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I have been teaching Practical Shooting for more than a decade. Watching thousands of students fire millions of rounds over the years has taught me quite a lot about shooting. It also taught me how individuals process and obtain an understanding of shooting. I have seen students repeatedly shoot the same patterns over and over again, and I've realized the same drills highlighted the same mistakes. Over time, it has become easy for me to spot these patterns. The difficulty was making the student see and understand what I saw. However, when the student would experience an understanding, they had a breakthrough in their shooting.Over time, I modified drills and created new ones, to highlight the patterns I was seeing so that students would understand what they were doing wrong and comprehend how to fix it. This book is the product of that refinement. It contains a simple set of ideas, techniques, and drills; distilled down to an uncomplicated form. By developing your understanding of the concepts contained in this book, you can achieve your own breakthrough.
John Henry ("Fitz") FitzGerald worked for Colt from 1918 till 1944. Shooting, originally published in 1930, was the culmination of Fitz's work in the firearms field. In it he discusses his work with law enforcement and the courts, his theories and practices about practical shooting of the "one hand gun" and his thoughts about target and exhibition shooting, hunting and home defense. This was the only book FitzGerald ever wrote, but his life was clearly dedicated to all aspects of handgun shooting. While his written work might be unfamiliar to some of you, those who are reading this work for the first time should be very familiar with the writings of Elmer Keith, Charles Askins Jr., Ashley Haines and Chauncey Thomas. All these men were friends of FitzGerald and thought highly of his methods and approach. After reading this book, you will feel the same way. Paladin is pleased to add this long-out-of-print volume by one of America's most renowned and colorful shooters to its Combat Classics library. The new forewords by FitzGerald scholars Timothy J. Mullin and Kevin Williams, as well as the addition of a number of never-before published photos, shed new light on FitzGerald the man and the shooter.
While trying to impress a beautiful, unattainable classmate, fourteen-year-old Andy discovers that a fellow social outcast may be planning an act of school violence.
In this sexy, bold book, Pulitzer-Prize winning photographer Brian Smith tells the stories behind the photos and lessons learned in 30 years of photographing celebrities and people from all walks of life. Smith’s long list of famous and infamous subjects includes pro basketball players Dwayne Wade and Shaquille O’Neal; billionaires Bill Gates, Richard Branson, and Donald Trump; tennis stars Serena and Venus Williams; actors Anne Hathaway, Antonio Banderas, Christopher Walken, Taye Diggs, Jane Krakowski, and William H. Macy; and many more. You’ll get the inside scoop on what goes on at a celebrity photo shoot in this gorgeous guide to making professional portraits. Smith has mastered how to make a meaningful portrait on a magazine’s budget and on a celebrity’s schedule, which can sometimes be 15 minutes or less. Smith reveals his tips on connecting with people, finding the perfect location, telling a great story through portraiture, getting the ideal pose, capturing emotion and gestures, arranging unique group shots, and lighting the scene just right. You might not be photographing the rich and famous, but after reading Smith’s tell-all guide, you’ll know how to give everyone who makes their way in front of your camera the star treatment.
THE FIRST BOOK WITH ONE FOOT ON THE COFFEE TABLE, AND ONE FOOT IN THE CLASSROOM Joe McNally, one of the world’s top pro digital photographers, whose celebrated work has graced the pages of Sports Illustrated, Time, and National Geographic (to name a few), breaks new ground by doing something no photography book has ever done—blending the rich, stunning images and elegant layout of a coffee-table book with the invaluable training, no-nonsense insights, and photography secrets usually found only in those rare, best-of-breed educational books. When Joe’s not on assignment for the biggest-name magazines and Fortune 500 clients, he’s in the classroom teaching location lighting, environmental portraiture, and how to “get the shot” at workshops around the world. These on-location workshops are usually reserved for a handful of photographers each year, but now you can learn the same techniques that Joe shares in his seminars and lectures in a book that brings Joe’s sessions to life. What makes the book so unique is the “triangle of learning” where (1) Joe distills the concept down to one brief sentence. It usually starts with something like, “An editor at National Geographic once told me...” and then he shares one of those hard-earned tricks of the trade that you only get from spending a lifetime behind the lens. Then, (2) on the facing page is one of Joe’s brilliant images that perfectly illustrates the technique (you’ll recognize many of his photos from magazine covers). And (3) you get the inside story of how that shot was taken, including which equipment he used (lens, f/stop, lighting, accessories, etc.), along with the challenges that type of project brings, and how to set up a shot like that of your own. This book also gives you something more. It inspires. It challenges. It informs. But perhaps most importantly, it will help you understand photography and the art of making great photos at a level you never thought possible. This book is packed with those “Ah ha!” moments—those clever insights that make it all come together for you. It brings you that wonderful moment when it suddenly all makes sense—that “moment it clicks.”
"Groundbreaking new history of the Kennedy assassination, investigative reporter and bestselling author Phil Shenon writes the ultimate inside account of what has become the most controversial murder investigation of the 20th century, the aftermath of the assassination of President John F. Kennedy. Based on groundbreaking research, deep reporting, and unprecedented access, the book is character driven, dialogue rich, with facts and incidents that will stun and surprise."--
Spielberg makes his audience feel something, whether he's shooting a kids' -adventure, a dramatic chase, or the darkest war scene. The auteur always employs a core set of techniques that make each shot crystal clear and evoke the most intense emotions from the audience. This book shows you how. From tension to tearjerker, these moves will make your scenes memorable enough to be talked about for years to come. Spielberg directs films that cover everything from childhood dreams to the horrors of war. He always hones in on the emotional center of a scene. This book unravels the secrets of his core techniques, and shows how you can use the same simple camera moves and setups to make your films full of wonder, thrills, and emotion.