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Perfect for fans of Ruta Sepetys and Elizabeth Wein, this lyrical portrait of hidden identities and forbidden love is set against the harrowing backdrop of the Spanish Inquisition. "An epic, poetic journey. Brimming with romance and historical detail." -- Ruta Sepetys, New York Times Bestselling Author of Salt to the Sea Isabel Perez carries secrets with her every day. As a young woman in 1481, Trujillo, Spain, she should be overjoyed that the alguacil of the city wants to marry her, especially since she and her family are conversos -- Jews forced to convert to Catholicism -- leaving them low in the hierarchy of the new Spanish order. Yet she longs to pursue an independent life filled with poetry and a partner of her own choosing: Diego Altamirano, a young nobleman whose family would never let him court someone with tainted blood like hers. But Isabel's biggest secret is this: Though the Perezes claim to be New Christians, they still practice Judaism in the refuge of their own home. When the Spanish Inquisition reaches her small town determined to punish such judaizers, Isabel finds herself in more danger than she could ever have imagined. Amid the threat of discovery, she and Diego will have to fight for their lives in a quest to truly be free. A timeless love story about identity, religious intolerance, and female empowerment, The Poetry of Secrets will sweep readers away with its lush lyricism and themes that continue to resonate today.
The Secret Life of Poems is a primer which offers a poem - or on occasion an excerpt - succeeding with commentary in which rhythm, form, metre and sources are the order of the day, not ethical commentary or descriptive paraphrase. This brief engagement with forty-seven poems is intended for students and readers of poetry, and seeks to explain how poetry works by bringing into view the hidden order of specific poems.
The Secret Meaning of Things is Lawrence Ferlinghetti's fourth book of poems.
Reveals the hidden origins of kitsch in poetry from the eighteenth century. Taking its title from John Keats, My Silver Planet contends that the problem of elite poetry’s relation to popular culture bears the indelible mark of its turbulent incorporation of vernacular poetry—a legacy shaped by nostalgia, contempt, and fraudulence. Daniel Tiffany reactivates and fundamentally redefines the concept of kitsch, freeing it from modernist misapprehension and ridicule, by tracing its origin to poetry’s alienation from the emergent category of literature. Tiffany excavates the forgotten history of poetry’s relation to kitsch, beginning with the exuberant revival of archaic (and often spurious) ballads in Britain in the early eighteenth century. In these controversial events of poetic imposture, Tiffany identifies a submerged pact—in opposition to the bourgeois values of literature—between elite and vernacular poetries. Tiffany argues that the ballad revival—the earliest explicit formation of what we now call popular culture—sparked a perilous but seemingly irresistible flirtation (among elite audiences) with poetic forgery that endures today in the ambiguity of the kitsch artifact: Is it real or fake, art or kitsch? He goes on to trace the genealogy of kitsch in texts ranging from nursery rhymes and poetic melodrama to the lyric commodities of Baudelaire. He scrutinizes the fascist “paradise” inscribed in Ezra Pound’s Cantos as well as the avant-garde poetry of the New York School and its debt to pop and “plastic” art. By exposing and elaborating the historical poetics of kitsch, My Silver Planet transforms our sense of kitsch as a category of material culture.
Nobel laureate poet Czeslaw Milosz personal selection of 300 of the world's greatest poems written throughout the ages and around the world.
First collection of literary essays by a founder and leading poet-critic of the New Narrative/New Formalist revival. Essays explore the relationship between poetry and religion, the legacies of Wallace Stevens, Robert Frost, E. A. Robinson, Robinson Jeffers, and poetry by contemporaries such as Donald Justice and Jorie Graham. Mark Jarman's honors for poetry include the Lenore Marshall Prize, the Poets' Prize, a Guggenheim Fellowship, the Joseph Henry Jackson Award, and three NEA fellowships. Co-author of "The Reaper Essays" and co-editor of "Rebel Angels: 25 Poets of the New Formalism," Jarman lives in Nashville and teaches at Vanderbilt University.
Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. The Dangers of Poetry is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Kevin M. Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq.
A biography of the Sufi poet that’s “a dazzling feat of scholarship . . . the book restores Rumi to the glories and hardships of his momentous age” (The Washington Post). Ecstatic love poems of Rumi, a Persian poet and Sufi mystic born over eight centuries ago, are beloved by millions of readers in America as well as around the world. He has been compared to Shakespeare for his outpouring of creativity and to Saint Francis of Assisi for his spiritual wisdom. Yet his life has long remained the stuff of legend rather than intimate knowledge. In this breakthrough biography, New York Times–bestselling author Brad Gooch brilliantly brings to life the man and puts a face to the name Rumi, vividly coloring in his time and place—a world as rife with conflict as our own. The map of Rumi’s life stretched over 2,500 miles. Gooch traces this epic journey from Central Asia, where Rumi was born in 1207, traveling with his family, displaced by Mongol terror, to settle in Konya, Turkey. Pivotal was the disruptive appearance of Shams of Tabriz, who taught him to whirl and transformed him from a respectable Muslim preacher into a poet and mystic. Their vital connection as teacher and pupil, friend and beloved, is one of the world’s greatest spiritual love stories. When Shams disappeared, Rumi coped with the pain of separation by composing joyous poems of reunion, both human and divine. Ambitious, bold, and beautifully written, Rumi’s Secret reveals the unfolding of Rumi’s devotion to a “religion of love,” remarkable in his own time and made even more relevant for the twenty-first century by this compelling account.
Part memoir, part meditation, this book is an exploration of death from an “insider’s” point of view. Using the threads of her brother’s early death and her twenty years of work in hospice care, Eve Joseph utilizes history, religion, philosophy, literature, personal anecdote, mythology, poetry and pop culture to discern the unknowable and illuminate her travels through the land of the dying. This is neither an academic text nor a self-help manual; rather, it is a foray into the land of death and dying as seen through the lens of art and the imagination. Rather than relying solely on narrative, In the Slender Margin gains momentum from a build-up of thematic resonances. Joseph writes toward thinking about death and in the process finds the brother she lost as a young girl. She wrote the book as a way to understand what she had seen: the mysterious and the horrific. Replete with literary allusions and references, from Joan Didion and Susan Sontag to D. H. Lawrence and Voltaire, this is an absolutely absorbing and inspired consideration of how we die and how we deal with it; a profoundly moving and helpful meditation on the mystery that awaits us all.