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When her grandmother has a stroke, Dora returns to the small town where she grew up to take over her family's vintage clothing store -- and meets a handsome contractor. Is he interested in Dora? Or is he working from a different blueprint? Dora has always taken the path of least resistance. She went to the college that offered her a scholarship, majoring in "vagueness studies," and wears whatever shows the least dirt. She falls into a job at the college coffee shop and has a crush on her flirty boss, Gary. But just when she's about to test Gary's feelings, Mimi, the grandmother who raised her, suffers a stroke. Dora rushes back to Forsyth, NC, and finds herself running her grandmother's vintage clothing store while her grandmother recovers -- andmeets Mimi's adorable contractor, Conrad. The store has always been a fixture in Dora's life; though she grew up more of a jeans-and-sweatshirt kind of girl, before she even knew how to write, Mimi taught her that a vintage 1920s dress could lift a woman's spirit. But why has Mimi started writing down -- and giving away -- stories of the dresses in her shop? Amidst personal and professional turmoil, can Dora can trade her boring clothes for vintage glamour and her boring life for one she actually wants?
Perfect for readers of Women in Clothes, this beautifully designed philosophical guide to fashion explores art, literature, and film to uncover the hidden meaning of a well-chosen wardrobe. We all get dressed. But how often do we pause to think about what our clothes say? When we dress ourselves, we are presenting to the world an essence of who we are, who we want to be. Dressed ranges freely from suits to suitcases, from Marx's coat to Madame X's gown. Through art and literature, film and philosophy, philosopher Shahidha Bari unveils the surprising personal implications of what we choose to wear. The impeccable cut of Cary Grant's suit projects masculine confidence, just as Madonna's oversized denim jacket and her armful of orange bangles loudly announces big ambition. How others dress tells us something fundamental about them -- we can better understand how people live and what they think through their garments. Clothes tell our stories. Dressed is the thinking person's fashion book. In baring the hidden power of clothes in our culture and our daily lives, Bari reveals how our outfits not only cover our bodies but also reflect our minds.
Sunday Sews presents 20 irresistible designs that can be sewn on a weekend and enjoyed for a lifetime. Featuring minimalist style and unfussy lightweight fabrics, they are as functional as they are chic. Think drapey shift dresses, flattering tunics and skirts, tanks and tops perfect for layering, pretty aprons, go-anywhere tote bags, and gifts for children and loved ones. Step-by-step instructions and technical illustrations make construction a breeze, whatever the reader's skill level; and lush photographs showcase the finished projects in clean, uncluttered settings. Brimming with atmosphere, Sunday Sews evokes everything we love about the most relaxing day of the week.
“A darkly funny novel about betrayal, loneliness and the surprising pleasure of being single again” from the author of The Best Exotic Marigold Hotel (Good Housekeeping). At sixty-nine years old, Pru has found herself alone for the first time in her life. Her grown children are out of the house, and her husband, Greg, has filed for divorce. She attributes Greg’s betrayal to a cancer scare and a more-than-midlife crisis, but that doesn’t make her feel any better—or less lonely. It seems that nothing—not even her eccentric, free-spirited best friend, Azra—can pull her out of her depression. Until Pru sees a black dress in a thrift store window . . . Its sleek silhouette calls to mind long-gone days of cocktail parties and sophisticated conversation. And it gives Pru a brilliant idea: where better to wear a black dress—and find age-appropriate single men—than at a funeral? As Pru combs through the obituaries and attends masses and wakes, she finds comfort among the bereaved. After all, they’re all grieving someone they have lost. But Pru’s about to discover that though her new dating plan may get her out of the house and back on the market, the life she’s so desperately trying to leave behind isn’t done with her yet . . . “With dry wit and observation, Moggach tackles the perils of ageing with brutal honesty.” —Daily Express “This page-turner is like the best wakes, it will make you feel hungry and alive.” —The Times (London) “As ever with Moggach, the joy is in her witty observations of middle-class life and bracingly tart portrayal of family relationships.” —Daily Mail
A wedding dress…but no bride! Paige Danforth isn't interested in setting herself up for an unhappy-ever-after—thanks to her father's betrayal, the closest she'll ever get to walking down the aisle is as a bridesmaid. But one bridal sale later, Paige is left clutching her own champagne chiffon wedding dress! Clearly she needs to end her self-imposed dating drought…. Enter ruggedly sexy neighbor Gabe Hamilton. He wants Paige in his bed and nothing more—no promises made, no promises broken. But will this big, bad adventurer stick around when he discovers not only skeletons—but the wedding dress—in her closet?
