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The irresistible literary debut about the hidden desires of church-going Black women 'Left me wanting more. Masterfully written' Candice Carty-Williams, author of Queenie 'Joyous... It's a book in love with life' The Times 'Exquisite... delicious' Bolu Babalola, author of Love in Colour The Secret Lives of Church Ladies explores the raw and tender places where Black women and girls dare to follow their desires, and pursue a momentary reprieve from being good. There is fourteen-year-old Jael, who nurses a crush on the preacher's wife; the mother who bakes a sublime peach cobbler every Monday for her date with the married Pastor; and Eula and Caroletta, single childhood friends who seek solace in each other's arms every New Year's Eve. With their secret longings, new love, and forbidden affairs, these church ladies are as seductive as they want to be, as vulnerable as they need to be, as unfaithful and unrepentant as they care to be – and as free as they deserve to be.
Becoming a Christian is the best and worst thing that has ever happened to Sarah Hollenbeck. Best because, well, that's obvious. Worst because, up to this point, she's made her very comfortable living as a well-known, bestselling author of steamy romance novels that would leave the members of her new church blushing. Now Sarah is trying to reconcile her past with the future she's chosen. She's still under contract with her publisher and on the hook with her enormous fan base for the kind of book she's not sure she can write anymore. She's beginning to think that the church might frown on her tithing on royalties from a "scandalous" book. And the fact that she's falling in love with her pastor doesn't make things any easier. With a powerful voice, penetrating insight, and plenty of wit, Bethany Turner explodes onto the scene with a debut that isn't afraid to deal with the thorny realities of living the Christian life.
Rachel Jones is a successful businesswoman who has it all. Her husband's infidelity pushes her to the edge and after reaching her breaking point; she's convinced to seek spiritual restoration. On her journey to mend her broken heart and establish a devout relationship with God, she becomes entangled with a new lover, more sin and is introduced to a world of homosexuality. Finally after experiencing the death of a child, the possibility of contracting AIDS, and another heartache, she decides to leave her comfort zone for a fresh start. How her journey ends is a mystery and the entire ride is filled with suspense.
“The magic here is not the supernatural kind, but rather an attention to the grace of the ordinary. It is the magic of watching these women come into their power.”—New York Times A GMA Buzz Pick! A Most Anticipated Book by Essence · The Millions · Atlantic Journal Constitution · Glamour · Teen Vogue · Bustle · BookPage · Nashville Scene · Ms. Magazine · Parnassus Musing A Best Book of February by Washington Post · Nylon · BookRiot In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives. Suzette, a pampered twenty-year‑old, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world. Maple is reeling from the unsolved murder of her free‑spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, at a party, Maple connects with Chad, someone who may understand her pain more than she realizes, and she discovers that the key to her mother's death may be within her reach. Agnes is far from home, working yet another mind‑numbing job. She attracts the interest of a lonely security guard and army veteran who’s looking for a traditional life for himself and his young son. He’s convinced that she wields a certain “magic,” but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself. This novel, told in three parts, is a searing meditation on grief, female strength, and self‑discovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family—the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future.
As the General Motors plant in Lordstown, Ohio halted production and faced possible closure, displacing its workers, artist LaToya Ruby Frazier joined with these workers, their families, and their local union leaders to tell the story of the plant in its final days. After more than fifty years of automobile production and a commitment to manufacture the Chevrolet Cruze until 2021, the facility was recently "unallocated" by GM, as the company shifts its focus toward overseas manufacturing and the production of electric and autonomous vehicles. For many, this meant uprooting their families and giving up the support of a close-knit community. Those who turned down transfers to GM plants in other states lost their income, pensions, and benefits. The Last Cruze, which sets out to amplify the voices of the auto workers in Lordstown, introduces a new chapter to Frazier's work in investigating labor, family, community, and the working class. Exhibited at the Renaissance Society in 2019, this body of work includes over sixty photographs, alongside the written stories of the workers, and was staged within an installation that echoes the structure of the plant's assembly line. This substantial catalogue includes extensive documentation of the work and introduces new essays and dialogues by contributors including Coco Fusco, David Harvey, Werner Lange, Lynn Nottage, Julia Reichert, Benjamin Young, and members of the local chapter of the United Auto Workers.
These poems are tributes to an entirely new tribe--the unsung mixed blood Indians of modern America.
What do a homicidal houseplant, an enchanted office picnic, sentient fog, and the perfect piece of toast have in common? They're all part of the world of Midnight at the Organporium. At turns droll, wicked, and surreal, these tales cover topics from white flight, to the Princess and the Pea, to marriage in the afterlife. Visit Midnight at the Organporium for a dose of twisted obsession, covert complicity, and peculiar empowerment - and don't forget to pick up your spare heart while you're there.
An anthology of thirty essays from the site fullgrownpeople.com.
Margaritte, an American-Indian teenager trapped in the Denver suburbs, deals drugs, gets pregnant, and fights against a life she hates.
Often mimicking fairy tales or ancient fables, these are poems wrought from daughterhood, motherhood, siblinghood, and the love of music