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This contemporary classic, the story of a Palestinian who becomes a citizen of Israel, combines fact and fantasy, tragedy and comedy. Saeed is the comic hero, the luckless fool, whose tale tells of aggression and resistance, terror and heroism, reason and loyalty, the qualities that typify the hardships and struggles of Arabs in Israel. An informer for the Zionist state, his stupidity, candor, and cowardice make him more of a victim than a villain; but in a series of tragicomic episodes, he is gradually transformed from a disaster-haunted, gullible collaborator into a Palestinian-no hero still, but a simple man intent on survival and, perhaps, happiness. The author's own anger and sorrow at Palestine's tragedy and his acquaintance with the absurdities of Israeli politics (he was once a member of Israel's parliament himself) are here transmuted into satire both biting and funny. Translated by Anton Shammas into Hebrew, The Secret Life of Saeed won Israel's foremost Prize for Literature; a stage version played to great acclaim for a decade.
First published in 1951, The Second Scroll is the only novel by A.M. Klein, a complex work rich with biblical, talmudic, kabbalistic, and literary allusions. This scholarly edition annotates and restores the text to Klein's original vision.
During the political upheavals of the mid-twentieth century, as imperialism was unraveling on a grand scale, writers from colonized and occupied spaces questioned the necessity and ethics of their histories. As empire "wrote back" to the self-ordained centres of the world, modes of representation underwent a transformation. Exploring novels and diverse forms of literature from regions in West Africa, the Middle East, and Indigenous America, Maps of Empire considers how writers struggle with the unstable boundaries generated by colonial projects and their dissolution. The literary spaces covered in the book form imaginary states or reimagine actual cartographies and identities sanctioned under empire. The works examined in Maps of Empire, through their inner representations and their outer histories of reception, inspire and provoke us to reconsider boundaries.
Traces the development of the modern Arabic novel from the 1960s to the present.
Examines how Israeli Palestinians have fared under Jewish rule, revealing both Israels attitude toward minorities and Palestinians attitudes toward the Jewish state and analyzes the Israeli state's policy towards its Palestinian citizens.
In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the "War Story," a genre formerly reserved for men. Concentrating on the contemporary literature of the Arab world, Cooke looks at how alternatives to the master narrative challenge the authority of experience and the permission to write. She shows how women who write themselves and their experiences into the War Story undo the masculine contract with violence, sexuality, and glory. There is no single War Story, Cooke concludes; the standard narrative—and with it the way we think about and conduct war—can be changed. As the traditional time, space, organization, and representation of war have shifted, so have ways of describing it. As drug wars, civil wars, gang wars, and ideological wars have moved into neighborhoods and homes, the line between combat zones and safe zones has blurred. Cooke shows how women's stories contest the acceptance of a dyadically structured world and break down the easy oppositions—home vs. front, civilian vs. combatant, war vs. peace, victory vs. defeat—that have framed, and ultimately promoted, war.
This edition includes new material on the Arabic novel up to 1993. It is a survey of the Arabic novel and its development from its beginnings in the 19th century until today. It traces the origin, early cultivation and the mature period after World War II of the Arabic novel.
"Originally published in Arabic in 1995"--Title page verso.
Arabic fiction by Palestinian writers in Israel underwent a rebirth with the establishment of the State in 1948 - an event affecting not only the land that had been Palestine, but the entire region. In The Quest for a Lost Identity, Mahmud Ghanayim probes in considerable detail this creative process over the last half-century. Adopting a strictly literary treatment of the new situation, he reconstructs the various stages in the evolution of Palestinian literature and its difficult existence under martial law. Perusing works by such writers as Hanna Ibrahim, Atallah Mansur, Muhammad ?Ali- Taha, Tawfiq Fayyad, Muhammad Naffa Naji Zahir, Riyad Baydas, and others he highlights the efficacity of ideologically-driven literary criticism monitoring the direction and literary strategies underlying the cultural revival generated by this national minority. The author of this penetrating monograph deftly etches the new Palestinian self-image emerging from this literary rebirth with its ardent ambition to create an esthetically-inspired rather politically-monitored literature. Perhaps no Palestinian writer of calibre exemplified better than Emile Habibi the aspiration to break away from the grip of local cultural conventions to achieve artistic modernity. In effect, this doyen of Palestinian literature succeeded in meeting the expectations of three highly demanding readerships comprising the local Arab minority, the Jews, and the Arab world outside Israel.