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Elyse knows what it means to keep a secret. She's been keeping secrets her whole life. Two, actually. First, that she ages five times slower than average people, so that while she looks eighteen years old, she's well over eighty. Second, that her blood has a mysterious power to heal. For Elyse, these things don't make her special. They make life dangerous. After the death of her parents, she's been careful to keep her secret as closely guarded as possible. Now, only one other person in the world knows about her age and ability. Or so she thinks. Elyse is not the only one keeping secrets. There are others like her all over the world, descendants of the very people the Greeks considered gods. She is one of them, and they have been waiting for her for a long time. Some are waiting for her to put an end to centuries of traditions that have oppressed their people under the guise of safeguarding them. Others are determined to keep her from doing just that. But for Elyse, the game is just beginning-and she's not entirely willing to play by their rules.
Harvard-educated psychologist and bestselling author Melanie Joy exposes the psychology that underlies all forms of oppression and abuse and the belief system that gives rise to this psychology—which she calls powerarchy. Melanie Joy had long been curious as to why people who were opposed to one or more forms of oppression—such as racism, sexism, speciesism, and so forth—often stayed mired in many others. She also wondered why people who were working toward social justice sometimes engaged in interpersonal dynamics that were unjust. Or why people who valued freedom and democracy might nevertheless vote and act against these values. Where was the disconnect? In this thought-provoking analysis, Joy explains how we've all been deeply conditioned by the invisible system of powerarchy to believe in a hierarchy of moral worth—to view some individuals and groups as either more or less worthy of moral consideration—and to treat them accordingly. Powerarchy conditions us to engage in power dynamics that violate integrity and harm dignity, and it creates unjust power imbalances among social groups and between individuals. Joy describes how powerarchies—both social and interpersonal—perpetuate themselves through cognitive distortions, such as denial and justification; narratives that reinforce the belief in a hierarchy of moral worth; and privileges that are granted to some and not others. She also provides tools for transformation. By illuminating powerarchy and the psychology it creates, Joy helps us to work more fully toward transformation for ourselves, others, and our world.
Secret societies have operated in Detroit for most of the city's history. Many started for fun and companionship. Others had more serious ends in mind. The African American Mysteries: The Order of the Men of Oppression helped enslaved people escape the South for freedom in Canada. During the Civil War, so-called black lantern societies like the Knights of the Golden Circle and the Union League waged a covert war in Detroit and across the northern Midwest. In the last century, it wasn't uncommon for a sober suburbanite to catch the train to Detroit and don yellow silk pantaloons, a purple fez and embroidered vest to drink "Tarantula juice." Join Bill Loomis in this fascinating look into the secret world of these groups.
Working for a prominent member of the NAACP in 1946 when a request comes from her favorite childhood author to investigate the murder of a black war hero, Regina Robichard travels to Mississippi, where she navigates the muddy waters of racism, relationships, and her own tragic past.
At the age of eighteen Lucy Wadham ran away from English boys and into the arms of a Frenchman. Twenty-five years later, having married in a French Catholic Church, put her children through the French educational system and divorced in a French court of law, Wadham is perfectly placed to explore the differences between Britain and France. Using both her personal experiences and the lessons of French history and culture, she examines every aspect of French life - from sex and adultery to money, happiness, race and politics - in this funny and engrossing account of our most intriguing neighbour.
A first-hand account of the creative process that engages with the language of oppression and with politics in our time. How does the poet become attuned to the language of the world's upheaval? How does one talk insightfully about suffering, without creating more of it? What is freedom in language and how does the poet who has endured political oppression write himself or herself free? What is literary testimony? Poetry and the Language of Oppression is a consideration of the creative process that rests on the conviction that poetry is of help in moments of public duress, providing an illumination of life and a healing language. Oppression, repression, expression, as well as their tools (prison, surveillance, gestures in language) have been with us in various forms throughout history, and this volume represents a particular aspect of these conditions of our humanity as they play out in our time, providing another instance of the communion, and sometimes confrontation, with the language that makes us human.
Explores the bonds of family, neighbors, lovers, and friends as they are tested in new environments. "I feel like I can't tell one story about a giant mustard penis because it's not about a mustard penis only, but about all of these incidents together, in context, and through time." So begins the title story in Renee Simms's debut short story collection, Meet Behind Mars—a revealing look at how geography, memory, ancestry, and desire influence our personal relationships. In many of her stories, Simms exposes her own interest in issues concerning time and space. For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s. The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.