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Written in candid prose, Gibson takes the reader through his life and career that spans over 50 years. Gibson's story is a fascinating one, from his earliest memories growing up in California to his time in the navy and his continuous love affair with photography. Gibson's memories are time-capsules, filled with rich characters and period details. Often moving, the narratives of his at times troublesome childhood provide a rich background to the charismatic artist Gibson has become. His ruminations on his life so far display a deep, thoughtful understanding and self-awareness that make this book a fascinating read in itself as well as an illuminating companion to his work. Evocatively illustrated, Self Exposure presents Gibson's life story alongside his photographic work, all presented with high quality production values.
“If you like the TV show Bones (I do) or Maximum Ride, you’ll love Virals.”—James Patterson Another thrilling Virals adventure from New York Times bestsellers Kathy and Brendan Reichs. When twin classmates are abducted from Bolton Prep, Tory and the Virals decide there’s no one better equipped than them to investigate. But the gang has other problems to face. Their powers are growing wilder, and becoming harder to control. Chance Claybourne is investigating the disastrous medical experiment that twisted their DNA. The bonds that unite them are weakening, threatening the future of the pack itself. The Virals must decipher the clues and track down a ruthless criminal before he strikes again, all while protecting their secret from prying eyes. And everyone seems to be watching.
“An unconventional thriller [and] a page turner . . . As much a surprising love story as it is a tale of spies” (The New York Times Book Review). In 1960 London, the Cold War is at its height, and a spy may be a friend or neighbor, colleague or lover. Two colleagues, Giles Holloway and Simon Callington, face a terrible dilemma over a missing top-secret file. At the end of a suburban garden, in the pouring rain, Simon’s wife, Lily, buries a briefcase containing the file deep in the earth. She believes that in doing so she is protecting her family. What she will learn is that no one is immune from betrayal or the devastating consequences of exposure. “Dunmore’s strategy, placing a triangle of past and present loves within a spy novel, yields an unexpected dividend. Even the most ordinary elements of life—the lengths to which a mother will go to protect her children, meeting someone special, what remains unsaid within a marriage—become viscerally exciting.” —The New Yorker “Exposure is many things at once—an espionage thriller, a forbidden-love story, an immigrant’s tale . . . A novel you won’t be able to shake.” —Entertainment Weekly “One of those books that you read with your heart in your mouth, your mind fully engaged, and with a sense of desolation as you note the dwindling number of pages left before it comes to an end.” —Chicago Tribune
“For Erin Brockovich fans, a David vs. Goliath tale with a twist” (The New York Times Book Review)—the incredible true story of the lawyer who spent two decades building a case against DuPont for its use of the hazardous chemical PFOA, uncovering the worst case of environmental contamination in history—affecting virtually every person on the planet—and the conspiracy that kept it a secret for sixty years. The story that inspired Dark Waters, the major motion picture from Focus Features starring Mark Ruffalo and Anne Hathaway, directed by Todd Haynes. 1998: Rob Bilott is a young lawyer specializing in helping big corporations stay on the right side of environmental laws and regulations. Then he gets a phone call from a West Virginia farmer named Earl Tennant, who is convinced the creek on his property is being poisoned by runoff from a neighboring DuPont landfill, causing his cattle and the surrounding wildlife to die in hideous ways. Earl hasn’t even been able to get a water sample tested by any state or federal regulatory agency or find a local lawyer willing to take the case. As soon as they hear the name DuPont—the area’s largest employer—they shut him down. Once Rob sees the thick, foamy water that bubbles into the creek, the gruesome effects it seems to have on livestock, and the disturbing frequency of cancer and other health problems in the area, he’s persuaded to fight against the type of corporation his firm routinely represents. After intense legal wrangling, Rob ultimately gains access to hundreds of thousands of pages of DuPont documents, some of them fifty years old, that reveal the company has been holding onto decades of studies proving the harmful effects of a chemical called PFOA, used in making Teflon. PFOA is often called a “forever chemical,” because once in the environment, it does not break down or degrade for millions of years, contaminating the planet forever. The case of one farmer soon spawns a class action suit on behalf of seventy thousand residents—and the shocking realization that virtually every person on the planet has been exposed to PFOA and carries the chemical in his or her blood. What emerges is a riveting legal drama “in the grand tradition of Jonathan Harr’s A Civil Action” (Booklist, starred review) about malice and manipulation, the failings of environmental regulation; and one lawyer’s twenty-year struggle to expose the truth about this previously unknown—and still unregulated—chemical that we all have inside us.
“Luminous and affecting . . . [Exposure] examines the often fine line between art and abuse. . . . Taut in plot, beautifully realistic, and intelligently disturbing.” –Harper’s Bazaar Ann Rogers appears to be a happily married, successful young woman. A talented photographer, she creates happy memories for others, videotaping weddings, splicing together scenes of smiling faces, editing out awkward moments. But she cannot edit her own memories so easily–images of a childhood spent as her father’s model and muse, the subject of his celebrated series of controversial photographs. To cope, Ann slips into a secret life of shame and vice. But when the Museum of Modern Art announces a retrospective of her father’s shocking portraits, Ann finds herself teetering on the edge of self-destruction, desperately trying to escape the psychological maelstrom that threatens to consume her. “Astounding . . . told in prose as multifaceted as a diamond, crystalline and mesmerizing. ‘Remarkable’ hardly goes far enough.” –Cosmopolitan “Impossible to put down . . . Kathryn Harrison is an extremely gifted writer, poetic, passionate, and elegant.” –San Francisco Chronicle “Exquisite, exhilarating, and harrowing.” –Donna Tartt, author of The Secret History and The Little Friend “A breathless urban nightmare not easy to forget. Stark, brilliant, and original work.” –Kirkus Reviews (starred review)