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This contemporary classic, the story of a Palestinian who becomes a citizen of Israel, combines fact and fantasy, tragedy and comedy. Saeed is the comic hero, the luckless fool, whose tale tells of aggression and resistance, terror and heroism, reason and loyalty, the qualities that typify the hardships and struggles of Arabs in Israel. An informer for the Zionist state, his stupidity, candor, and cowardice make him more of a victim than a villain; but in a series of tragicomic episodes, he is gradually transformed from a disaster-haunted, gullible collaborator into a Palestinian-no hero still, but a simple man intent on survival and, perhaps, happiness. The author's own anger and sorrow at Palestine's tragedy and his acquaintance with the absurdities of Israeli politics (he was once a member of Israel's parliament himself) are here transmuted into satire both biting and funny. Translated by Anton Shammas into Hebrew, The Secret Life of Saeed won Israel's foremost Prize for Literature; a stage version played to great acclaim for a decade.
A risky and risqué prison memoir depicts the collective nightmare of life under Saddam.
Fiction. Middle Eastern Studies. Translated from the Arabic by Peter Theroux. This hypnotically lyrical last novel by the leading Palestinian prose writer of the twentieth century is equal parts allegory, folk tale, memoir, political commentary, and ode to a ruined landscape. Rendered for the first time ever in English by one of the leading translators of contemporary Arabic literature, it is a haunting tour de force-essential reading for anyone interested in the imaginative life of the Middle East. "In Arabic, Habiby has had no precursors and has had no successors.... Acknowledging his debt to Voltaire and Swift, he has proven inimitable." -Middle East Magazine.
Tawfiq Zayyad (1929-1994) was a renowned Palestinian poet and a committed communist activist. For four decades, he was a dominant figure in political life in Israel, as a local council member, mayor of Nazareth, and member of the Israeli parliament. Zayyad personified the collective struggle of the Palestinian citizens of Israel, challenging the military government following the creation of the state of Israel, leading the 1976 nationwide strike against land confiscation, and tirelessly protesting Israeli military occupation after 1967. With this book, Tamir Sorek offers the first biography of this charismatic figure. Zayyad's life was one of balance and contradiction--between his revolutionary writings as Palestinian patriotic poet and his pragmatic political work in the Israeli public sphere. He was uncompromising in his protest of injustices against the Palestinian people, but always committed to a universalist vision of Arab-Jewish brotherhood. It was this combination of traits that made Zayyad an exceptional leader--and makes his biography larger than the man himself to offer a compelling story about Palestinians and the state of Israel.
This contemporary classic, the story of a Palestinian who becomes a citizen of Israel, combines fact and fantasy, tragedy and comedy. Saeed is the comic hero. He has all the qualities that typify the hardships and struggles of Arabs in Israel. He is a simple man intent on survival and, perhaps, happiness.
Prairies of Fever is one of the foremost modernist novels of our time. A negation of chronology and sequence, a cohesve relationship between form and content, and a temporal parallelism of events, memories and dreams, give the novel a unique tenor. The central character, Muhammad Hammad, is a young teacher hired, like hundreds of others from all over the Arab world, to teach in a remote part of the Arabian peninsula. The novel recounts his harrowing struggle to retain any sense of identity at all in the bleak and alienating place he finds himself in, caught between the infinite expanse of desert and the intolerable narrowness of village life. His psychic and physical anguish, beset as he is by hallucinations, fantasies and the indifference of the villagers, is mirrored in the writing of the novel: time appears unfixed as the story jumps from past to future and back to the present; there is an eerie fusion of the animal and human worlds; and reality and fantasy become hard to distinguish. The result is an exceptional poetic novel, disturbing, evocative and deeply moving.
This wry take on Kafka’s novel The Trial revolves around its narrator’s attempts to petition successfully the elusive ruling body of his country, known simply as “the Committee.” Consequences for his actions range from the absurd to the hideous. Ibrahim offers an unbroken first-person narrative rendered in brief, crisp prose framed by a conspicuous absence of vivid imagery. Furthermore, the petitioner is a man without identity. The ideal antihero, he remains, as does his country, unnamed throughout the intricate plot with a locale suggestive of 1970s Cairo. The Committee pierces the inflammatory terrain between ordinary men, unbridled displays of power, and other broader concerns of the author’s native Egypt. The novel’s corrosive, shocking conclusion catapults satiric surrealism into a new realm.
An estimated 3,000 Palestinian citizens of Israel currently volunteer to serve in the Israeli military, a force fighting other Palestinians just miles away in occupied territories. Surrounded takes a close look at this controversial group of soldiers, examining the complex reasons these people join the army and the wider implications of their decisions in terms of security and citizenship. Most observers perceive a clear and powerful divide in the political tensions and open hostilities between the State of Israel and the Palestinian people, but often fail to notice those who straddle this divide—Palestinian citizens of Israel. These soldiers comprise no more than half a percent of this population, but their stories provide a powerful vantage point from which to consider a question faced by all Palestinians in Israel: to what extent are they, in fact, Israeli? Surrounded contains over seventy interviews with soldiers, and provides a unique glimpse of their conflicting experiences of acceptance, integration, and marginalization within the Israeli military. Concluding with comparisons to similar situations around the world, the book upends nationalist understandings of how wars and those who fight in them work. A key to a more complex understanding of ethnic conflict, this gripping and revealing look at a select group of soldiers will immensely alter ideas about the reasons why people choose to fight, particularly on "the wrong side" of a war.
Based on diaries and email correspondence that she kept from 1981-2004, here Suad Amiry evokes daily life in the West Bank town of Ramallah. "A literary protest done with great wit, skill, and passion. Not only is it really funny but it shows the kind of courage, vision, and humanity needed to bring peace to the Middle East." —Eve Ensler, author of The Vagina Monologues Capturing the frustrations, cabin fever, and downright misery of her experiences, Amiry writes with elegance and humor about the enormous difficulty of moving from one place to another, the torture of falling in love with someone from another town, the absurdity of her dog receiving a Jerusalem identity card when thousands of Palestinians could not, and the trials of having her ninety-two-year-old mother-in-law living in her house during a forty-two-day curfew. With a wickedly sharp ear for dialogue and a keen eye for detail, Amiry gives us an original, ironic, and firsthand glimpse into the absurdity—and agony—of life in the Occupied Territories.