Lisowski's BLOOD BOX stands at the threshold of a violent domestic silence. Unknowability generates a hybrid text of multiple methodologies, all of which circle around its empty center. Lisowski writes, 'The God I know / lives behind a locked door, and only hoards / His good things. If He has children, / He beats them without fail. If He has neighbors, / He chops apart their houses. Tell me, / who wouldn't believe.' The fear that characterizes coloniality haunts the Borden family, trapping them in a labyrinthian coffin, where death generates death in a way that is neither spectacular nor foreign. The brilliance of this text lies in its guilty blood, housed in grayscape littered with the familial."--Raquel Salas Rivera