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With its own fashion, culture, and chaotic energy, punk rock boasted a do-it-yourself ethos that allowed anyone to take part. Vibrant and volatile, the punk scene left an extraordinary legacy of music and cultural change. John Robb talks to many of those who cultivated the movement, such as John Lydon, Lemmy, Siouxsie Sioux, Mick Jones, Chrissie Hynde, Malcolm McLaren, Henry Rollins, and Glen Matlock, weaving together their accounts to create a raw and unprecedented oral history of UK punk. All the main players are here: from The Clash to Crass, from The Sex Pistols to the Stranglers, from the UK Subs to Buzzcocks—over 150 interviews capture the excitement of the most thrilling wave of rock ’n’ roll pop culture ever. Ranging from its widely debated roots in the late 1960s to its enduring influence on the bands, fashion, and culture of today, this history brings to life the energy and the anarchy as no other book has done.
Traces the history of punk music from its underground roots to the mainstream charts, from Britain to the U.S., including bands such as the Sex Pistols, the Buzzcocks, and the Talking Heads, and figures such as Sid Vicious and Iggy Pop.
Andy Blade was the frontman of Eater, a London punk band of the mid-70s. Few knew that Blade had come from a very untypical background - and that he would go on to embrace a very different lifestyle. The book also offers vivid insight into the London new wave scene from someone who was present at many of the epochal moments. A photo section includes previously unseen pictures of the band from Andy Blade's archives. A truly definitive and fascinating glimpse at the scene from one of the few who was at the very heart of the movement.
'No Feelings', 'No Fun', 'No Future'. The years 1976–84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi! and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent.
As religion has retreated from its position and role of being the glue that holds society together, something must take its place. Utilising a focused and detailed study of Straight Edge punk (a subset of punk in which adherents abstain from drugs, alcohol and casual sex) Punk Rock is My Religion argues that traditional modes of religious behaviours and affiliations are being rejected in favour of key ideals located within a variety of spaces and experiences, including popular culture. Engaging with questions of identity construction through concepts such as authenticity, community, symbolism and music, this book furthers the debate on what we mean by the concepts of ‘religion’ and ‘secular’. Provocatively exploring the notion of salvation, redemption, forgiveness and faith through a Straight Edge lens, it suggests that while the study of religion as an abstraction is doomed to a simplistic repetition of dominant paradigms, being willing to examine religion as a lived experience reveals the utility of a broader and more nuanced approach.
This original collection of insight, analysis and conversation charts the course of punk from its underground origins, when it was an un-formed and utterly alluring near-secret, through its rapid development. Punk is Dead: Modernity Killed Every Night takes in sex, style, politics and philosophy, filtered through punk experience, while believing in the ruins of memory, to explore a past whose essence is always elusive.
West Midlands 1980s, home to heavy metal. Black Sabbath and Judas Priest are household names, but over the smoking chimneys and factory yards something new and equally ugly formsa 'Grebo' was a media constructed music genre that even today sends a shudder down the spines of discerning music fans and critics. A homegrown proto-grunge a counterpart to the likes of Butthole Surfers, Mudhoney, early Nirvana, Alice In Chains, and Soundgarden in the US a grebo was a British phenomenon that drew on an eclectic range of influences, from punk, 60s garage and psychedelia, through to 70s heavy rock and thrash metal. It foreshadowed rave culture and was steeped in class politics. GAYE BYKERS ON ACID and CRAZYHEAD hailed from Leicester. They were not the first bands to be labelled grebo but they were the most unashamedly unkempt and came to be considered its greatest exponents. They were aa burst of dirty thundera and almost no one liked them. Based on interviews with band members, friends, fans, and roadies, this book is an uncompromising history of an overlooked music scene. Rich Deakin charts its course via the changing fortunes of the Bykers and Crazyhead, taking us on the booze-filled tour buses, behind the dodgy deals and onto the international stage and back again (with a pitstop for a rock movie that swallows lots of money). Their careers were short, but the two bands managed to shake up the UK indie scene and along the way became Britain's unlikely ambassadors of rock following the collapse of Soviet Russia. Strap yourself in for a rocket ride of a book. This is GREBO! a the complete loud and lousy story!
Teenage punk, self-taught musician, bandleader, session man, smoker, drinker, multi-millionaire, David Grohl has achieved a rare feat, a rock ‘n’ roll double crown having been a member of two hugely successful and influential bands – Nirvana and The Foo Fighters. Loaded with candid interviews and hard truths about Grohl’s life in music, this is the first comprehensive biography of an icon whose career charts rock and roll’s rise and fall over the past two decades. Detailing his drumming and touring with Queens of the Stone Age and Nine Inch Nails and his battle over Nirvana’s legacy with Courtney Love, this is a no-holds-barred account of a career and life at the very top. Grohl's powerhouse drumming, anthemic riffing and melodic brilliance have proved both thrilling and enduring, and he remains one of rock's most respected figures.