In this riveting, poignant memoir of three generations of women and the white dresses that adorned them—television producer Mary Pflum Peterson recounts a journey through loss and redemption, and her battle to rescue her mother, a former nun, from compulsive hoarding. As a successful television journalist at Good Morning America, Mary Pflum is known as a polished and highly organized producer. It’s a persona at odds with her tortured childhood, where she watched her emotionally vulnerable mother fill their house with teetering piles of assorted “treasures.” But one thing has always united mother and daughter—their love of white dresses. From the dress worn by Mary’s mother when she became a nun and married Jesus, to the wedding gown she donned years later, to the special nightshirts she gifted Mary after the birth of her children, to graduation dresses and christening gowns, these white dresses embodied hope and new beginnings. After her mother’s sudden death in 2010, Mary digs deep to understand the events that led to Anne’s unraveling. At twenty-one, Anne entered a convent, committed to a life of prayer and helping others. But lengthy periods of enforced fasting, isolation from her beloved students, and constant humiliation eventually drove her to flee the convent almost a decade later. Hoping to find new purpose as a wife and mother, Anne instead married an abusive, closeted gay man—their eventual divorce another sign of her failure. Anne retreats into chaos. By the time Mary is ten, their house is cluttered with broken appliances and stacks of unopened mail. Anne promises but fails to clean up for Mary’s high school graduation party, where Mary is being honored as her school’s valedictorian, causing her perfectionist daughter’s fear and shame to grow in tandem with the heaps upon heaps of junk. In spite of everything, their bond endures. Through the white dresses, pivotal events in their lives are celebrated, even as Mary tries in vain to save Anne from herself. Unflinchingly honest, insightful, and compelling, White Dresses is a beautiful, powerful story—and a reminder of the unbreakable bonds between mothers and daughters.
A young girl imagines her own future as she puts on costumes and pretends to be great women from history, including Amelia Earhart, Lucille Ball, and Eleanor Roosevelt.
The dress is the last bit of femininity in our closets; it's the only item of clothing which (most) men and women don't share. Wearing a dress is a powerful way for women to express themselves--and every style conveys a different message. Inspired by the Eleanor Estes' children's classic The Hundred Dresses, Erin McKean's classic-to-be by the same title, with chic illustrations by Donna Mehalko, is a definitive look at the dresses, vintage and modern, that make an inarguable statement about the woman who wears them. Each evocatively illustrated entry identifies one of a hundred different dresses accompanied by a witty and informative look at the history of that particular style, famous wearers (if applicable), and what message, subtle or overt, is conveyed by the dress. Notes on where such a style could be observed and accessories of the wearer are also included. Featured are The Wench; The Sari; The Vreeland; The Wrap; The Austen; The Beckham; The Siren (any style, as long as it's red); The Chanel Ingenue; The Caftan; The Guinivere; The Jackie; The Slip Dress; The Biohazard (any dress dangerous to bystanders or the wearer: think Lady Gaga); and scores more. The book also includes a suggested reading list of fashion books, dresses from literature, and an index. Part style commentary, part fashion blueprint, part clever field guide, The Hundred Dresses will ensure that no woman (or man) ever underestimates the power of the dress.
"A tribute to a time when style -- and maybe even life -- felt more straightforward, and however arbitrary, there were definitive answers." -- Sadie Stein, Paris Review As a glance down any street in America quickly reveals, American women have forgotten how to dress. We lack the fashion know-how we need to dress professionally and beautifully. In The Lost Art of Dress, historian and dressmaker Linda Przybyszewski reveals that this wasn't always true. In the first half of the twentieth century, a remarkable group of women -- the so-called Dress Doctors -- taught American women that knowledge, not money, was key to a beautiful wardrobe. They empowered women to design, make, and choose clothing for both the workplace and the home. Armed with the Dress Doctors' simple design principles -- harmony, proportion, balance, rhythm, emphasis -- modern American women from all classes learned to dress for all occasions in ways that made them confident, engaged members of society. A captivating and beautifully illustrated look at the world of the Dress Doctors, The Lost Art of Dress introduces a new audience to their timeless rules of fashion and beauty -- rules which, with a little help, we can certainly learn again.
Walter Kitty is no ordinary housecat. He's Fang—a swashbuckling protector of the high seas, a tiger waiting to pounce on unsuspecting prey, and a caped superhero ready to save the day. But do his "people," Mr. and Mrs. Biddle, acknowledge his greatness? Not even!So once in a good long while, Walter will answer to Wally or Kitten or even Snookums, but most of the time . . . he's Fang!With a hilarious text by Barbara Jean Hicks and fabulously fun illustrations by Dan Santat, Walter Kitty is one cat readers will not soon forget!